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Emperor Vespasian Cured by Veronica's Veil, Wool, silk, and gilt-metal-strip-wrapped silk in slit, dovetailed, and double interlocking tapestry weave., Flemish, Brussels
Emperor Vespasian Cured by Veronica's Veil
Flemish, Brussels
ca. 1510
Clarinet in B-flat, Charles Joseph Sax Belgian, Ivory, brass, gold-plated silver, Belgian
Clarinet in B-flat
Charles Joseph Sax
1830
The Triumph of Fame, Wool, silk (6-7 warp threads per cm.), Netherlandish, probably Brussels
The Triumph of Fame
Netherlandish, probably Brussels
ca. 1502–4
Phantomas. 62. Marcel Broodthaers, Marcel Broodthaers Belgian
Phantomas. 62. Marcel Broodthaers
Marcel Broodthaers
1966
Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels
Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse
Designer Design attributed to Giovanni Battista Lodi da Cremona
Designer Border design attributed to Giovanni Francesco Penni
Workshop director Weaving workshop directed by Willem de Pannemaker
designed ca. 1540, woven ca. 1570
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Multiple artists/makers
designed ca. 1540, woven ca. 1570
Reliquary bust of a companion of Saint Ursula, Oak, polychromed and gilt on plaster ground; glass opening for relic, Belgian, possibly Brussels
Reliquary bust of a companion of Saint Ursula
Belgian, possibly Brussels
ca. 1520–30
Armet, Guillem Margot Flemish, Steel, copper alloy, South Netherlandish, Brussels
Armet
Armorer Guillem Margot
ca. 1505
Panel with grotesques, from a set of bed hangings, Cornelis Floris II Netherlandish, Silk, wool, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Netherlandish, Brussels
Panel with grotesques, from a set of bed hangings
related to the prints of Cornelis Floris II
ca. 1550–60
Reliquary Bust of a Female Saint, Oak with paint and gilding, South Netherlandish
Reliquary Bust of a Female Saint
South Netherlandish
ca. 1520–30
Vase, Philippe Wolfers Belgian, Silver, partly gilded, Belgian, Brussels
Vase
Designer Designed by Philippe Wolfers
Wolfers Freres
ca. 1896
Victory Alighting on Earth, Gilles-Lambert Godecharle, Terracotta, Belgian, Brussels
Victory Alighting on Earth
Gilles-Lambert Godecharle
1809
Elector Maximilian II Emanuel of Bavaria on Horseback, Roger Schabol Flemish, Bronze, with gilt-bronze base of about two decades later, Flemish, Brussels
Elector Maximilian II Emanuel of Bavaria on Horseback
Roger Schabol
Designer After a design by Martin Desjardins
cast 1707
The Way to Calvary, with Saint Veronica Receiving the Veil Imprinted with the Face of Christ, Walnut, paint and gilding, South Netherlandish
The Way to Calvary, with Saint Veronica Receiving the Veil Imprinted with the Face of Christ
South Netherlandish
ca. 1510
Reliquary Bust of Saint Balbina, Oak, with paint and gilding, and human remains, South Netherlandish
Reliquary Bust of Saint Balbina
South Netherlandish
ca. 1520–30
Roundel with Judgment or Allegorical Scene, Colorless glass, vitreous paint and silver stain, South Netherlandish
Roundel with Judgment or Allegorical Scene
South Netherlandish
ca. 1520
Bench, Walnut and oak, South Netherlandish
Bench
South Netherlandish
15th century
Descent from the Cross, Fruitwood with paint, South Netherlandish
Descent from the Cross
South Netherlandish
ca. 1475–1500
Sorgheloos ("Carefree") in Poverty, Colorless glass, vitreous paint and silver stain, Netherlandish
Sorgheloos ("Carefree") in Poverty
Netherlandish
1510–20
Cor omnitonique, Charles Joseph Sax Belgian, Brass, Belgian
Cor omnitonique
