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More than 10,000 results for Circle of Antonio Lombardo

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Eurydice, Circle of Antonio Lombardo, Marble, Italian, Padua — Eurydice
Circle of Antonio Lombardo
1515–ca. 1524

Young St. John the Baptist, Antonio Lombardo Italian, Bronze, Italian, Venice — Young St. John the Baptist
Antonio Lombardo
early 16th century

Adam, Tullio Lombardo Italian, Marble, Italian, Venice — Adam
Tullio Lombardo
ca. 1490–95

A Young Warrior, Tullio Lombardo , and workshop Italian, White marble, Italian, Venice — A Young Warrior
Tullio Lombardo
1490s

Study for a Portrait of a Doge, Circle of Tintoretto, Black and white chalk, on rough tan paper. — Study for a Portrait of a Doge
Circle of Tintoretto
fourth quarter 16th century

Saint Anthony of Padua and the Miracle of the Miser's Heart, Antonio Lombardo Italian, Pen and brown ink, brush and brown wash — Saint Anthony of Padua and the Miracle of the Miser's Heart
Antonio Lombardo
1501

"Antonius" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Antonius" Violin
Antonio Stradivari
1711

"Francesca" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona) — "Francesca" Violin
Antonio Stradivari
1694

Perseus with the Head of Medusa, Antonio Canova Italian, Marble, Italian, Rome — Perseus with the Head of Medusa
Antonio Canova
Count Jan and Countess Valeria Tarnowski
1804–6

Madonna and Child with Angels, Antonio Rossellino Italian, Marble with gilt details on halo and dress, Italian, Florence — Madonna and Child with Angels
Antonio Rossellino
ca. 1455–60

"Gould" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Gould" Violin
Antonio Stradivari
1693

Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer. — Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s

The Last Judgment, Circle of Ottaviano Nelli, Brush and brown ink, brown wash, heightened with white, on greenish blue paper., Italian, Gubbio — The Last Judgment
Circle of Ottaviano Nelli
early 15th century

Standing Virgin and Child, Circle of Jakob Kaschauer Austrian, Limewood with paint, Austrian — Standing Virgin and Child
Circle of Jakob Kaschauer
ca. 1440

Adoration of the Magi, Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft), Pot metal and colorless glass, vitreous paint, and silver stain, German — Adoration of the Magi
Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft)
1507

Reclining Naiad, Antonio Canova , and his studio Italian, Carrara marble, Italian, Rome — Reclining Naiad
Antonio Canova
John Bligh, 4th Earl of Darnley
1819–24

The Lamentation of Christ, Circle of Hans Baldung Grien German, Pen and brush and gray brown ink., German — The Lamentation of Christ
Circle of Hans Baldung Grien
ca. 1513

Saint Paul, Circle of Jan van Eyck Netherlandish, Pen and brown ink, point of the brush and brown ink, with purple and gold heightening in the hilt of the sword, on vellum, Netherlandish — Saint Paul
Circle of Jan van Eyck
ca. 1430

Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s

Standing Vishnu as Keshava, Dasoja of Balligrama, Stone, India (Karnataka, probably Belur) — Standing Vishnu as Keshava
Dasoja of Balligrama
first quarter of the 12th century

Dish with Abraham and Melchizedek, Hans of Landshut German, Free-blown glass with paint and metallic foils, South German — Dish with Abraham and Melchizedek
Hans of Landshut
1498

Female portrait lü me (figure in wood), Zlan of Belewale, Wood, fiber, pigment, cloth, metal, Dan peoples — Female portrait lü me (figure in wood)
Zlan of Belewale
Sonzlanwon
First half 20th century

Òpó (veranda post) with equestrian and female figure, Olowe of Ise Nigerian, Iroko wood, paint, resin, Yoruba peoples — Òpó (veranda post) with equestrian and female figure
Olowe of Ise
before 1938

Madonna and Child, Pietro Lombardo (or Pietro di Martino da Carona) Italian, Relief: stone, traces of gilding; Frame: stone painted blue and gilded in parts, Italian, Venice — Madonna and Child
Pietro Lombardo (or Pietro di Martino da Carona)
ca. 1495

Hercules and Achelous, Master of the Martyrdom of St. Sebastian Austrian, Ivory, probably Austrian — Hercules and Achelous
Master of the Martyrdom of St. Sebastian
probably mid-17th century

The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian — The Crucifixion
Master of the Codex of Saint George
ca. 1330–35

Monks Singing in an Initial "K" from a Choir Book, Bartolomeo Gossi da Gallarte (or Circle of), Tempera, ink, and gold on parchment, Italian — Monks Singing in an Initial "K" from a Choir Book
Bartolomeo Gossi da Gallarte (or Circle of)
1476

The Mater Dolorosa, Lautenbach Master German, Pot-metal glass and colorless glass, silver stain, and vitreous paint, South German — The Mater Dolorosa
Lautenbach Master
Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft)
ca. 1480

Man of Sorrows, Lautenbach Master German, Pot-metal glass and vitreous paint, German — Man of Sorrows
Lautenbach Master
Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft)
ca. 1480

Vase, Antonio Salviati Italian, Opalescent bluish white and marbled multicolored brownish nonlead glass (strong brownish marbling on the exterior, faint bluish marbling on the interior). Blown, trailed. — Vase
Antonio Salviati
late 19th century

Cruet and Stopper, Antonio Salviati Italian, Transparent topaz-tinted and dark amethyst nonlead glass. Blown, pattern molded, trailed, applied and impressed parts. — Cruet and Stopper
Antonio Salviati
late 19th century

Bottle, Antonio Salviati Italian, Colorless (slightly gray) and opaque white nonlead glass; pewter mount. Blown, "vetro a fili", trailed. — Bottle
Antonio Salviati
late 19th century

Covered sweetmeat dish, Antonio Salviati Italian, Topaz-tinted and opaque brownish white nonlead glass. Blown, pattern molded, "vetro a fili". — Covered sweetmeat dish
Antonio Salviati
probably late 19th century

Footed vessel (saltcellar?), Antonio Salviati Italian, Topaz-tinted nonlead glass. Blown, pattern molded, applied and impressed parts, gilt. — Footed vessel (saltcellar?)
Antonio Salviati
late 19th century

Vase, Antonio Salviati Italian, Transparent topaz-tinted and opaque brownish white nonlead glass. Blown, pattern molded, "vetro a fili", trailed. — Vase
Antonio Salviati
probably late 19th century

Footed vase, Antonio Salviati Italian, Colorless, opaque turquoise blue, copper flecked (goldstone or aventurine), and opalescent white nonlead glass. Blown, mold blown, trailed, "vetro a retorti", gilt. — Footed vase
Antonio Salviati
late 19th–early 20th century

Adonis, Antonio Corradini Italian, Carrara marble, Italian, Venice — Adonis
Antonio Corradini
ca. 1723–25

Empress Maria (1520–1603), Antonio Abondio Italian, Silver, Italian — Empress Maria (1520–1603)
Antonio Abondio
1575

Violin, Antonio Gragnani Italian, Spruce, maple, ebony, Italian — Violin
Antonio Gragnani
1783

Vase, Antonio Prieto American, born Spain, Stoneware, American — Vase
Antonio Prieto
ca. 1950–55