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1-42 of 7,073 results for Francisco Domingo y Marqués
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Portrait of an Old Man, Francisco Domingo y Marqués Spanish, Oil on wood
Portrait of an Old Man
Francisco Domingo y Marqués
1882
Men's Heads, Francisco Domingo y Marqués Spanish, Pen and ink, brush and wash
Men's Heads
Francisco Domingo y Marqués
Samuel Putnam Avery Sr.
1895
Men singing, Francisco Domingo y Marqués Spanish, Pen and ink, brush and wash
Men singing
Francisco Domingo y Marqués
Samuel Putnam Avery Sr.
1882
Figures inside a Spanish inn, Francisco Domingo y Marqués Spanish, Photogravure on chine collé
Figures inside a Spanish inn
Francisco Domingo y Marqués
George Barrie
1881
Head of man turned left, Francisco Domingo y Marqués Spanish, Chromolithographic facsimile of watercolour drawing
Head of man turned left
Francisco Domingo y Marqués
Mary Ann Ogden Avery
1888
Head of man turned left, Francisco Domingo y Marqués Spanish, Chromolithographic facsimile of watercolour drawing
Head of man turned left
Francisco Domingo y Marqués
Mary Ann Ogden Avery
ca. 1888
Portrait of Sor Juana de Nuestra Señora de Guadalupe, Domingo Ortiz Mexican, Oil on canvas, New Spain (present-day Mexico)
Portrait of Sor Juana de Nuestra Señora de Guadalupe
Domingo Ortiz
1797
Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88
Ensemble, Marques ' Almeida British, (a) synthetic, cotton, (b) synthetic, cotton, (c, d) leather, synthetic, cotton, British
Ensemble
Marques ' Almeida
2020
Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820
José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810
Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Narcisa Barañano Gayoso de Goicoechea
Goya (Francisco de Goya y Lucientes)
ca. 1805
Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Majas on a Balcony
Goya (Francisco de Goya y Lucientes)
ca. 1800–1810
Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Bullfight in a Divided Ring
Goya (Francisco de Goya y Lucientes)
ca. 1810
Panel with Saint John the Baptist Enthroned from Retable, Domingo Ram Spanish, Tempera on wood, gold ground, Spanish
Panel with Saint John the Baptist Enthroned from Retable
Domingo Ram
15th century
Predella panel with Saint Martial, Saint Sebastian, and Saint Mary Magdalen from Retable, Domingo Ram Spanish, Tempera on wood, gold ground, Spanish
Predella panel with Saint Martial, Saint Sebastian, and Saint Mary Magdalen from Retable
Domingo Ram
15th century
Panel with the Birth of St. John the Baptist from Retable, Domingo Ram Spanish, Tempera on wood, gold ground, Spanish
Panel with the Birth of St. John the Baptist from Retable
Domingo Ram
15th century
Panel with The Crucifixion from Retable, Domingo Ram Spanish, Tempera on wood, gold ground, Spanish
Panel with The Crucifixion from Retable
Domingo Ram
15th century
Panel from Saint John Retable, Domingo Ram Spanish, Tempera on wood, gold ground, Spanish
Panel from Saint John Retable
Domingo Ram
1464–1507
Panel with the Angel Appearing to Zacharias (from a Retable depicting Saint John the Baptist and scenes from his life), Domingo Ram Spanish, Tempera on wood, gold ground, Spanish
Panel with the Angel Appearing to Zacharias (from a Retable depicting Saint John the Baptist and scenes from his life)
Domingo Ram
1464–1507
Panel of Saint John the Baptist with Scenes from His Life, Domingo Ram Spanish, Tempera on wood, gold ground, Spanish
Panel of Saint John the Baptist with Scenes from His Life
Domingo Ram
1464–1507
The Visitation Panel from Saint John Retable, Domingo Ram Spanish, Tempera on wood, gold ground, Spanish
The Visitation Panel from Saint John Retable
Domingo Ram
15th century
Predella pane with Saint Bridget, Saint Christopher, and Saint Kilian from Retable, Domingo Ram Spanish, Tempera on wood, gold ground, Spanish
Predella pane with Saint Bridget, Saint Christopher, and Saint Kilian from Retable
Domingo Ram
15th century
Grill, Francisco Gonzales, Gilded wrought iron, bronze, Spanish
Grill
Francisco Gonzales
17th century
Pair of Miquelet Pistols, Francisco Pintan Spanish or Mexican, Steel, wood (family leguminosae), silver, Colonial Spanish, probably Mexico
Pair of Miquelet Pistols
Francisco Pintan
dated 1757
The Young Virgin, Francisco de Zurbarán Spanish, Oil on canvas
The Young Virgin
Francisco de Zurbarán
ca. 1632–33
Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink
Self-Portrait
Goya (Francisco de Goya y Lucientes)
ca. 1796
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20
Fan with leaves imitative of Goya and Watteau, Goya (Francisco de Goya y Lucientes) Spanish, Gouache on parchment; gilt metal, silver (?), paste (?), possibly French
Fan with leaves imitative of Goya and Watteau
Goya (Francisco de Goya y Lucientes)
Antoine Watteau
late 19th century
Unholy Union, Goya (Francisco de Goya y Lucientes) Spanish, Brush with Indian ink and wash and traces of pen and ink on laid paper
Unholy Union
Goya (Francisco de Goya y Lucientes)
ca. 1801–3 or ca. 1813–19
Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes) Spanish, Pen and brown (iron gall?) ink on paper
Self-Portrait in a Cocked Hat
Goya (Francisco de Goya y Lucientes)
ca. 1790
Battle between Christians and Muslims at El Sotillo, Francisco de Zurbarán Spanish, Oil on canvas
Battle between Christians and Muslims at El Sotillo
Francisco de Zurbarán
ca. 1637–39
Saint Benedict, Francisco de Zurbarán Spanish, Oil on canvas
Saint Benedict
Francisco de Zurbarán
ca. 1640–45
Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
Goya (Francisco de Goya y Lucientes)
1799
Juan de Pareja (ca. 1608–1670), Velázquez (Diego Rodríguez de Silva y Velázquez) Spanish, Oil on canvas
Juan de Pareja (ca. 1608–1670)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1650
Black power, black art ... and the struggle continues : political imagery from the Black Arts Movement of the 1960s and 1970s, San Francisco State University
Black power, black art ... and the struggle continues : political imagery from the Black Arts Movement of the 1960s and 1970s
San Francisco State University
1994
Fan, Fernando Coustellier y Vital, Hand-colored etching on paper; painted parchment (verso); ivory, silver, French, Paris
Fan
Fernando Coustellier y Vital
Between 1816 and 1830