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Garden Gathering, Stonepaste; painted and polychrome glazed (cuerda seca technique) — Garden Gathering
1640–50

Virgin and Child, Claus de Werve Netherlandish, Limestone with paint and gilding, French — Virgin and Child
Claus de Werve
ca. 1415–17

Bow Brooch, Silver with gold-sheet overlay and garnets, East Germanic — Bow Brooch
East Germanic
400–450

The Antioch "Chalice", Silver, silver-gilt, Byzantine — The Antioch "Chalice"
Byzantine
500–550

The Adoration of the Magi, Bartolo di Fredi Italian, Tempera and gold on wood — The Adoration of the Magi
Bartolo di Fredi
ca. 1390

Saint Anthony the Abbot in the Wilderness, Osservanza Master Italian, Tempera and gold on wood — Saint Anthony the Abbot in the Wilderness
Osservanza Master
ca. 1435

The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445

The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60

Coronation of the Virgin, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera on wood, gold ground — Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455

Madonna and Child, Benvenuto di Giovanni Italian, Tempera on wood, gold ground — Madonna and Child
Benvenuto di Giovanni
ca. 1470

The Annunciation, Hans Memling Netherlandish, Oil on panel, transferred to canvas — The Annunciation
Hans Memling
1480–89

Aquamanile in the Form of a Mounted Knight, Copper alloy, German — Aquamanile in the Form of a Mounted Knight
German
ca. 1250

Burgomaster Jan van Duren (1613–1687), Gerard ter Borch the Younger Dutch, Oil on canvas — Burgomaster Jan van Duren (1613–1687)
Gerard ter Borch the Younger
ca. 1666–67

Margaretha van Haexbergen (1614–1676), Gerard ter Borch the Younger Dutch, Oil on canvas — Margaretha van Haexbergen (1614–1676)
Gerard ter Borch the Younger
ca. 1666–67

Christ Carrying the Cross, El Greco (Domenikos Theotokopoulos) Greek, Oil on canvas — Christ Carrying the Cross
El Greco (Domenikos Theotokopoulos)
ca. 1577–87

Saint Jerome as Scholar, El Greco (Domenikos Theotokopoulos) Greek, Oil on canvas — Saint Jerome as Scholar
El Greco (Domenikos Theotokopoulos)
ca. 1610

The Palace of Westminster, André Derain French, Oil on canvas — The Palace of Westminster
André Derain
1906–1907

Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer. — Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s

The Martyrdom of Saint Paul, Taddeo Zuccaro Italian, Pen and brown and gray ink, brown wash, over black chalk, heightened with white, on buff paper. — The Martyrdom of Saint Paul
Taddeo Zuccaro
ca. 1557–58

Armorial Plate (tondino): The story of King Midas, Nicola da Urbino Italian, Maiolica (tin-glazed earthenware) — Armorial Plate (tondino): The story of King Midas
Nicola da Urbino
ca. 1520–25

Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass. Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany — Goblet
Façon de Venise, probably south Lowlands or Germany
17th century

Watch, Jacques Goullons French, Case and dial of enameled gold; hand of steel; movement of brass, partly gilded, and steel — Watch
Jacques Goullons
ca. 1645–48

Aquamanile in the Form of Aristotle and Phyllis, Bronze; Quaternary copper alloy (approx. 72% copper, approx. 17% zinc,<br/>approx. 6% lead, approx. 3% tin)., South Netherlandish — Aquamanile in the Form of Aristotle and Phyllis
South Netherlandish
late 14th or early 15th century

Adoration of the Shepherds, Francesco di Marco Marmitta da Parma Emilian, Tempera and gold on parchment — Adoration of the Shepherds
Francesco di Marco Marmitta da Parma
ca. 1500

Men Shoveling Chairs (Scupstoel), Vranke van der Stockt Netherlandish, Pen and brown ink over traces of black chalk. — Men Shoveling Chairs (Scupstoel)
Vranke van der Stockt
1444–50

Bust of a Man in a Hat Gazing Upward, Martin Schongauer German, Pen and carbon black ink, over pen and brown ink, on paper prepared with sanguine wash. — Bust of a Man in a Hat Gazing Upward
Martin Schongauer
ca. 1480–90

Dish (piatto): Man Washing the Mouth of an Ass, Maiolica (tin-glazed earthenware), Italian, Deruta — Dish (piatto): Man Washing the Mouth of an Ass
Italian, Deruta
ca. 1550–60

Standing Cup and Cover Supported by an Enchained Turk, Jade (nephrite), aragonite, chalcedony, banded agate, gold, silver gilt, diamonds, rubies, garnets, enamel, and paint., German, perhaps Frankfurt-am-Main — Standing Cup and Cover Supported by an Enchained Turk
German, perhaps Frankfurt-am-Main
ca. 1705–11

Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation., Reinhold Vasters (frame) German, Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass. — Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
Italian
second half 16th century (panels); ca. 1865–90 (frame)

Plaque with Saint John the Evangelist, Elephant ivory, Carolingian — Plaque with Saint John the Evangelist
Carolingian
early 9th century

Saint Nicholas Accuses the Consul from Scenes from the Life of Saint Nicholas, Pot-metal glass and vitreous paint, French — Saint Nicholas Accuses the Consul from Scenes from the Life of Saint Nicholas
French
ca. 1200–1210

Theodosius Arrives at Ephesus, from a Scene from the Legend of the Seven Sleepers of Ephesus, Pot-metal glass, vitreous paint, French — Theodosius Arrives at Ephesus, from a Scene from the Legend of the Seven Sleepers of Ephesus
French
ca. 1200–1210

Diptych with Scenes of the Annunciation, Nativity, Crucifixion, and Resurrection, Silver gilt with translucent and opaque enamels, German — Diptych with Scenes of the Annunciation, Nativity, Crucifixion, and Resurrection
German
1300–1325

Roundel with the Temptation of Saint Anthony, Colorless glass, vitreous paint and silver stain, German — Roundel with the Temptation of Saint Anthony
German
1532

Martyrdom of Saint Lawrence, Pot-metal glass, vitreous paint, British — Martyrdom of Saint Lawrence
British
ca. 1180

Shrine of the Virgin, Oak, linen covering, polychromy, gilding, gesso, German — Shrine of the Virgin
German
ca. 1300

Saint Anthony Abbot, Nikolaus von Hagenau German, Walnut, German — Saint Anthony Abbot
Nikolaus von Hagenau
ca. 1500

Adoration of the Magi from Seven Scenes from the Life of Christ, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Adoration of the Magi from Seven Scenes from the Life of Christ
Austrian
ca. 1390

Fragment of a Floor Mosaic with a Personification of Ktisis, Marble and glass, Byzantine — Fragment of a Floor Mosaic with a Personification of Ktisis
Byzantine
500–550, with modern restoration

The Belles Heures of Jean de France, duc de Berry, The Limbourg Brothers Franco-Netherlandish, Tempera, gold, and ink on vellum, French — The Belles Heures of Jean de France, duc de Berry
The Limbourg Brothers
1405–1408/1409