Donate Membership

Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Giacomo Monticolo of Vicenza

Sort by:

Unexecuted Design for the Façade of the Church of Santa Maria in Araceli in the city of Vicenza, Giacomo Monticolo of Vicenza Italian, Pen and brown ink and brush and brown wash — Unexecuted Design for the Façade of the Church of Santa Maria in Araceli in the city of Vicenza
Giacomo Monticolo of Vicenza
1608

Guitar, Giacomo (Jacob) Ertel German, Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl, parchment, Italian — Guitar
Giacomo (Jacob) Ertel
late 17th century

The Entry of Christ into Jerusalem, Valerio Belli (Il Vicentino), Rock crystal, Italian, Vicenza — The Entry of Christ into Jerusalem
Valerio Belli (Il Vicentino)
ca. 1531–33

The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome — The Farnese Table
Multiple artists/makers
ca. 1565–73

A Woman with a Dog, Giacomo Ceruti Italian, Oil on canvas — A Woman with a Dog
Giacomo Ceruti
1740s

The Entombment, Valerio Belli (Il Vicentino), Silver, with traces of gilding; niello, gilt bronze, Italian, Vicenza — The Entombment
Valerio Belli (Il Vicentino)
16th century

Adoration of the Shepherds, Valerio Belli (Il Vicentino), Bronze, Italian, Vicenza — Adoration of the Shepherds
Valerio Belli (Il Vicentino)
16th century

Adoration of the Magi, Valerio Belli (Il Vicentino), Bronze, Italian, Vicenza — Adoration of the Magi
Valerio Belli (Il Vicentino)
late 15th–early 16th century

The Adoration of the Magi, Valerio Belli (Il Vicentino), Gilt bronze, Italian, Vicenza — The Adoration of the Magi
Valerio Belli (Il Vicentino)
16th century

Bell, Giovanni Battista de Maria, Bronze, Italian, Vicenza — Bell
Giovanni Battista de Maria
1693

Female portrait lü me (figure in wood), Zlan of Belewale, Wood, fiber, pigment, cloth, metal, Dan peoples — Female portrait lü me (figure in wood)
Zlan of Belewale
Sonzlanwon
First half 20th century

Dish with Abraham and Melchizedek, Hans of Landshut German, Free-blown glass with paint and metallic foils, South German — Dish with Abraham and Melchizedek
Hans of Landshut
1498

Òpó (veranda post) with equestrian and female figure, Olowe of Ise Nigerian, Iroko wood, paint, resin, Yoruba peoples — Òpó (veranda post) with equestrian and female figure
Olowe of Ise
before 1938

Standing Vishnu as Keshava, Dasoja of Balligrama, Stone, India (Karnataka, probably Belur) — Standing Vishnu as Keshava
Dasoja of Balligrama
first quarter of the 12th century

Hercules and Achelous, Master of the Martyrdom of St. Sebastian Austrian, Ivory, probably Austrian — Hercules and Achelous
Master of the Martyrdom of St. Sebastian
probably mid-17th century

The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian — The Crucifixion
Master of the Codex of Saint George
ca. 1330–35

Close Helmet, Gian Giacomo Negroli, Steel, gold, Italian, Milan — Close Helmet
Gian Giacomo Negroli
ca. 1510–20

Saints Bartholomew and Simon, Master of Saint Francis Italian, Tempera and gold on wood, Italian, Umbria — Saints Bartholomew and Simon
Master of Saint Francis
1266–75

The Visitation, Master Heinrich of Constance German, Walnut, paint, gilding, rock-crystal cabochons inset in gilded-silver mounts, German — The Visitation
Master Heinrich of Constance
ca. 1310–20

Terracotta column-krater (bowl for mixing wine and water), Group of Boston 00.348, Terracotta, Greek, South Italian, Apulian — Terracotta column-krater (bowl for mixing wine and water)
Group of Boston 00.348
ca. 360–350 BCE

Sallet, Pietro Giacomo da Castello Italian, Steel, Italian — Sallet
Pietro Giacomo da Castello
ca. 1510–20

Ẹlẹ́ṣin (equestrian) figure for an Erinlẹ̀ shrine, Maku of Erin, Wood, paint, Yoruba peoples — Ẹlẹ́ṣin (equestrian) figure for an Erinlẹ̀ shrine
Maku of Erin
Toibo (Toyinbo) of Erin
1900–1937

[Roman Ruins], Giacomo Caneva Italian, Albumen silver print — [Roman Ruins]
Giacomo Caneva
1860s

Dragon, Giacomo Laurenziani Italian, Bronze, Italian, Rome — Dragon
Giacomo Laurenziani
early 17th century

The Blessed Catherine, Giacomo Serpotta, Silver, Italian, Palermo — The Blessed Catherine
Giacomo Serpotta
1762

Saint Felicity, Giacomo Serpotta, Silver, Italian, Palermo — Saint Felicity
Giacomo Serpotta
1762

Doves of Pliny, Giacomo Raffaelli Italian, Glass mosaic on bronze, Italian, Rome — Doves of Pliny
Giacomo Raffaelli
1783

[Carlotta Cortudino], Giacomo Caneva Italian, Salted paper print from paper negative — [Carlotta Cortudino]
Giacomo Caneva
ca. 1852

[Tree in Formal Garden Outside Palazzo], Giacomo Caneva Italian, Albumen silver print from glass negative — [Tree in Formal Garden Outside Palazzo]
Giacomo Caneva
1860s–70s

Jérôme Bonaparte (1784–1860), King of Westphalia, Giacomo Andreoli Italian, Ivory — Jérôme Bonaparte (1784–1860), King of Westphalia
Giacomo Andreoli

[Stairs], Giacomo Caneva Italian, Salted paper print from paper negative — [Stairs]
Giacomo Caneva
1850s

View from the French Academy at the Villa Medici, Giacomo Caneva Italian, Salted paper print from paper negative — View from the French Academy at the Villa Medici
Giacomo Caneva
ca. 1852

[Vesuvius from Mergellina], Giacomo Caneva Italian, Salted paper print from paper negative — [Vesuvius from Mergellina]
Giacomo Caneva
ca. 1855

The Courtyard of the Doges' Palace, Giacomo Guardi Italian, Pen and brown ink, brown wash — The Courtyard of the Doges' Palace
Giacomo Guardi
ca. 1784–1835

The Porto di Lido, with the Fortezza Sant'Andrea on the Left, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Porto di Lido, with the Fortezza Sant'Andrea on the Left
Giacomo Guardi
ca. 1804–28

The Church of the Redentore from the Giudecca Canal, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Church of the Redentore from the Giudecca Canal
Giacomo Guardi
ca. 1804–28

View of Murano, Giacomo Guardi Italian, Pen and brown ink, gray wash — View of Murano
Giacomo Guardi
ca. 1804–28

The Church and Convent of San Mattia di Murano, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Church and Convent of San Mattia di Murano
Giacomo Guardi
ca. 1804–28

The Punta di San Giobbe, with the Island of San Secondo in the Distance, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Punta di San Giobbe, with the Island of San Secondo in the Distance
Giacomo Guardi
ca. 1804–28

San Pietro di Castello, Giacomo Guardi Italian, Pen and brown ink, gray wash — San Pietro di Castello
Giacomo Guardi
ca. 1804–28