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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 6,613 results for Francisco Asensio y Mejorada

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Arte Nueva de Escribir

Multiple artists/makers

1776

Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88

Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88

The Young Virgin, Francisco de Zurbarán Spanish, Oil on canvas — The Young Virgin
Francisco de Zurbarán
ca. 1632–33

Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820

Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Bullfight in a Divided Ring
Goya (Francisco de Goya y Lucientes)
ca. 1810

Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes) Spanish, Pen and brown (iron gall?) ink on paper — Self-Portrait in a Cocked Hat
Goya (Francisco de Goya y Lucientes)
ca. 1790

Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804

Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Narcisa Barañano Gayoso de Goicoechea
Goya (Francisco de Goya y Lucientes)
ca. 1805

Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Majas on a Balcony
Goya (Francisco de Goya y Lucientes)
ca. 1800–1810

Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792

José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810

Portrait of an Old Man, Francisco Domingo y Marqués Spanish, Oil on wood — Portrait of an Old Man
Francisco Domingo y Marqués
1882

Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias, Vicente Carducho Italian — Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias
Multiple artists/makers
1633

Los diez libros de architectura de M. Vitruvio Polión traducidos del Latin, y commentados por Don Joseph Ortíz y Sanz

Multiple artists/makers

1787

Los diez libros de architectura de M. Vitruvio Polión traducidos del Latin, y commentados por Don Joseph Ortíz y Sanz

Multiple artists/makers

1787

Los diez libros de architectura de M. Vitruvio Polión traducidos del Latin, y commentados por Don Joseph Ortíz y Sanz

Multiple artists/makers

1787

Pair of Miquelet Pistols, Francisco Pintan Spanish or Mexican, Steel, wood (family leguminosae), silver, Colonial Spanish, probably Mexico — Pair of Miquelet Pistols
Francisco Pintan
dated 1757

Grill, Francisco Gonzales, Gilded wrought iron, bronze, Spanish — Grill
Francisco Gonzales
17th century

Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape) — Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)

Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink — Self-Portrait
Goya (Francisco de Goya y Lucientes)
ca. 1796

God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper — God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20

Fan with leaves imitative of Goya and Watteau, Goya (Francisco de Goya y Lucientes) Spanish, Gouache on parchment; gilt metal, silver (?), paste (?), possibly French — Fan with leaves imitative of Goya and Watteau
Goya (Francisco de Goya y Lucientes)
Antoine Watteau
late 19th century

Unholy Union, Goya (Francisco de Goya y Lucientes) Spanish, Brush with Indian ink and wash and traces of pen and ink on laid paper — Unholy Union
Goya (Francisco de Goya y Lucientes)
ca. 1801–3 or ca. 1813–19

Battle between Christians and Muslims at El Sotillo, Francisco de Zurbarán Spanish, Oil on canvas — Battle between Christians and Muslims at El Sotillo
Francisco de Zurbarán
ca. 1637–39

Saint Benedict, Francisco de Zurbarán Spanish, Oil on canvas — Saint Benedict
Francisco de Zurbarán
ca. 1640–45

Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint — Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
Goya (Francisco de Goya y Lucientes)
1799

Juan de Pareja (ca. 1608–1670), Velázquez (Diego Rodríguez de Silva y Velázquez) Spanish, Oil on canvas — Juan de Pareja (ca. 1608–1670)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1650

Black power, black art ... and the struggle continues : political imagery from the Black Arts Movement of the 1960s and 1970s, San Francisco State University — Black power, black art ... and the struggle continues : political imagery from the Black Arts Movement of the 1960s and 1970s
San Francisco State University
1994

Fan, Fernando Coustellier y Vital, Hand-colored etching on paper; painted parchment (verso); ivory, silver, French, Paris — Fan
Fernando Coustellier y Vital
Between 1816 and 1830

Men's Heads, Francisco Domingo y Marqués Spanish, Pen and ink, brush and wash — Men's Heads
Francisco Domingo y Marqués
Samuel Putnam Avery Sr.
1895

Men singing, Francisco Domingo y Marqués Spanish, Pen and ink, brush and wash — Men singing
Francisco Domingo y Marqués
Samuel Putnam Avery Sr.
1882

Seated Gentleman Holding a Pipe (recto); Half-Length Study of the Same Man (verso), Francisco Bayeu y Subias Spanish, Black chalk, highlighted with white chalk, on blue paper (recto); black chalk highlighted with white (verso) — Seated Gentleman Holding a Pipe (recto); Half-Length Study of the Same Man (verso)
Francisco Bayeu y Subias
1734–95

Title Page, from "Customs and Pastimes of the Spanish People", Francisco Lameyer y Berenguer Spanish, Etching — Title Page, from "Customs and Pastimes of the Spanish People"
Francisco Lameyer y Berenguer
1850

Plate 2: a group of people in the street, possibly beggars, from "Customs and Pastimes of the Spanish People", Francisco Lameyer y Berenguer Spanish, Etching — Plate 2: a group of people in the street, possibly beggars, from "Customs and Pastimes of the Spanish People"
Francisco Lameyer y Berenguer
1850

Plate 3: a group of street musicians, from "Customs and Pastimes of the Spanish People", Francisco Lameyer y Berenguer Spanish, Etching — Plate 3: a group of street musicians, from "Customs and Pastimes of the Spanish People"
Francisco Lameyer y Berenguer
1850

Plate 4: a street brawl, from "Customs and Pastimes of the Spanish People", Francisco Lameyer y Berenguer Spanish, Etching — Plate 4: a street brawl, from "Customs and Pastimes of the Spanish People"
Francisco Lameyer y Berenguer
1850

Plate 5: a drunk and dishevelled man dancing in the street surrounded by a group of onlookers, from "Customs and Pastimes of the Spanish People", Francisco Lameyer y Berenguer Spanish, Etching — Plate 5: a drunk and dishevelled man dancing in the street surrounded by a group of onlookers, from "Customs and Pastimes of the Spanish People"
Francisco Lameyer y Berenguer
1850

Plate 6: people dancing in the street accompanied by musicians, from "Customs and Pastimes of the Spanish People", Francisco Lameyer y Berenguer Spanish, Etching — Plate 6: people dancing in the street accompanied by musicians, from "Customs and Pastimes of the Spanish People"
Francisco Lameyer y Berenguer
1850