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The Coronation of the Virgin, Annibale Carracci Italian, Oil on canvas
The Coronation of the Virgin
Annibale Carracci
after 1595
Uffizio della Settimana Santa : colle rubriche volgari, argomenti de' Salmi, spiegazione delle cerimonie e misterj, con osservazioni, e riflessioni divote dell'abate Alessandro Mazzinelli, Alessandro Mazzinelli Italian
Uffizio della Settimana Santa : colle rubriche volgari, argomenti de' Salmi, spiegazione delle cerimonie e misterj, con osservazioni, e riflessioni divote dell'abate Alessandro Mazzinelli
Multiple artists/makers
1794
Two Children Teasing a Cat, Annibale Carracci Italian, Oil on canvas
Two Children Teasing a Cat
Annibale Carracci
The Burial of Christ, Annibale Carracci Italian, Oil on copper
The Burial of Christ
Annibale Carracci
1595
Saint John the Baptist Bearing Witness, Annibale Carracci Italian, Oil on copper
Saint John the Baptist Bearing Witness
Annibale Carracci
ca. 1600
The Pottery Seller, Capodimonte Porcelain Manufactory Italian, Soft-paste porcelain, decorated in polychrome enamels, gold, Italian, Naples
The Pottery Seller
Multiple artists/makers
ca. 1745
Female Nude (Danaë), French French, Black chalk
Female Nude (Danaë)
Probably French
or Unknown
Former Attribution Annibale Carracci
late 17th century
Plate 39: Vendor of Caps, Simon Guillain II French, Etching
Plate 39: Vendor of Caps
Simon Guillain II
After Annibale Carracci
1646
Plate 76: Seller of Parmesan Cheese, Simon Guillain II French, Etching
Plate 76: Seller of Parmesan Cheese
Simon Guillain II
After Annibale Carracci
1646
A Domestic Scene: Woman Warming Clothes and Children in Front of a Fire, Vincenzio Vangelisti Italian, Mixed method engraving and etching
A Domestic Scene: Woman Warming Clothes and Children in Front of a Fire
Vincenzio Vangelisti
After Annibale Carracci
1738? or 1744–98
Seated Youth Facing Right, Seen from the Back, Annibale Carracci Italian, Red chalk with some white chalk highlights (recto); scribbles in red chalk (verso)
Seated Youth Facing Right, Seen from the Back
Annibale Carracci
1560–1609
Back View of a Seated Nude Youth Facing Left, Annibale Carracci Italian, Red chalk, with traces of highlights in white chalk (?)
Back View of a Seated Nude Youth Facing Left
Annibale Carracci
1560–1609
Landscape with Jacob Sleeping, Annibale Carracci Italian, Pen and two tones of brown ink, brush and gray-brown wash, over traces of leadpoint or black chalk
Landscape with Jacob Sleeping
Annibale Carracci
1560–1609
Study for an Angel (recto); Study of a Cushion (verso), Annibale Carracci Italian, Charcoal or soft black chalk, highlighted with white chalk, on blue paper; several scattered stains of rose-colored paint at lower left (recto); black chalk with some white chalk highlights (verso)
Study for an Angel (recto); Study of a Cushion (verso)
Annibale Carracci
1600–1602
Anteros Victorious, Annibale Carracci Italian, Red chalk
Anteros Victorious
Annibale Carracci
1560–1609
Coronation of the Virgin, Annibale Carracci Italian, Etching and engraving
Coronation of the Virgin
after Annibale Carracci
Publisher Johann Jakob Frey the Elder
1741
Saint Jerome in the Wilderness, Annibale Carracci Italian, Etching and engraving
Saint Jerome in the Wilderness
Annibale Carracci
Publisher Pietro Stefanoni
ca. 1591
Christ Crowned with Thorns, Annibale Carracci Italian, Etching
Christ Crowned with Thorns
Annibale Carracci
1606
Studies of a Boy and a Girl (recto); Studies of Legs (verso), Annibale Carracci Italian, Red chalk, highlighted with white chalk, on beige paper (recto); black and red chalk (verso)
Studies of a Boy and a Girl (recto); Studies of Legs (verso)
Traditionally ascribed to Annibale Carracci
1560–1609
The Drunken SiIenus: Design for the "Tazza Farnese", Annibale Carracci Italian, Pen and brown ink, brush and brown wash, over traces of black chalk, and stylus compass constructions; framing lines in pen and brown ink and black chalk or charcoal
The Drunken SiIenus: Design for the "Tazza Farnese"
Annibale Carracci
1599–1600
Studies for a Figure of Saint Francis Kneeling in a Three-Quarter View and for His Hands (recto); Studies for a Figure of Saint Francis Kneeling in Profile (verso), Annibale Carracci Italian, Red chalk with white chalk highlights, pen and brown ink (recto); red chalk (verso)
Studies for a Figure of Saint Francis Kneeling in a Three-Quarter View and for His Hands (recto); Studies for a Figure of Saint Francis Kneeling in Profile (verso)
Annibale Carracci
1583–85
Arti di Bologna (Di Bologna l'Arti per via D'An.ibal' Ca.rac), Giuseppe Maria Mitelli Italian, Etching; third state of three (Bertarelli)
Arti di Bologna (Di Bologna l'Arti per via D'An.ibal' Ca.rac)
