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The Met CollectionSearch Art

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Textiles (286)

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Clarinet in B-flat, Charles Joseph Sax Belgian, Ivory, brass, gold-plated silver, Belgian — Clarinet in B-flat
Charles Joseph Sax
1830

Emperor Vespasian Cured by Veronica's Veil, Wool, silk, and gilt-metal-strip-wrapped silk in slit, dovetailed, and double interlocking tapestry weave., Flemish, Brussels — Emperor Vespasian Cured by Veronica's Veil
Flemish, Brussels
ca. 1510

The Triumph of Fame, Wool, silk (6-7 warp threads per cm.), Netherlandish, probably Brussels — The Triumph of Fame
Netherlandish, probably Brussels
ca. 1502–4

Phantomas. 62. Marcel Broodthaers, Marcel Broodthaers Belgian — Phantomas. 62. Marcel Broodthaers
Marcel Broodthaers
1966

Armet, Guillem Margot Flemish, Steel, copper alloy, South Netherlandish, Brussels — Armet
Armorer Guillem Margot
ca. 1505

Reliquary bust of a companion of Saint Ursula, Oak, polychromed and gilt on plaster ground; glass opening for relic, Belgian, possibly Brussels — Reliquary bust of a companion of Saint Ursula
Belgian, possibly Brussels
ca. 1520–30

Vase, Philippe Wolfers Belgian, Silver, partly gilded, Belgian, Brussels — Vase
Designer Designed by Philippe Wolfers
Wolfers Freres
ca. 1896

Victory Alighting on Earth, Gilles-Lambert Godecharle, Terracotta, Belgian, Brussels — Victory Alighting on Earth
Gilles-Lambert Godecharle
1809

Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels — Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse
Designer Design attributed to Giovanni Battista Lodi da Cremona
Designer Border design attributed to Giovanni Francesco Penni
Workshop director Weaving workshop directed by Willem de Pannemaker
designed ca. 1540, woven ca. 1570

Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels — Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Multiple artists/makers
designed ca. 1540, woven ca. 1570

Panel with grotesques, from a set of bed hangings, Cornelis Floris II Netherlandish, Silk, wool, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Netherlandish, Brussels — Panel with grotesques, from a set of bed hangings
related to the prints of Cornelis Floris II
ca. 1550–60

Cor omnitonique, Charles Joseph Sax Belgian, Brass, Belgian — Cor omnitonique
Attributed to Charles Joseph Sax
1833

Roundel with Judgment or Allegorical Scene, Colorless glass, vitreous paint and silver stain, South Netherlandish — Roundel with Judgment or Allegorical Scene
South Netherlandish
ca. 1520

Reliquary Bust of Saint Balbina, Oak, with paint and gilding, and human remains, South Netherlandish — Reliquary Bust of Saint Balbina
South Netherlandish
ca. 1520–30

Bench, Walnut and oak, South Netherlandish — Bench
South Netherlandish
15th century

Reliquary Bust of a Female Saint, Oak with paint and gilding, South Netherlandish — Reliquary Bust of a Female Saint
South Netherlandish
ca. 1520–30

The Way to Calvary, with Saint Veronica Receiving the Veil Imprinted with the Face of Christ, Walnut, paint and gilding, South Netherlandish — The Way to Calvary, with Saint Veronica Receiving the Veil Imprinted with the Face of Christ
South Netherlandish
ca. 1510

Descent from the Cross, Fruitwood with paint, South Netherlandish — Descent from the Cross
South Netherlandish
ca. 1475–1500

Sorgheloos ("Carefree") in Poverty, Colorless glass, vitreous paint and silver stain, Netherlandish — Sorgheloos ("Carefree") in Poverty
Netherlandish
1510–20

Letter P with the Legend of Saint Philip, Boxwood; later (18th century) embroidered silk pouch, Netherlandish — Letter P with the Legend of Saint Philip
Netherlandish
ca. 1500–before 1506

The Dockhand (Le Débardeur du port d’Anvers), Constantin Meunier Belgian, Bronze, Belgian, Brussels — The Dockhand (Le Débardeur du port d’Anvers)
Constantin Meunier
Founder J. Petermann Foundry
1885, cast before 1902

Elector Maximilian II Emanuel of Bavaria on Horseback, Roger Schabol Flemish, Bronze, with gilt-bronze base of about two decades later, Flemish, Brussels — Elector Maximilian II Emanuel of Bavaria on Horseback
Roger Schabol
Designer After a design by Martin Desjardins
cast 1707

Piece, Bobbin lace, point d'Angleterre, Flemish, Brussels — Piece
Flemish, Brussels
18th century

Piece, Bobbin lace, point d'Angleterre, Flemish, Brussels — Piece
Flemish, Brussels
18th century

Piece, Bobbin lace, point d'Angleterre, Flemish, Brussels — Piece
Flemish, Brussels
18th century

Piece, Bobbin lace, point d'Angleterre, Flemish, Brussels — Piece
Flemish, Brussels
18th century

Cleopatra Asked to Pay Tribute to Rome from a set of The Story of Antony and Cleopatra, Justus van Egmont Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels — Cleopatra Asked to Pay Tribute to Rome from a set of The Story of Antony and Cleopatra
Designer Designed by Justus van Egmont
Weaving workshop directed by Jan van Leefdael
designed ca. 1650, woven 1650–77

The Meeting of Antony and Cleopatra from a set of The Story of Antony and Cleopatra, Justus van Egmont Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels — The Meeting of Antony and Cleopatra from a set of The Story of Antony and Cleopatra
Designer Designed by Justus van Egmont
Weaving workshop directed by Geraert van der Strecken
designed ca. 1650, woven 1650–77

The Battle of Actium from a set of The Story of Antony and Cleopatra, Justus van Egmont Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels — The Battle of Actium from a set of The Story of Antony and Cleopatra
Designer Designed by Justus van Egmont
Weaving workshop directed by Jan van Leefdael
designed ca. 1650, woven 1650–77

The Death of Cleopatra from a set of The Story of Antony and Cleopatra, Justus van Egmont Flemish, Wool, silk, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.), Flemish, Brussels — The Death of Cleopatra from a set of The Story of Antony and Cleopatra
Designer Designed by Justus van Egmont
Weaving workshop directed by Geraert van der Strecken
designed ca. 1650, woven 1650–77

Collar, Bobbin lace, Duchesse lace, Belgian, Brussels — Collar
Belgian, Brussels
late 19th century

Cuffs (2), Bobbin lace, Duchesse lace, Belgian, Brussels — Cuffs (2)
Belgian, Brussels
late 19th century

Fragment, Bobbin lace, Belgian, Brussels — Fragment
Belgian, Brussels
19th century

Border, Bobbin lace, Belgian, Brussels — Border
Belgian, Brussels
early 19th century

Lappet, Bobbin lace, Flemish, Brussels — Lappet
Flemish, Brussels
18th century (?)

Specimen, Needle lace, Belgian, Brussels — Specimen
Belgian, Brussels
19th century

Specimen, Needle lace, Belgian, Brussels — Specimen
Belgian, Brussels
19th century

Collar, Needle lace, Point de Gaze, Belgian, Brussels — Collar
Belgian, Brussels
19th century

Collar, Needle lace, Belgian, Brussels — Collar
Belgian, Brussels
19th century

Collar, Needle lace, Belgian, Brussels — Collar
Belgian, Brussels
19th century

Flounce, Applied, Belgian, Brussels — Flounce
Belgian, Brussels
19th century

Collar, Applied, Belgian, Brussels — Collar
Belgian, Brussels
early 19th century

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