From Line

Lee Ufan adeptly channels the dynamic precision of calligraphic strokes in his abstract art. His disciplined approach is evident in the straight lines of uniform width and spacing. The artist intentionally applied the calligraphic convention of gradually fading pigment, yet deliberately distances himself from ink painting lineages by selecting a blue cobalt-cadmium pigment. Like the other artists in this exhibition, Lee confronts the categorical divisions imposed on Korean artists and their creations by melding diverse materials, objects, and concepts. From Line exemplifies this, with its painted lines both solid and porous, the canvas both full and empty. Embracing the both-and paradigm, Lee’s title emphasizes “from” as much as “line,” suggesting a beginning and an ongoing process, and evoking openness rather than finality.