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1-42 of 6,635 results for Francisco Asensio y Mejorada
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Arte Nueva de Escribir
Multiple artists/makers
1776
Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88
Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820
José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810
Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Narcisa Barañano Gayoso de Goicoechea
Goya (Francisco de Goya y Lucientes)
ca. 1805
Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Majas on a Balcony
Goya (Francisco de Goya y Lucientes)
ca. 1800–1810
Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Bullfight in a Divided Ring
Goya (Francisco de Goya y Lucientes)
ca. 1810
Portrait of an Old Man, Francisco Domingo y Marqués Spanish, Oil on wood
Portrait of an Old Man
Francisco Domingo y Marqués
1882
Los diez libros de architectura de M. Vitruvio Polión traducidos del Latin, y commentados por Don Joseph Ortíz y Sanz
Multiple artists/makers
1787
Los diez libros de architectura de M. Vitruvio Polión traducidos del Latin, y commentados por Don Joseph Ortíz y Sanz
Multiple artists/makers
1787
Los diez libros de architectura de M. Vitruvio Polión traducidos del Latin, y commentados por Don Joseph Ortíz y Sanz
Multiple artists/makers
1787
Grill, Francisco Gonzales, Gilded wrought iron, bronze, Spanish
Grill
Francisco Gonzales
17th century
Pair of Miquelet Pistols, Francisco Pintan Spanish or Mexican, Steel, wood (family leguminosae), silver, Colonial Spanish, probably Mexico
Pair of Miquelet Pistols
Francisco Pintan
dated 1757
The Young Virgin, Francisco de Zurbarán Spanish, Oil on canvas
The Young Virgin
Francisco de Zurbarán
ca. 1632–33
Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink
Self-Portrait
Goya (Francisco de Goya y Lucientes)
ca. 1796
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20
Fan with leaves imitative of Goya and Watteau, Goya (Francisco de Goya y Lucientes) Spanish, Gouache on parchment; gilt metal, silver (?), paste (?), possibly French
Fan with leaves imitative of Goya and Watteau
Goya (Francisco de Goya y Lucientes)
Antoine Watteau
late 19th century
Unholy Union, Goya (Francisco de Goya y Lucientes) Spanish, Brush with Indian ink and wash and traces of pen and ink on laid paper
Unholy Union
Goya (Francisco de Goya y Lucientes)
ca. 1801–3 or ca. 1813–19
Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes) Spanish, Pen and brown (iron gall?) ink on paper
Self-Portrait in a Cocked Hat
Goya (Francisco de Goya y Lucientes)
ca. 1790
Battle between Christians and Muslims at El Sotillo, Francisco de Zurbarán Spanish, Oil on canvas
Battle between Christians and Muslims at El Sotillo
Francisco de Zurbarán
ca. 1637–39
Saint Benedict, Francisco de Zurbarán Spanish, Oil on canvas
Saint Benedict
Francisco de Zurbarán
ca. 1640–45
Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
Goya (Francisco de Goya y Lucientes)
1799
Juan de Pareja (ca. 1608–1670), Velázquez (Diego Rodríguez de Silva y Velázquez) Spanish, Oil on canvas
Juan de Pareja (ca. 1608–1670)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1650
Black power, black art ... and the struggle continues : political imagery from the Black Arts Movement of the 1960s and 1970s, San Francisco State University
Black power, black art ... and the struggle continues : political imagery from the Black Arts Movement of the 1960s and 1970s
San Francisco State University
1994
Fan, Fernando Coustellier y Vital, Hand-colored etching on paper; painted parchment (verso); ivory, silver, French, Paris
Fan
Fernando Coustellier y Vital
Between 1816 and 1830
Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias, Vicente Carducho Italian
Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias
Multiple artists/makers
1633
Men's Heads, Francisco Domingo y Marqués Spanish, Pen and ink, brush and wash
Men's Heads
Francisco Domingo y Marqués
Samuel Putnam Avery Sr.
1895
Men singing, Francisco Domingo y Marqués Spanish, Pen and ink, brush and wash
Men singing
Francisco Domingo y Marqués
Samuel Putnam Avery Sr.
1882
Seated Gentleman Holding a Pipe (recto); Half-Length Study of the Same Man (verso), Francisco Bayeu y Subias Spanish, Black chalk, highlighted with white chalk, on blue paper (recto); black chalk highlighted with white (verso)
Seated Gentleman Holding a Pipe (recto); Half-Length Study of the Same Man (verso)
Francisco Bayeu y Subias
1734–95
Figures inside a Spanish inn, Francisco Domingo y Marqués Spanish, Photogravure on chine collé
Figures inside a Spanish inn
Francisco Domingo y Marqués
George Barrie
1881
Head of man turned left, Francisco Domingo y Marqués Spanish, Chromolithographic facsimile of watercolour drawing
Head of man turned left
Francisco Domingo y Marqués
Mary Ann Ogden Avery
1888
Title Page, from "Customs and Pastimes of the Spanish People", Francisco Lameyer y Berenguer Spanish, Etching
Title Page, from "Customs and Pastimes of the Spanish People"
Francisco Lameyer y Berenguer
1850
Plate 17: street musicians and dancing figures, from "Customs and Pastimes of the Spanish People", Francisco Lameyer y Berenguer Spanish, Etching
Plate 17: street musicians and dancing figures, from "Customs and Pastimes of the Spanish People"
Francisco Lameyer y Berenguer
1850
Plate 18: street musicians and other figures outisde a tavern, from "Customs and Pastimes of the Spanish People", Francisco Lameyer y Berenguer Spanish, Etching
Plate 18: street musicians and other figures outisde a tavern, from "Customs and Pastimes of the Spanish People"
Francisco Lameyer y Berenguer
1850
Plate 19: a family and a boy playing with a dog outside a house, from "Customs and Pastimes of the Spanish People", Francisco Lameyer y Berenguer Spanish, Etching
Plate 19: a family and a boy playing with a dog outside a house, from "Customs and Pastimes of the Spanish People"
Francisco Lameyer y Berenguer
1850
Plate 20: a priest giving food to the poor, from "Customs and Pastimes of the Spanish People", Francisco Lameyer y Berenguer Spanish, Etching
Plate 20: a priest giving food to the poor, from "Customs and Pastimes of the Spanish People"
Francisco Lameyer y Berenguer
1850
Plate 2: a group of people in the street, possibly beggars, from "Customs and Pastimes of the Spanish People", Francisco Lameyer y Berenguer Spanish, Etching
Plate 2: a group of people in the street, possibly beggars, from "Customs and Pastimes of the Spanish People"
Francisco Lameyer y Berenguer
1850