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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

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Clarinet in B-flat, Charles Joseph Sax Belgian, Ivory, brass, gold-plated silver, Belgian — Clarinet in B-flat
Charles Joseph Sax
1830

Emperor Vespasian Cured by Veronica's Veil, Wool, silk, and gilt-metal-strip-wrapped silk in slit, dovetailed, and double interlocking tapestry weave., Flemish, Brussels — Emperor Vespasian Cured by Veronica's Veil
Flemish, Brussels
ca. 1510

The Triumph of Fame, Wool, silk (6-7 warp threads per cm.), Netherlandish, probably Brussels — The Triumph of Fame
Netherlandish, probably Brussels
ca. 1502–4

Phantomas. 62. Marcel Broodthaers, Marcel Broodthaers Belgian — Phantomas. 62. Marcel Broodthaers
Marcel Broodthaers
1966

Reliquary bust of a companion of Saint Ursula, Oak, polychromed and gilt on plaster ground; glass opening for relic, Belgian, possibly Brussels — Reliquary bust of a companion of Saint Ursula
Belgian, possibly Brussels
ca. 1520–30

Vase, Philippe Wolfers Belgian, Silver, partly gilded, Belgian, Brussels — Vase
Philippe Wolfers
Wolfers Freres
ca. 1896

Victory Alighting on Earth, Gilles-Lambert Godecharle, Terracotta, Belgian, Brussels — Victory Alighting on Earth
Gilles-Lambert Godecharle
1809

Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels — Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse
Multiple artists/makers
designed ca. 1540, woven ca. 1570

Armet, Guillem Margot Flemish, Steel, copper alloy, South Netherlandish, Brussels — Armet
Guillem Margot
ca. 1505

Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels — Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Multiple artists/makers
designed ca. 1540, woven ca. 1570

Descent from the Cross, Fruitwood with paint, South Netherlandish — Descent from the Cross
South Netherlandish
ca. 1475–1500

Reliquary Bust of a Female Saint, Oak, paint, gilt, South Netherlandish — Reliquary Bust of a Female Saint
South Netherlandish
ca. 1520–30

Reliquary Bust of Saint Balbina, Oak, with paint and gilding, and human remains, South Netherlandish — Reliquary Bust of Saint Balbina
South Netherlandish
ca. 1520–30

The Way to Calvary, with Saint Veronica Receiving the Veil Imprinted with the Face of Christ, Walnut, paint and gilding, South Netherlandish — The Way to Calvary, with Saint Veronica Receiving the Veil Imprinted with the Face of Christ
South Netherlandish
ca. 1510

Roundel with Judgment or Allegorical Scene, Colorless glass, vitreous paint and silver stain, South Netherlandish — Roundel with Judgment or Allegorical Scene
South Netherlandish
ca. 1520

Cor omnitonique, Charles Joseph Sax Belgian, Brass, Belgian — Cor omnitonique
Charles Joseph Sax
1833

Panel with grotesques, from a set of bed hangings, Cornelis Floris II Netherlandish, Silk, wool, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Netherlandish, Brussels — Panel with grotesques, from a set of bed hangings
Cornelis Floris II
ca. 1550–60

Elector Maximilian II Emanuel of Bavaria on Horseback, Roger Schabol Flemish, Bronze, with gilt-bronze base of about two decades later, Flemish, Brussels — Elector Maximilian II Emanuel of Bavaria on Horseback
Roger Schabol
Martin Desjardins
cast 1707

The Dockhand (Le Débardeur du port d’Anvers), Constantin Meunier Belgian, Bronze, Belgian, Brussels — The Dockhand (Le Débardeur du port d’Anvers)
Constantin Meunier
J. Petermann Foundry
1885, cast before 1902

Flounce, Bobbin lace, Flemish, Brussels — Flounce
Flemish, Brussels
early 18th century

Minerva from the "Doria Grotesques", Perino del Vaga (Pietro Buonaccorsi) Italian, Wool, silk (17-19 warps per inch, 7-8 per cm.), Netherlandish, Brussels — Minerva from the "Doria Grotesques"
Perino del Vaga (Pietro Buonaccorsi)
Joost van Herzeele
Designed 1545, woven ca. 1550

The Arms of William and Mary, Daniel Marot the Elder French, Wool, silk, metal thread (20 warps per inch, 9 per cm.), Flemish, Brussels — The Arms of William and Mary
Multiple artists/makers
1694–1700

Fragment, Bobbin lace, point d'Angleterre, Flemish, Brussels — Fragment
Flemish, Brussels
ca. 1725

Collar, Bobbin lace, Duchesse lace, Belgian, Brussels — Collar
Belgian, Brussels
late 19th century

Cuffs (2), Bobbin lace, Duchesse lace, Belgian, Brussels — Cuffs (2)
Belgian, Brussels
late 19th century

Collar, Needle lace, Point de Gaze, Belgian, Brussels — Collar
Belgian, Brussels
ca. 1850

Sample, Needle lace, Point de Gaze, Belgian, Brussels — Sample
Belgian, Brussels
19th century

Sample, Needle lace, Point de Gaze, Belgian, Brussels — Sample
Belgian, Brussels
19th century

Sample, Needle lace, Point de Gaze, Belgian, Brussels — Sample
Belgian, Brussels
19th century

Handkerchief, Bobbin lace, Brussels bobbin lace, Belgian, Brussels — Handkerchief
Belgian, Brussels
ca. 1870

Fragment, Needle lace, Belgian, Brussels — Fragment
Belgian, Brussels
19th century

Border, Applied, Belgian, Brussels — Border
Belgian, Brussels
ca. 1870

Lappet, Bobbin lace, point d'Angleterre, Flemish, Brussels — Lappet
Flemish, Brussels
early 18th century

Cap crown (fond de bonnet), Bobbin lace, Flemish, Brussels — Cap crown (fond de bonnet)
Flemish, Brussels
early 18th century

Collar, Bobbin lace, Belgian, Brussels — Collar
Belgian, Brussels
19th century

Square, Silk, Belgian, Brussels — Square
Belgian, Brussels
19th century

Pattern, Belgian, Brussels — Pattern
Belgian, Brussels
19th century

Pattern, Belgian, Brussels — Pattern
Belgian, Brussels
19th century

Edging, Bobbin lace, Flemish, possibly Brussels — Edging
Flemish, possibly Brussels
18th century

Piece, Bobbin lace, Duchesse lace, Belgian, Brussels — Piece
Belgian, Brussels
19th century