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More than 10,000 results for Follower of Lippo Memmi (Italian, Sienese, active mid-14th century)Took 151ms

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Saint Peter, Follower of Lippo Memmi (Italian, Sienese, active mid-14th century) Italian, Tempera on wood, gold ground, Italian, Siena — Saint Peter
Follower of Lippo Memmi (Italian, Sienese, active mid-14th century)
Follower of Barna da Siena
mid-14th century

Saint Mary Magdalen, Bartolo di Fredi Italian, Tempera on wood, gold ground — Saint Mary Magdalen
Multiple artists/makers
mid-14th century

Madonna and Child with Saints and Angels, Lippo Memmi (Filippo di Memmo) Italian, Tempera on wood, gold ground — Madonna and Child with Saints and Angels
Lippo Memmi (Filippo di Memmo)
ca. 1350

The Adoration of the Magi, Italian, Neapolitan Follower of Giotto, Tempera on wood, gold ground, Italian, Naples — The Adoration of the Magi
Italian, Neapolitan Follower of Giotto
ca. 1340–43

Saints John the Evangelist and Mary Magdalene, Italian, Neapolitan Follower of Giotto, Tempera on wood, gold ground — Saints John the Evangelist and Mary Magdalene
Italian, Neapolitan Follower of Giotto
ca. 1335–45

Book Cover, Italian (Sienese) Painter Italian, Tempera on wood — Book Cover
Italian (Sienese) Painter

Saint Clare, Lippo Memmi (Filippo di Memmo) Italian, Tempera on wood, gold ground — Saint Clare
Lippo Memmi (Filippo di Memmo)
ca. 1330

Saint Paul, Lippo Memmi (Filippo di Memmo) Italian, Tempera on wood, gold ground — Saint Paul
Lippo Memmi (Filippo di Memmo)
ca. 1330

Cassetta frame, Poplar(?). Gilt; red-orange bole., Sienese — Cassetta frame
Sienese
ca. 1450

Diptych with tabernacle frames, Poplar. Carved, gilt; red-orange bole., Sienese — Diptych with tabernacle frames
Sienese
ca. 1400–1410

Panel from a polyptych, Wood, Sienese — Panel from a polyptych
Sienese
14th century

Engaged arched cassetta frame, Poplar. Mitered; arch two pieces of wood. Gilt; deep orange bole., Sienese — Engaged arched cassetta frame
Sienese
1460–70

Engaged molding, Poplar. Gilt; deep red-brown bole., Sienese — Engaged molding
Sienese
ca. 1446

Engaged cassetta frame, Poplar. Gilt; red-orange bole. Sight edge: linen extended over moldings., Sienese — Engaged cassetta frame
Sienese
ca. 1380–90

Integral tondo molding, Single piece of poplar. Carved, gilt; brown-red bole, blue in dentil., Sienese — Integral tondo molding
Sienese
mid-15th century

Panel from a polyptych, Wood, Sienese — Panel from a polyptych
Sienese
14th century

Engaged molding on a polyptych panel, Poplar. Carved, gilt: deep red bole., Sienese — Engaged molding on a polyptych panel
Sienese
ca. 1435–40

Engaged cassetta frame on a polyptych panel, Siena Siena, Poplar. Mitered. Gilt; brown-orange bole., Sienese — Engaged cassetta frame on a polyptych panel
Siena
ca. 1380

Engaged arched cassetta frame and arched tabernacle frame, Poplar. Carved, gilt; orange-red bole, blue and white color, all over greenish tone., Sienese — Engaged arched cassetta frame and arched tabernacle frame
Sienese
ca. 1465 and 1490 (?)