Multiple artists/makers
1660 (re-published 1740)
Wilton album, folio 41: The Drunken Silenus (Tazza Farnese), Annibale Carracci Italian, Engraving printed from shallow silver cup
Wilton album, folio 41: The Drunken Silenus (Tazza Farnese)
Annibale Carracci
ca. 1597–1600
Perseus Beheading Medusa (recto); Studies of a Child and Ornament Sketches (verso), Annibale Carracci Italian, Pen and brown ink, brush and brown wash, over black chalk or charcoal, scribbles in a darker brown ink at upper right (recto); pen and brown ink, brush and brown wash (verso)
Perseus Beheading Medusa (recto); Studies of a Child and Ornament Sketches (verso)
Annibale Carracci
1560–1609
Triton Sounding a Conch Shell, Annibale Carracci Italian, Charcoal or soft black chalk; framing lines in pen and black ink and black chalk
Triton Sounding a Conch Shell
Annibale Carracci
ca. 1597–1602
Crawling Male Figure (Study for Cacus), Annibale Carracci Italian, Charcoal or soft black chalk, highlighted with traces of white chalk, on blue-gray paper faded light brown
Crawling Male Figure (Study for Cacus)
Annibale Carracci
1593
A Domestic Scene, Annibale Carracci Italian, Pen and with brown and gray-black ink, brush with gray and brown wash, over black chalk
A Domestic Scene
Annibale Carracci
1582–84
The Virgin and Child Resting Outside a City Gate, Annibale Carracci Italian, Pen and brown ink, brush with traces of brown wash, on light brown beige paper; traces of framing outlines in pen and brown ink
The Virgin and Child Resting Outside a City Gate
Annibale Carracci
1560–1609
The Drunken Silenus, Annibale Carracci Italian, Engraving on Silver
The Drunken Silenus
After Annibale Carracci
1560–1609
Head of a Woman Looking to Upper Left, Annibale Carracci Italian, Charcoal, highlighted with white chalk, on blue paper faded light- brown
Head of a Woman Looking to Upper Left
Attributed to Annibale Carracci
or, less likely, Ludovico Carracci
1590–1600
Christ and the Woman of Samaria, Annibale Carracci Italian, Pen and brown ink, brush and brown wash
Christ and the Woman of Samaria
After Annibale Carracci
1560–1609
Hercules and Omphale, Annibale Carracci Italian, Red and black chalk; outlines partly pricked for transfer; framing outlines in black chalk
Hercules and Omphale
After Annibale Carracci
1560–1609
The Virgin seated holding a pillow on her lap with the young Christ standing at right, Annibale Carracci Italian, Etching
The Virgin seated holding a pillow on her lap with the young Christ standing at right
Annibale Carracci
Former Attribution Francesco Brizio
Former Attribution Guido Reni
1580–1600
The Virgin seated holding a pillow on her lap with the young Christ standing at right, Annibale Carracci Italian, Etching
The Virgin seated holding a pillow on her lap with the young Christ standing at right
Annibale Carracci
Former Attribution Francesco Brizio
Former Attribution Guido Reni
1580–1600
Christ and the woman of Canaan, Pietro del Po Italian, Etching
Christ and the woman of Canaan
Pietro del Po
After Annibale Carracci
ca. 1650–90
Venus and Anchises, accompanied by Cupid, Wallerant Vaillant Dutch, Mezzotint; second state of two
Venus and Anchises, accompanied by Cupid
Wallerant Vaillant
After Annibale Carracci
17th century
La Vierge au sepulcre, Jean Morin French, Etching
La Vierge au sepulcre
Jean Morin
After Annibale Carracci
Moses and a Prophet, Jean Honoré Fragonard French, Etching; first state
Moses and a Prophet
Jean Honoré Fragonard
After Annibale Carracci
1763–64
Angel Holding a Palm and a Crown, Jean Honoré Fragonard French, Etching; first state of two
Angel Holding a Palm and a Crown
Jean Honoré Fragonard
After Annibale Carracci
ca. 1764
Venus and Cupid in a Landscape, after Annibale Carracci (recto); A Warrior Holding a Shield and Sword, Seen from the Back (verso), Théodore Géricault French, Pen and brown ink, brush and brown wash, watercolor, and white gouache over graphite and red chalk (recto); pen and brown ink, watercolor, over graphite and red chalk (verso)
Venus and Cupid in a Landscape, after Annibale Carracci (recto); A Warrior Holding a Shield and Sword, Seen from the Back (verso)
Théodore Géricault
After Annibale Carracci
1816–17
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,, Arthur Pond British, Engraving, etching, woodcut
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,
Multiple artists/makers
1732–69
Hercules and Cacus, after Annibale Carracci, and the Destruction of Enceladus, after Agostino Carracci, Jean Honoré Fragonard French, Black chalk; framing lines in pen and brown ink
Hercules and Cacus, after Annibale Carracci, and the Destruction of Enceladus, after Agostino Carracci
Jean Honoré Fragonard
After Annibale Carracci
After Agostino Carracci
1761