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The Met CollectionSearch Art

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Textiles (286)

Needlework (235)

Lace (230)

Bobbin lace (147)

Needle lace (73)

Needles (72)

Costume (71)

Silk (61)

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Emperor Vespasian Cured by Veronica's Veil, Wool, silk, and gilt-metal-strip-wrapped silk in slit, dovetailed, and double interlocking tapestry weave., Flemish, Brussels — Emperor Vespasian Cured by Veronica's Veil
Flemish, Brussels
ca. 1510

Clarinet in B-flat, Charles Joseph Sax Belgian, Ivory, brass, gold-plated silver, Belgian — Clarinet in B-flat
Charles Joseph Sax
1830

The Triumph of Fame, Wool, silk (6-7 warp threads per cm.), Netherlandish, probably Brussels — The Triumph of Fame
Netherlandish, probably Brussels
ca. 1502–4

Phantomas. 62. Marcel Broodthaers, Marcel Broodthaers Belgian — Phantomas. 62. Marcel Broodthaers
Marcel Broodthaers
1966

Reliquary bust of a companion of Saint Ursula, Oak, polychromed and gilt on plaster ground; glass opening for relic, Belgian, possibly Brussels — Reliquary bust of a companion of Saint Ursula
Belgian, possibly Brussels
ca. 1520–30

Vase, Philippe Wolfers Belgian, Silver, partly gilded, Belgian, Brussels — Vase
Designer Designed by Philippe Wolfers
Wolfers Freres
ca. 1896

Victory Alighting on Earth, Gilles-Lambert Godecharle, Terracotta, Belgian, Brussels — Victory Alighting on Earth
Gilles-Lambert Godecharle
1809

Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels — Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse
Designer Design attributed to Giovanni Battista Lodi da Cremona
Designer Border design attributed to Giovanni Francesco Penni
Workshop director Weaving workshop directed by Willem de Pannemaker
designed ca. 1540, woven ca. 1570

Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels — Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Multiple artists/makers
designed ca. 1540, woven ca. 1570

Armet, Guillem Margot Flemish, Steel, copper alloy, South Netherlandish, Brussels — Armet
Armorer Guillem Margot
ca. 1505

Panel with grotesques, from a set of bed hangings, Cornelis Floris II Netherlandish, Silk, wool, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Netherlandish, Brussels — Panel with grotesques, from a set of bed hangings
related to the prints of Cornelis Floris II
ca. 1550–60

Descent from the Cross, Fruitwood with paint, South Netherlandish — Descent from the Cross
South Netherlandish
ca. 1475–1500

Reliquary Bust of Saint Balbina, Oak, with paint and gilding, and human remains, South Netherlandish — Reliquary Bust of Saint Balbina
South Netherlandish
ca. 1520–30

Roundel with Judgment or Allegorical Scene, Colorless glass, vitreous paint and silver stain, South Netherlandish — Roundel with Judgment or Allegorical Scene
South Netherlandish
ca. 1520

Sorgheloos ("Carefree") in Poverty, Colorless glass, vitreous paint and silver stain, Netherlandish — Sorgheloos ("Carefree") in Poverty
Netherlandish
1510–20

Bench, Walnut and oak, South Netherlandish — Bench
South Netherlandish
15th century

The Way to Calvary, with Saint Veronica Receiving the Veil Imprinted with the Face of Christ, Walnut, paint and gilding, South Netherlandish — The Way to Calvary, with Saint Veronica Receiving the Veil Imprinted with the Face of Christ
South Netherlandish
ca. 1510

Letter P with the Legend of Saint Philip, Boxwood; later (18th century) embroidered silk pouch, Netherlandish — Letter P with the Legend of Saint Philip
Netherlandish
ca. 1500–before 1506

Cor omnitonique, Charles Joseph Sax Belgian, Brass, Belgian — Cor omnitonique
Attributed to Charles Joseph Sax
1833

Elector Maximilian II Emanuel of Bavaria on Horseback, Roger Schabol Flemish, Bronze, with gilt-bronze base of about two decades later, Flemish, Brussels — Elector Maximilian II Emanuel of Bavaria on Horseback
Roger Schabol
Designer After a design by Martin Desjardins
cast 1707

The Dockhand (Le Débardeur du port d’Anvers), Constantin Meunier Belgian, Bronze, Belgian, Brussels — The Dockhand (Le Débardeur du port d’Anvers)
Constantin Meunier
Founder J. Petermann Foundry
1885, cast before 1902

