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Clarinet in B-flat, Charles Joseph Sax  Belgian, Ivory, brass, gold-plated silver, Belgian
Charles Joseph Sax
1830
The Triumph of Fame, Wool, silk (6-7 warp threads per cm.), Netherlandish, probably Brussels
Netherlandish, probably Brussels
ca. 1502–4
Phantomas. 62. Marcel Broodthaers, Marcel Broodthaers  Belgian
Marcel Broodthaers
1966
Panel with grotesques, from a set of bed hangings, Cornelis Floris II  Netherlandish, Silk, wool, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Netherlandish, Brussels
related to the prints of Cornelis Floris II
ca. 1550–60
Reliquary bust of a companion of Saint Ursula, Oak, polychromed and gilt on plaster ground; glass opening for relic, Belgian, possibly Brussels
Belgian, possibly Brussels
ca. 1520–30
Vase, Philippe Wolfers  Belgian, Silver, partly gilded, Belgian, Brussels
Designer Designed by Philippe Wolfers
Wolfers Freres
ca. 1896
Victory Alighting on Earth, Gilles-Lambert Godecharle, Terracotta, Belgian, Brussels
Gilles-Lambert Godecharle
1809
Armet, Guillem Margot  Flemish, Steel, copper alloy, South Netherlandish, Brussels
Armorer Guillem Margot
ca. 1505
Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona  Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels
Designer Design attributed to Giovanni Battista Lodi da Cremona
Designer Border design attributed to Giovanni Francesco Penni
Workshop director Weaving workshop directed by Willem de Pannemaker
designed ca. 1540, woven ca. 1570
Reliquary Bust of Saint Balbina, Oak, with paint and gilding, and human remains, South Netherlandish
South Netherlandish
ca. 1520–30
Bench, Walnut and oak, South Netherlandish
South Netherlandish
15th century
Reliquary Bust of a Female Saint, Oak, paint, gilt, South Netherlandish
South Netherlandish
ca. 1520–30
Descent from the Cross, Fruitwood with paint, South Netherlandish
South Netherlandish
ca. 1475–1500
Cor omnitonique, Charles Joseph Sax  Belgian, Brass, Belgian
Attributed to Charles Joseph Sax
1833
Letter P with the Legend of Saint Philip, Boxwood; later (18th century) embroidered silk pouch, Netherlandish
Netherlandish
ca. 1500–before 1506
Elector Maximilian II Emanuel of Bavaria on Horseback, Roger Schabol  Flemish, Bronze, with gilt-bronze base of about two decades later, Flemish, Brussels
Roger Schabol
Designer After a design by Martin Desjardins
cast 1707
The Dockhand (Le Débardeur du port d’Anvers), Constantin Meunier  Belgian, Bronze, Belgian, Brussels
Constantin Meunier
Founder J. Petermann Foundry
1885, cast before 1902
Flounce, Bobbin lace, Flemish, Brussels
Flemish, Brussels
early 18th century
Adoration of the Kings, Bernard van Orley or a member of his workshop Netherlandish, Wool, silk, silver, silver-gilt thread (20 warps per inch, 8 per cm.), Netherlandish, Brussels
Designer Design attributed to Bernard van Orley
Elements of the central group are derived from Tommaso Vincidor (Tommaso di Andrea)
Possibly woven in the workshop directed by Pieter van Aelst the Younger
1525–1535
Watch, Pierre Landré, Metal, enamel, Flemish, Brussels
Watchmaker: Pierre Landré
Enameler Possibly by Henri Toutin
Enameler or possibly Robert Vauquer, School of Blois
ca. 1630
October from a set of Medallion Months, Bernard van Orley  Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels
Designer Possibly after a design by Bernard van Orley
ca. 1525–28
Piece, Bobbin lace, point d'Angleterre, Flemish, Brussels
Flemish, Brussels
18th century
Piece, Bobbin lace, point d'Angleterre, Flemish, Brussels
Flemish, Brussels
18th century
Piece, Bobbin lace, point d'Angleterre, Flemish, Brussels
Flemish, Brussels
18th century
Cleopatra Dissolving the Pearl from a set of The Story of Antony and Cleopatra, Justus van Egmont  Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels
Designer Designed by Justus van Egmont
Weaving workshop directed by Jan van Leefdael
designed ca. 1650, woven 1650–77
Cleopatra Asked to Pay Tribute to Rome from a set of The Story of Antony and Cleopatra, Justus van Egmont  Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels
Designer Designed by Justus van Egmont
Weaving workshop directed by Jan van Leefdael
designed ca. 1650, woven 1650–77
The Meeting of Antony and Cleopatra from a set of The Story of Antony and Cleopatra, Justus van Egmont  Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels
Designer Designed by Justus van Egmont
Weaving workshop directed by Geraert van der Strecken
designed ca. 1650, woven 1650–77
The Death of Cleopatra from a set of The Story of Antony and Cleopatra, Justus van Egmont  Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels
Designer Designed by Justus van Egmont
Weaving workshop directed by Geraert van der Strecken
designed ca. 1650, woven 1650–77
Fragment, Needle lace, Point de Gaze, bobbin lace (?), Belgian, Brussels
Belgian, Brussels
19th century
Fragment, Bobbin lace, Belgian, Brussels
Belgian, Brussels
19th century
Collar, Needle lace, Point de Gaze, Belgian, Brussels
Belgian, Brussels
ca. 1850
Strip, Bobbin lace, point d'Angleterre, Flemish, Brussels
Flemish, Brussels
18th century
Strip, Bobbin lace, point d'Angleterre, Flemish, Brussels
Flemish, Brussels
18th century
Strip, Bobbin lace, point d'Angleterre, Flemish, Brussels
Flemish, Brussels
18th century
Lappets (2), Bobbin lace, Flemish, Brussels
Flemish, Brussels
18th century
Strip, Bobbin lace, Flemish, Brussels
Flemish, Brussels
18th century
Strip, Bobbin lace, Flemish, Brussels
Flemish, Brussels
18th century