The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian — The Crucifixion
Master of the Codex of Saint George
ca. 1330–35

A Falconer in Profile to the Right

Follower of Guercino

ca. 1640

Male Caricature, Follower of Guercino, Pen and brown ink — Male Caricature
Follower of Guercino
mid–late 17th century

A Man Seated on a Throne, Follower of Piero della Francesca, Pen and brown ink, brush and brown ink, brown wash, heightened with white (partly oxidized), over traces of black chalk., Italian — A Man Seated on a Throne
Follower of Piero della Francesca
second half 15th century

Virgin and Child, Follower of Rogier van der Weyden (Master of the Saint Ursula Legend Group, Netherlandish, active late 15th century), Oil on wood — Virgin and Child
Follower of Rogier van der Weyden (Master of the Saint Ursula Legend Group, Netherlandish, active late 15th century)
ca. 1480–90

Fan commemorating the 1855 Universal Exhibition, Alphonse Guilletat (French, mid-nineteenth century) French, hand-colored and gilded lithograph; ivory; mother-of-pearl, French — Fan commemorating the 1855 Universal Exhibition
Alphonse Guilletat (French, mid-nineteenth century)
Brioude-Laguérie (French, nineteenth century)
1855

Madonna and Child, Italian [Tuscan] Painter, first quarter of 14th century Italian, Tempera on panel, Italian, Tuscany — Madonna and Child
Italian [Tuscan] Painter, first quarter of 14th century
first quarter 14th century

Pietà, Italian [Tuscan] Painter, first quarter of 14th century Italian, Tempera on panel, Italian, Tuscany — Pietà
Italian [Tuscan] Painter, first quarter of 14th century
first quarter 14th century

Saints Bartholomew and Simon, Master of Saint Francis Italian, Tempera and gold on wood, Italian, Umbria — Saints Bartholomew and Simon
Master of Saint Francis
1266–75

Mirror Case Depicting Crucifixion Scene, Muhammad Isma'il Isfahani Iranian, Pasteboard, papier-maché; opaque watercolor, gilded, and lacquered — Mirror Case Depicting Crucifixion Scene
Muhammad Isma'il Isfahani
Muhammad Javad, Iranian, active mid-19th century
mid-19th century

Madonna and Child Enthroned with Saints Peter and Paul and Angels, Lippo Vanni (Lippo Vanni di Giovanni) Italian, Tempera on wood, gold ground — Madonna and Child Enthroned with Saints Peter and Paul and Angels
Lippo Vanni (Lippo Vanni di Giovanni)

Saint Christopher, Follower of Hans Baldung Grien Upper Rhine, Pen and black ink, brush and blackish brown and blackish gray wash, highlighted with opaque white, on reddish brown prepared paper, German, Upper Rhine — Saint Christopher
Follower of Hans Baldung Grien
third quarter 16th century

Terracotta column-krater (bowl for mixing wine and water), Group of Boston 00.348, Terracotta, Greek, South Italian, Apulian — Terracotta column-krater (bowl for mixing wine and water)
Group of Boston 00.348
ca. 360–350 BCE

Madonna and Child, Lippo di Benivieni Italian, Tempera on wood, gold ground — Madonna and Child
Lippo di Benivieni

Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc., workshop of Giovanni Maria Vasaro, Maiolica (tin-glazed earthenware), Italian, Castel Durante — Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc.
workshop of Giovanni Maria Vasaro
1508

Plate, Bruno Geyer, Austrian, active late 19th century to early 20th century Austrian, Porcelain, American — Plate
Bruno Geyer, Austrian, active late 19th century to early 20th century
Ceramic Art Company, Trenton, New Jersey
1904–5

The Labors of Hercules, Italian (Florentine or Sienese) Painter Italian, Tempera on wood, embossed and gilt ornament — The Labors of Hercules
Italian (Florentine or Sienese) Painter

The Lamentation, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian — The Lamentation
Master of the Codex of Saint George
ca. 1330–35

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Phoenix and Peacock in a Landscape

Follower of Kano Motonobu

mid- to-late 16th century

The Ark, Lodewijk Tieling (active ca. 1695-1700) American, Oil on canvas, American — The Ark
Lodewijk Tieling (active ca. 1695-1700)
ca. 1700