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The Coronation of the Virgin, Annibale Carracci  Italian, Oil on canvas
Annibale Carracci
after 1595
The Burial of Christ, Annibale Carracci  Italian, Oil on copper
Annibale Carracci
1595
The Pottery Seller, Capodimonte Porcelain Manufactory  Italian, Soft-paste porcelain, decorated in polychrome enamels, gold, Italian, Naples
Multiple artists/makers
ca. 1745
Female Nude (Danaë), French  French, Black chalk
Probably French
or Unknown
Former Attribution Annibale Carracci
late 17th century
Plate 39: Vendor of Caps, Simon Guillain II  French, Etching
Simon Guillain II
After Annibale Carracci
1646
Plate 76: Seller of Parmesan Cheese, Simon Guillain II  French, Etching
Simon Guillain II
After Annibale Carracci
1646
A Domestic Scene: Woman Warming Clothes and Children in Front of a Fire, Vincenzio Vangelisti  Italian, Mixed method engraving and etching
Vincenzio Vangelisti
After Annibale Carracci
1738? or 1744–98
Landscape with Jacob Sleeping, Annibale Carracci  Italian, Pen and two tones of brown ink, brush and gray-brown wash, over traces of leadpoint or black chalk
Annibale Carracci
1560–1609
Anteros Victorious, Annibale Carracci  Italian, Red chalk
Annibale Carracci
1560–1609
Coronation of the Virgin, Annibale Carracci  Italian, Etching and engraving
after Annibale Carracci
Publisher Johann Jakob Frey the Elder
1741
Saint Jerome in the Wilderness, Annibale Carracci  Italian, Etching and engraving
Annibale Carracci
Publisher Pietro Stefanoni
ca. 1591
Christ Crowned with Thorns, Annibale Carracci  Italian, Etching
Annibale Carracci
1606
Studies of a Boy and a Girl (recto); Studies of Legs (verso), Annibale Carracci  Italian, Red chalk, highlighted with white chalk, on beige paper (recto); black and red chalk (verso)
Traditionally ascribed to Annibale Carracci
1560–1609
Arti di Bologna (Di Bologna l'Arti per via D'An.ibal' Ca.rac), Giuseppe Maria Mitelli  Italian, Etching; third state of three (Bertarelli)
Multiple artists/makers
1660 (re-published 1740)
Triton Sounding a Conch Shell, Annibale Carracci  Italian, Charcoal or soft black chalk; framing lines in pen and black ink and black chalk
Annibale Carracci
ca. 1597–1602
A Domestic Scene, Annibale Carracci  Italian, Pen and with brown and gray-black ink, brush with gray and brown wash, over black chalk
Annibale Carracci
1582–84
The Drunken Silenus, Annibale Carracci  Italian, Engraving on Silver
After Annibale Carracci
1560–1609
Head of a Woman Looking to Upper Left, Annibale Carracci  Italian, Charcoal, highlighted with white chalk, on blue paper faded light- brown
Attributed to Annibale Carracci
or, less likely, Ludovico Carracci
1590–1600
Christ and the Woman of Samaria, Annibale Carracci  Italian, Pen and brown ink, brush and brown wash
After Annibale Carracci
1560–1609
Hercules and Omphale, Annibale Carracci  Italian, Red and black chalk; outlines partly pricked for transfer; framing outlines in black chalk
After Annibale Carracci
1560–1609
The Virgin seated holding a pillow on her lap with the young Christ standing at right, Annibale Carracci  Italian, Etching
Annibale Carracci
Former Attribution Francesco Brizio
Former Attribution Guido Reni
1580–1600
The Virgin seated holding a pillow on her lap with the young Christ standing at right, Annibale Carracci  Italian, Etching
Annibale Carracci
Former Attribution Francesco Brizio
Former Attribution Guido Reni
1580–1600
Christ and the woman of Canaan, Pietro del Po  Italian, Etching
Pietro del Po
After Annibale Carracci
ca. 1650–90
Venus and Anchises, accompanied by Cupid, Wallerant Vaillant  Dutch, Mezzotint; second state of two
Wallerant Vaillant
After Annibale Carracci
17th century
La Vierge au sepulcre, Jean Morin  French, Etching
Jean Morin
After Annibale Carracci
Moses and a Prophet, Jean Honoré Fragonard  French, Etching; first state
Jean Honoré Fragonard
After Annibale Carracci
1763–64
Angel Holding a Palm and a Crown, Jean Honoré Fragonard  French, Etching; first state of two
Jean Honoré Fragonard
After Annibale Carracci
ca. 1764
Hercules and Cacus, after Annibale Carracci, and the Destruction of Enceladus, after Agostino Carracci, Jean Honoré Fragonard  French, Black chalk; framing lines in pen and brown ink
Jean Honoré Fragonard
After Annibale Carracci
After Agostino Carracci
1761