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The Censer, Martin Schongauer  German, Engraving
Martin Schongauer
After/with Georg Schongauer
1470–1491
Sharecropper, Elizabeth Catlett  American and Mexican, Linocut printed in green and black
Elizabeth Catlett
1952 (published 1968–70)
Moulin Rouge: La Goulue, Henri de Toulouse-Lautrec  French, Lithograph printed in four colors; three sheets of wove paper
Henri de Toulouse-Lautrec
Printer Affiches Américaines, Charles Lévy
1891
Self-Portrait, Goya (Francisco de Goya y Lucientes)  Spanish, Brush and point of brush, carbon black ink
Draftsman Goya (Francisco de Goya y Lucientes)
Sitter Goya (Francisco de Goya y Lucientes)
ca. 1796
Édouard Manet, Seated, Holding His Hat, Edgar Degas  French, Graphite and black chalk
Edgar Degas
Sitter Edouard Manet
ca. 1868
Mascarade à la Grecque; Suite des Vases; and [Cheminées], Ennemond Alexandre Petitot  French, Etching
Ennemond Alexandre Petitot
Etched and published by Benigno Bossi
Dedicatee Dedicated to Marquis de Felino
1771, 1764
'Rear Guard' (or 'On the Road'): men and women carrying rifles and children, José Clemente Orozco  Mexican, Lithograph
José Clemente Orozco
Printer George C. Miller
Publisher Weyhe Gallery, New York
1929
Accident, Robert Rauschenberg  American, Lithograph
Robert Rauschenberg
1963
Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces, Albrecht Dürer  German, Woodcut
Albrecht Dürer
After Leonardo da Vinci
before 1521
Marilyn, Andy Warhol  American, Screenprint
Multiple artists/makers
1967
Hercules chasing Avarice from the Temple of the Muses, Ugo da Carpi  Italian, Chiaroscuro woodcut from two blocks in green
Ugo da Carpi
After Baldassarre Tommaso Peruzzi
ca. 1520–27
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)  Italian, Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1435–38
Phaeton, from "The Four Disgracers", Hendrick Goltzius  Netherlandish, Engraving
Hendrick Goltzius
After Cornelis Cornelisz van Haarlem
1588
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi  Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
Armor, Odilon Redon  French, Charcoal and conté crayon
Odilon Redon
1891
The Entombment, Sir Edward Burne-Jones  British, Green, blue, brown and touches of reddish bodycolor, heightened with white  gouache (bodycolor)
Sir Edward Burne-Jones
1879
Seated Giant, Goya (Francisco de Goya y Lucientes)  Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
The Connoisseur, Honoré Daumier  French, Pen and ink, wash, watercolor, lithographic crayon, and gouache over black chalk on wove paper
Honoré Daumier
ca. 1860–65
Eastern Coast of Rügen with Shepherd, Caspar David Friedrich  German, Brown ink and wash over pencil, with white opaque watercolor, on wove paper; partial framing line in brown-black ink
Caspar David Friedrich
1805–6
Jupiter and Juno: Study for the "Furti di Giove" Tapestries, Perino del Vaga (Pietro Buonaccorsi)  Italian, Pen and dark brown ink, brush and brown and gray wash, highlighted with white gouache
Perino del Vaga (Pietro Buonaccorsi)
ca. 1532–35
Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century  French, Woodcut with pochoir (stencil) and hand coloring
Anonymous, French, 16th century
Rue de Montorgueil
Publisher Denis Fonteney
ca. 1560–80
Portrait of Emma Hamilton, Angelica Kauffmann  Swiss, Black and white chalk, on gray prepared paper
Angelica Kauffmann
Sitter Lady Emma Hamilton
1791
Mountain Valley with a Plateau, Hercules Segers  Dutch, Line etching, drypoint, and metal punch printed in blue-green, on a yellow-green ground, colored with brush; second state of two
Hercules Segers
ca. 1625–30
Landscape, Edgar Degas  French, Monotype in oil colors, heightened with pastel
Edgar Degas
1892
Nocturne: Palaces, James McNeill Whistler  American, Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper.
James McNeill Whistler
1879–80
Hypnerotomachia Poliphili, Francesco Colonna  Italian, Printed book with woodcut illustrations
Multiple artists/makers
December 1499
Snake Man, Alison Saar  American, Color woodcut and lithograph
Alison Saar
Publisher Vinalhaven Press
1994