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More than 10,000 results for Cooper Union Museum for the Arts of Decoration

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Chronicle of the Museum for the Arts of Decoration of Cooper Union, Vol. I, No.4

Cooper Union Museum for the Arts of Decoration

April 1938

Indigenous futurisms : transcending past/present/future, IAIA Museum of Contemporary Native Arts — Indigenous futurisms : transcending past/present/future
IAIA Museum of Contemporary Native Arts
2020

The force is with our people, Museum of Northern Arizona — The force is with our people
Museum of Northern Arizona

Hercules and Achelous, Master of the Martyrdom of St. Sebastian Austrian, Ivory, probably Austrian — Hercules and Achelous
Master of the Martyrdom of St. Sebastian
probably mid-17th century

The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian — The Crucifixion
Master of the Codex of Saint George
ca. 1330–35

Terracotta volute-krater (bowl for mixing wine and water), Painter of the Woolly Satyrs (namepiece), Terracotta, Greek, Attic — Terracotta volute-krater (bowl for mixing wine and water)
Painter of the Woolly Satyrs
ca. 450 BCE

Art in Washington and its Afro-American presence : 1940-1970, Keith Morrison Jamaican — Art in Washington and its Afro-American presence : 1940-1970
Keith Morrison
Washington Project for the Arts
1985

Star Wallowing Bull : transformer, Plains Art Museum — Star Wallowing Bull : transformer
Plains Art Museum
Star Wallowing Bull
2015

Head of Saint John the Baptist (one of a pair), Master of the Life of Saint John the Baptist French, Colored, stained, and enemaled glass, French, possibly Rouen — Head of Saint John the Baptist (one of a pair)
Master of the Life of Saint John the Baptist
Arnold of Nijmegen
ca. 1500–1510

Head of Christ (one of a pair), Master of the Life of Saint John the Baptist French, Colored, stained, and enameled glass, French, possibly Rouen — Head of Christ (one of a pair)
Master of the Life of Saint John the Baptist
Arnold of Nijmegen
ca. 1500–1510

Annual of American design 1931, American Union of Decorative Artists and Craftsmen — Annual of American design 1931
Multiple artists/makers
1930

Sugar Bowl, Cooper and Fisher American, Silver, American — Sugar Bowl
Cooper and Fisher
1854–62

The living witness : art in the concentration camps : Museum of American Jewish History, October 18-November 19, 1978, Weitzman National Museum of American Jewish History — The living witness : art in the concentration camps : Museum of American Jewish History, October 18-November 19, 1978
Weitzman National Museum of American Jewish History
1978

April from a set of The Months of Lucas, Master of the Months of Lucas Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris — April from a set of The Months of Lucas
Multiple artists/makers
designed ca. 1535, woven 1732–37

October from a set of The Months of Lucas, Master of the Months of Lucas Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris — October from a set of The Months of Lucas
Multiple artists/makers
designed ca. 1535, woven 1732–37

The Nativity and Circumcision of Christ, Workshop of the Master of the High Foreheads, Painted enamel on copper, partly gilded, French, Limoges — The Nativity and Circumcision of Christ
Workshop of the Master of the High Foreheads
probably early 16th century

The Adoration of the Shepherds, Workshop of the Master of the High Foreheads (Atelier aux Grands Fronts), Painted enamel on copper, partly gilt, French, Limoges — The Adoration of the Shepherds
Workshop of the Master of the High Foreheads
probably early 16th century

The Martyrdom of Saint Lawrence; (reverse) Giving Drink to the Thirsty, Master of the Acts of Mercy Austrian, Oil on fir, (obverse) gold ground — The Martyrdom of Saint Lawrence; (reverse) Giving Drink to the Thirsty
Master of the Acts of Mercy

Century Vase, Karl L. H. Müller American, Porcelain, American — Century Vase
Karl L. H. Müller
Union Porcelain Works
1877

Grandguard (Reinforcing Shoulder Defense), The Metropolitan Museum of Art, Armor Workshop American, Steel, American, New York — Grandguard (Reinforcing Shoulder Defense)
Multiple artists/makers
1925

Close Helmet for Foot Combat, the Master of the Castle Mark Italian, Steel, gold, leather, Italian, Milan — Close Helmet for Foot Combat
the Master of the Castle Mark
ca. 1600–1610

Joseph Interpreting the Dreams of His Fellow Prisoners, Master of the Story of Joseph Netherlandish, Oil on wood — Joseph Interpreting the Dreams of His Fellow Prisoners
Master of the Story of Joseph

Tazza, Glasshouse of the Duke of Buckingham British, Glass, British, London — Tazza
Glasshouse of the Duke of Buckingham
ca. 1665–70

Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II)
Master of the Aeneid
probably ca. 1530–35

Pandarus and Bitias Fight the Rutuli Before the Trojan Camp (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges — Pandarus and Bitias Fight the Rutuli Before the Trojan Camp (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35

Turnus, Overwhelmed by the Trojans, Crosses the River to Return to His Companions (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Turnus, Overwhelmed by the Trojans, Crosses the River to Return to His Companions (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35

Juno, Seated on a Golden Throne, Asks Alecto to Confuse the Trojans (Aeneid, Book VI), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Juno, Seated on a Golden Throne, Asks Alecto to Confuse the Trojans (Aeneid, Book VI)
Master of the Aeneid
ca. 1530–35

Aeneas and His Companions Sacrifice to the Gods before the Tomb of his Father, Anchises, in Sicily (Aeneid, Book V), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges — Aeneas and His Companions Sacrifice to the Gods before the Tomb of his Father, Anchises, in Sicily (Aeneid, Book V)
Master of the Aeneid
ca. 1530–35

The Combat between Dares and Entellus (Aeneid, Book V), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges — The Combat between Dares and Entellus (Aeneid, Book V)
Master of the Aeneid
ca. 1530–35

Saint Sebastian, Master of the Furies Austrian, Ivory; kingwood socle, Austrian, possibly Salzburg — Saint Sebastian
Master of the Furies
17th century

Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII)
Master of the Aeneid
probably ca. 1530–35

Aeneas Departs from Carthage (Aeneid, Book IV), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Departs from Carthage (Aeneid, Book IV)
Master of the Aeneid
ca. 1530–35

Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II)
Master of the Aeneid
ca. 1530–35

Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35

The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II)
Master of the Aeneid
ca. 1530–35

Madonna and Child Enthroned, Master of the Magdalen Italian, Tempera on wood, gold ground — Madonna and Child Enthroned
Master of the Magdalen