Attributed to Charles Joseph Sax
1833
Letter P with the Legend of Saint Philip, Boxwood; later (18th century) embroidered silk pouch, Netherlandish
Letter P with the Legend of Saint Philip
Netherlandish
ca. 1500–before 1506
The Dockhand (Le Débardeur du port d’Anvers), Constantin Meunier Belgian, Bronze, Belgian, Brussels
The Dockhand (Le Débardeur du port d’Anvers)
Constantin Meunier
Founder J. Petermann Foundry
1885, cast before 1902
Handkerchief, Bobbin lace, Brussels bobbin lace, Belgian, Brussels
Handkerchief
Belgian, Brussels
19th century
Collar, Bobbin lace, needle lace, mixed lace, Belgian, Brussels
Collar
Belgian, Brussels
mid-19th century
Border, Bobbin lace, Brussels bobbin lace, Belgian, Brussels
Border
Belgian, Brussels
19th century
Laban Looking for the Images and Making a Covenant with Jacob from The Story of Jacob series, Wool, silk (18 warps per inch, 6–7 per cm.), Netherlandish, Brussels
Laban Looking for the Images and Making a Covenant with Jacob from The Story of Jacob series
Netherlandish, Brussels
1550–75
Jacob Sacrificing After Making a Covenant with Laban from The Story of Jacob series, Wool, silk (18 warps per inch, 6–7 per cm.), Netherlandish, Brussels
Jacob Sacrificing After Making a Covenant with Laban from The Story of Jacob series
Netherlandish, Brussels
1550–75
Jacob Burying Idols Under an Oak Tree from The Story of Jacob series, Wool, silk (18 warps per inch, 6–7 per cm.), Netherlandish, Brussels
Jacob Burying Idols Under an Oak Tree from The Story of Jacob series
Netherlandish, Brussels
1550–75
Flounce, Bobbin lace, Flemish, Brussels
Flounce
Flemish, Brussels
early 18th century
Flounce, Bobbin lace, Flemish, Brussels
Flounce
Flemish, Brussels
late 17th century
Rabat, Bobbin lace, Brussels bobbin lace, Flemish, Brussels
Rabat
Flemish, Brussels
1720–40
Lappet, Needle lace, Flemish, Brussels
Lappet
Flemish, Brussels
18th century
Edging, Bobbin lace, Brussels bobbin lace, Flemish, Brussels
Edging
Flemish, Brussels
18th century
Flounce, Applied, Belgian, Brussels
Flounce
Belgian, Brussels
19th century
Christ Shown to the People, Quentin Metsys Netherlandish, Wool, silk, silver, silver-gilt thread (21-23 warps per inch, 8-10 per cm.), Netherlandish, probably Brussels
Christ Shown to the People
Designer After a painting by Quentin Metsys
ca. 1515–20
Panel with grotesques, from a set of bed hangings, Cornelis Floris II Netherlandish, Silk, wool, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Netherlandish, Brussels
Panel with grotesques, from a set of bed hangings
related to the prints of Cornelis Floris II
ca. 1550–60
Shawl, Silk, needle lace, Belgian, Brussels
Shawl
Belgian, Brussels
ca. 1870
Border, Needle lace, Brussels needle lace, Point de Gaze, Belgian, Brussels
Border
Belgian, Brussels
19th century
Pair of lappets, Bobbin lace, point d'Angleterre, Flemish, Brussels
Pair of lappets
Flemish, Brussels
first half 18th century
Parasol top, Needle lace, Brussels needle lace, Flemish, Brussels
Parasol top
Flemish, Brussels
19th century
Agamemnon musters the Greek troops at Aulis from the “Story of Iphigenia”, Pieter Coecke van Aelst Netherlandish, Wool, silk (16-17 warps per inch, 6-7 per cm.), Netherlandish, Brussels
Agamemnon musters the Greek troops at Aulis from the “Story of Iphigenia”
Designer Design attributed to Pieter Coecke van Aelst
Woven under the direction of Willem de Kempeneer
1535–48
Border, Verdé, Delisle & Cie., Needle lace, Brussels needle lace, Point de Gaze, Belgian, Brussels
Border
Manufactory Verdé, Delisle & Cie.
ca. 1867