Reliquary Bust of a Female Saint, Oak with paint and gilding, South Netherlandish — Reliquary Bust of a Female Saint
South Netherlandish
ca. 1520–30

Adoration of the Kings, Bernard van Orley or a member of his workshop Netherlandish, Wool, silk, silver, silver-gilt thread (20 warps per inch, 8 per cm.), Netherlandish, Brussels — Adoration of the Kings
Designer Design attributed to Bernard van Orley
Elements of the central group are derived from Tommaso Vincidor (Tommaso di Andrea)
Possibly woven in the workshop directed by Pieter van Aelst the Younger
1525–1535

Watch, Pierre Landré, Metal, enamel, Flemish, Brussels — Watch
Watchmaker: Pierre Landré
Enameler Possibly by Henri Toutin
Enameler or possibly Robert Vauquer, School of Blois
ca. 1630

October from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels — October from a set of Medallion Months
Designer Possibly after a design by Bernard van Orley
ca. 1525–28

Flounce, Bobbin lace, Flemish, Brussels — Flounce
Flemish, Brussels
early 18th century

The Arms of William and Mary, Daniel Marot the Elder French, Wool, silk, metal thread (20 warps per inch, 9 per cm.), Flemish, Brussels — The Arms of William and Mary
Multiple artists/makers
1694–1700

Skirt, Bobbin lace, needle lace, Point de Gaze, machine made net, Belgian, Brussels — Skirt
Belgian, Brussels
late 19th century

Cosimo II de' Medici (1590–1621), Grand Duke of Tuscany, Justus Sustermans Flemish, Oil on canvas, transferred from wood, Flemish — Cosimo II de' Medici (1590–1621), Grand Duke of Tuscany
Workshop of Justus Sustermans
1597–1681

Halberd, Steel, wood, Flemish — Halberd
Flemish
ca. 1550

Partisan, Steel, wood, Flemish — Partisan
Flemish
ca. 1530

Halberd-Partisan, Steel, wood, possibly Flemish — Halberd-Partisan
possibly Flemish
ca. 1620

Halberd, Steel, wood, possibly Flemish — Halberd
possibly Flemish
ca. 1600

Flounce, Bobbin lace, point d'Angleterre, Flemish, Brussels — Flounce
Flemish, Brussels
18th century

Fragment, Bobbin lace, point d'Angleterre, Flemish, Brussels — Fragment
Flemish, Brussels
18th century

Fragment, Bobbin lace, point d'Angleterre, Flemish, Brussels — Fragment
Flemish, Brussels
ca. 1725

Cleopatra Dissolving the Pearl from a set of The Story of Antony and Cleopatra, Justus van Egmont Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels — Cleopatra Dissolving the Pearl from a set of The Story of Antony and Cleopatra
Designer Designed by Justus van Egmont
Weaving workshop directed by Jan van Leefdael
designed ca. 1650, woven 1650–77

Cleopatra Asked to Pay Tribute to Rome from a set of The Story of Antony and Cleopatra, Justus van Egmont Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels — Cleopatra Asked to Pay Tribute to Rome from a set of The Story of Antony and Cleopatra
Designer Designed by Justus van Egmont
Weaving workshop directed by Jan van Leefdael
designed ca. 1650, woven 1650–77

The Meeting of Antony and Cleopatra from a set of The Story of Antony and Cleopatra, Justus van Egmont Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels — The Meeting of Antony and Cleopatra from a set of The Story of Antony and Cleopatra
Designer Designed by Justus van Egmont
Weaving workshop directed by Geraert van der Strecken
designed ca. 1650, woven 1650–77

The Battle of Actium from a set of The Story of Antony and Cleopatra, Justus van Egmont Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels — The Battle of Actium from a set of The Story of Antony and Cleopatra
Designer Designed by Justus van Egmont
Weaving workshop directed by Jan van Leefdael
designed ca. 1650, woven 1650–77

The Death of Cleopatra from a set of The Story of Antony and Cleopatra, Justus van Egmont Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels — The Death of Cleopatra from a set of The Story of Antony and Cleopatra
Designer Designed by Justus van Egmont
Weaving workshop directed by Geraert van der Strecken
designed ca. 1650, woven 1650–77

The Colosseum from a set of The Wonders of the World, Maarten van Heemskerck Netherlandish, Wool, silk (18-20 warps per inch, 7-8 cm.), Flemish, Brussels — The Colosseum from a set of The Wonders of the World
Multiple artists/makers
ca. 1575–1600

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