Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Circle of Antonio Lombardo

Sort by:

Eurydice, Circle of Antonio Lombardo, Marble, Italian, Padua — Eurydice
Circle of Antonio Lombardo
1515–ca. 1524

Young St. John the Baptist, Antonio Lombardo Italian, Bronze, Italian, Venice — Young St. John the Baptist
Antonio Lombardo
early 16th century

A Young Warrior, Tullio Lombardo , and workshop Italian, White marble, Italian, Venice — A Young Warrior
Tullio Lombardo
1490s

Adam, Tullio Lombardo Italian, Marble, Italian, Venice — Adam
Tullio Lombardo
ca. 1490–95

Study for a Portrait of a Doge, Circle of Tintoretto, Black and white chalk, on rough tan paper. — Study for a Portrait of a Doge
Circle of Tintoretto
fourth quarter 16th century

Saint Anthony of Padua and the Miracle of the Miser's Heart, Antonio Lombardo Italian, Pen and brown ink, brush and brown wash — Saint Anthony of Padua and the Miracle of the Miser's Heart
Antonio Lombardo
1501

Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer. — Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s

Perseus with the Head of Medusa, Antonio Canova Italian, Marble, Italian, Rome — Perseus with the Head of Medusa
Antonio Canova
Count Jan and Countess Valeria Tarnowski
1804–6

Madonna and Child with Angels, Antonio Rossellino Italian, Marble with gilt details on halo and dress, Italian, Florence — Madonna and Child with Angels
Antonio Rossellino
ca. 1455–60

"Antonius" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Antonius" Violin
Antonio Stradivari
1711

"Francesca" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona) — "Francesca" Violin
Antonio Stradivari
1694

"Gould" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Gould" Violin
Antonio Stradivari
1693

Standing Virgin and Child, Circle of Jakob Kaschauer Austrian, Limewood with paint, Austrian — Standing Virgin and Child
Circle of Jakob Kaschauer
ca. 1440

The Last Judgment, Circle of Ottaviano Nelli, Brush and brown ink, brown wash, heightened with white, on greenish blue paper., Italian, Gubbio — The Last Judgment
Circle of Ottaviano Nelli
early 15th century

Adoration of the Magi, Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft), Pot metal and colorless glass, vitreous paint, and silver stain, German — Adoration of the Magi
Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft)
1507

Reclining Naiad, Antonio Canova , and his studio Italian, Carrara marble, Italian, Rome — Reclining Naiad
Antonio Canova
John Bligh, 4th Earl of Darnley
1819–24

The Lamentation of Christ, Circle of Hans Baldung Grien German, Pen and brush and gray brown ink., German — The Lamentation of Christ
Circle of Hans Baldung Grien
ca. 1513

Saint Paul, Circle of Jan van Eyck Netherlandish, Pen and brown ink, point of the brush and brown ink, with purple and gold heightening in the hilt of the sword, on vellum, Netherlandish — Saint Paul
Circle of Jan van Eyck
ca. 1430

Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s

Madonna and Child, Pietro Lombardo (or Pietro di Martino da Carona) Italian, Relief: stone, traces of gilding; Frame: stone painted blue and gilded in parts, Italian, Venice — Madonna and Child
Pietro Lombardo (or Pietro di Martino da Carona)
ca. 1495

Dish with Abraham and Melchizedek, Hans of Landshut German, Free-blown glass with paint and metallic foils, South German — Dish with Abraham and Melchizedek
Hans of Landshut
1498

Standing Vishnu as Keshava, Dasoja of Balligrama, Stone, India (Karnataka, probably Belur) — Standing Vishnu as Keshava
Dasoja of Balligrama
first quarter of the 12th century

Female portrait lü me (figure in wood), Zlan of Belewale, Wood, fiber, pigment, cloth, metal — Female portrait lü me (figure in wood)
Zlan of Belewale
Sonzlanwon
First half 20th century

Òpó (veranda post) with equestrian and female figure, Olowe of Ise Nigerian, Iroko wood, paint, resin — Òpó (veranda post) with equestrian and female figure
Olowe of Ise
before 1938

The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian — The Crucifixion
Master of the Codex of Saint George
ca. 1330–35

Hercules and Achelous, Master of the Martyrdom of St. Sebastian Austrian, Ivory, probably Austrian — Hercules and Achelous
Master of the Martyrdom of St. Sebastian
probably mid-17th century

Man of Sorrows, Lautenbach Master German, Pot-metal glass and vitreous paint, German — Man of Sorrows
Lautenbach Master
Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft)
ca. 1480

The Mater Dolorosa, Lautenbach Master German, Pot-metal glass and colorless glass, silver stain, and vitreous paint, South German — The Mater Dolorosa
Lautenbach Master
Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft)
ca. 1480

Monks Singing in an Initial "K" from a Choir Book, Bartolomeo Gossi da Gallarte (or Circle of), Tempera, ink, and gold on parchment, Italian — Monks Singing in an Initial "K" from a Choir Book
Bartolomeo Gossi da Gallarte (or Circle of)
1476

Footed vessel (saltcellar?), Antonio Salviati Italian, Topaz-tinted nonlead glass. Blown, pattern molded, applied and impressed parts, gilt. — Footed vessel (saltcellar?)
Antonio Salviati
late 19th century

Vase, Antonio Salviati Italian, Transparent topaz-tinted and opaque brownish white nonlead glass. Blown, pattern molded, "vetro a fili", trailed. — Vase
Antonio Salviati
probably late 19th century

Capriccio with St. Paul's and Old London Bridge, Antonio Joli Italian, Oil on canvas — Capriccio with St. Paul's and Old London Bridge
Antonio Joli
ca. 1745

Saint John the Baptist, Antonio Pollaiuolo Italian, Partly enameled gold set with diamonds and pearls, Italian, Florence — Saint John the Baptist
Antonio Pollaiuolo
probably ca. 1460–80

Head and wings of an angel and forehead of another, Antonio Rossellino Italian, Marble, Italian, Florence — Head and wings of an angel and forehead of another
Antonio Rossellino
ca. 1475–90

Accellino di Meliaduce Salvago (ca. 1420–before 1506), Antonio Tamagnini Italian, Marble, Italian, Genoa — Accellino di Meliaduce Salvago (ca. 1420–before 1506)
Antonio Tamagnini
late 15th century

Saint John, Antonio Susini Italian, Bronze, Italian, Florence — Saint John
Antonio Susini
Giambologna
1596

Saint Matthew, Antonio Susini Italian, Bronze, Italian, Florence — Saint Matthew
Antonio Susini
Giambologna
1596

The crucified Christ, Antonio Susini Italian, Bronze, Italian, Florence — The crucified Christ
Antonio Susini
Giambologna
Model: early 17th century; cast: 18th or 19th century

Cupid and Psyche, Antonio Canova Italian, Plaster, Italian, Rome — Cupid and Psyche
Antonio Canova
1794

Tomb of Antonio Canova, Antonio Fabris Italian, Bronze, Italian, Venice — Tomb of Antonio Canova
Antonio Fabris
1827