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More than 10,000 results for Francisco Xavier de Goya
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Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
1787–88
Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
1787–88
Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
ca. 1805
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
1804
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
1820
José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
ca. 1810
Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
ca. 1810
Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
1792
Majas on a Balcony, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
ca. 1800–1810
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
1804
Self-Portrait, Goya (Francisco de Goya y Lucientes)  Spanish, Brush and point of brush, carbon black ink
Goya (Francisco de Goya y Lucientes)
ca. 1796
Fan with leaves imitative of Goya and Watteau, Goya (Francisco de Goya y Lucientes)  Spanish, Gouache on parchment; gilt metal, silver (?), paste (?), possibly French
Goya (Francisco de Goya y Lucientes)
Antoine Watteau
late 19th century
Seated Giant, Goya (Francisco de Goya y Lucientes)  Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes)  Spanish, Pen and brown (iron gall?) ink on paper
Goya (Francisco de Goya y Lucientes)
ca. 1790
Ferdinand VII (1784–1833), When Prince of Asturias, Goya and Workshop Spanish, Oil on canvas
Goya
ca. 1800
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes)  Spanish, Brush, carbon black gray ink and was, scraper
Goya (Francisco de Goya y Lucientes)
ca. 1816–20
The Young Virgin, Francisco de Zurbarán  Spanish, Oil on canvas
Francisco de Zurbarán
ca. 1632–33
Unholy Union, Goya (Francisco de Goya y Lucientes)  Spanish, Brush with Indian ink and wash and traces of pen and ink on laid paper
Goya (Francisco de Goya y Lucientes)
ca. 1801–3 or ca. 1813–19
Saint Benedict, Francisco de Zurbarán  Spanish, Oil on canvas
Francisco de Zurbarán
ca. 1640–45
The Virgin of Carmen and the Souls of Purgatory with St. Joseph and the Prophet Elijah, Juan Francisco de Aguilera  Mexican, Oil and gold on copper; Frame: ebony, tortoise shell, and silver, Mexican
Juan Francisco de Aguilera
ca. 1720
Plate 16  from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, burnished aquatint, drypoint
Goya (Francisco de Goya y Lucientes)
1799
Battle between Christians and Muslims at El Sotillo, Francisco de Zurbarán  Spanish, Oil on canvas
Francisco de Zurbarán
ca. 1637–39
Saint Francis Xavier with an angel holding a crucifix, Francesco Bertos  Italian, Bronze, Italian, Padua
Francesco Bertos
ca. 1722
Thomas Struth
2001
Don Bernardo de Iriarte (1735–1814), Goya  Spanish, Oil on canvas
Goya
Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes)  Spanish, Etching
Goya (Francisco de Goya y Lucientes)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Mantel clock with alarm, Franz Xavier Gegenreiner  German, Case: tortoiseshell backed with brass leaf, pearwood veneered with rosewood; and partly gilded silver; Movement: gilded brass and steel, German, Augsburg
Franz Xavier Gegenreiner
Johann Andreas Thelot
case ca. 1710, movement ca. 1760–70
Armchair (Fauteuil à la reine) (one of a pair) (part of a set), Georges Jacob  French, Carved and gilded walnut; embroidered silk satin, French, Paris
Georges Jacob
Joseph-François-Xavier Baudoin
ca. 1780–85
Plate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, burnished aquatint, drypoint, burin
Goya (Francisco de Goya y Lucientes)
1799
An Ottoman Man in the Artist's Studio, Auguste-Xavier Leprince  French, Oil on canvas
Auguste-Xavier Leprince
ca. 1823–26
A Shepherd and a Rider on a Country Lane, Auguste-Xavier Leprince  French, Oil on paper, laid down on canvas
Auguste-Xavier Leprince
ca. 1823
Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of War' (Estragos de la guerra), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, drypoint, burin, burnisher
Goya (Francisco de Goya y Lucientes)
1810
Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes presentimientos de lo que ha de acontecer), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, burin, drypoint, burnisher
Goya (Francisco de Goya y Lucientes)
ca. 1815 (published 1863)
Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, burnished aquatint, burin
Goya (Francisco de Goya y Lucientes)
1799
Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, burin
Goya (Francisco de Goya y Lucientes)
1810
Portrait of Francisco Goya, from "The Portfolio", Louis Lucas  French, Etching
Multiple artists/makers
1879
Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, drypoint, burin, burnisher
Goya (Francisco de Goya y Lucientes)
1810
Plate 64  from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cementerio), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, drypoint, burnished aquatint
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
Miquelet Sporting Gun for the Prince Regent of Portugal, João VI (1767–1826), Jacintho Xavier  Portuguese, Steel, gold, wood, horn, Portuguese, Lisbon
Jacintho Xavier
dated 1802
A False Bacchus Crowning Drunkards, Goya (Francisco de Goya y Lucientes)  Spanish, Etching
Goya (Francisco de Goya y Lucientes)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1778