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1-42 of 8,002 results for Giovanni Battista Palumba
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Saint Jerome extracting a thorn from the lion's paw, Giovanni Battista Palumba Italian, Woodcut
Saint Jerome extracting a thorn from the lion's paw
Giovanni Battista Palumba
1500–1510
Zeus as an eagle, abducting Ganymede, Giovanni Battista Palumba Italian, Woodcut
Zeus as an eagle, abducting Ganymede
Giovanni Battista Palumba
1500–1510
Diana turning Actaeon into a stag, Giovanni Battista Palumba Italian, Woodcut
Diana turning Actaeon into a stag
Giovanni Battista Palumba
1500–1510
A triton family in the sea, with a mother and child seated on the back of a half-man, half-sea monster with a child blowing on a conch shell on his shoulders, Giovanni Battista Palumba Italian, Engraving
A triton family in the sea, with a mother and child seated on the back of a half-man, half-sea monster with a child blowing on a conch shell on his shoulders
Giovanni Battista Palumba
1500–1510
Leda and the Swan set in a landscape, Giovanni Battista Palumba Italian, Engraving, partly hand colored
Leda and the Swan set in a landscape
Giovanni Battista Palumba
Nicoletto da Modena
1500–1510
Diana turning Actaeon into a stag, Giovanni Battista Palumba Italian, Woodcut, letterpress on verso from Leon Baptista Alberti's 'Opera' (Florence 1496?)
Diana turning Actaeon into a stag
Giovanni Battista Palumba
1500–1510
Zeus as an eagle, abducting Ganymede, Giovanni Battista Palumba Italian, Woodcut (appears to be a later impression)
Zeus as an eagle, abducting Ganymede
Giovanni Battista Palumba
1500–1510
Leda and her children playing with the swan, with a Roman temple in the background, Giovanni Battista Palumba Italian, Engraving
Leda and her children playing with the swan, with a Roman temple in the background
Giovanni Battista Palumba
1500–1510
Ferdinando de' Medici, Grand Prince of Tuscany, Giovanni Battista Foggini Italian, Marble, gray marble, Italian, Florence
Ferdinando de' Medici, Grand Prince of Tuscany
Giovanni Battista Foggini
ca. 1680–82
Allegory of the Planets and Continents, Giovanni Battista Tiepolo Italian, Oil on canvas
Allegory of the Planets and Continents
Giovanni Battista Tiepolo
1752
Bacchus and Ariadne, Giovanni Battista Tiepolo Italian, Pen and brown ink, brown wash, over black chalk.
Bacchus and Ariadne
Giovanni Battista Tiepolo
ca. 1740
Narrative of the Operations and Recent Discoveries Within the Pyramids, Temples, Tombs and Excavations in Egypt and Nubia; and of a Journey to the Coast of the Red Sea, in Search of the Ancient Berenice; and Another to the Oasis of Jupiter Ammon, Giovanni Battista Belzoni Italian, Printed book, London: J. Murray, 1820
Narrative of the Operations and Recent Discoveries Within the Pyramids, Temples, Tombs and Excavations in Egypt and Nubia; and of a Journey to the Coast of the Red Sea, in Search of the Ancient Berenice; and Another to the Oasis of Jupiter Ammon
Giovanni Battista Belzoni
1820
Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany, Giovanni Battista Foggini Italian, Marble with base of gray marble, Italian, Florence
Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany
Giovanni Battista Foggini
ca. 1680–82
The Calling of Saint Matthew, Giovanni Battista Caracciolo Italian, Oil on canvas
The Calling of Saint Matthew
Giovanni Battista Caracciolo
ca. 1625–30
Twelve-light chandelier, Giovanni Battista Metellino Italian, Gilt steel (gilding not original) and rock crystal, Italian, Milan
Twelve-light chandelier
Giovanni Battista Metellino
first quarter 18th century
Bartolomeo Bonghi (died 1584), Giovanni Battista Moroni Italian, Oil on canvas
Bartolomeo Bonghi (died 1584)
Giovanni Battista Moroni
shortly after 1553
Saint Thecla Praying for the Plague-Stricken, Giovanni Battista Tiepolo Italian, Oil on canvas
Saint Thecla Praying for the Plague-Stricken
Giovanni Battista Tiepolo
1758–59
The Meeting of Antony and Cleopatra, Giovanni Battista Tiepolo Italian, Oil on canvas
The Meeting of Antony and Cleopatra
Giovanni Battista Tiepolo
ca. 1745–47
The Adoration of the Magi, Giovanni Battista Tiepolo Italian, Oil on canvas
The Adoration of the Magi
Giovanni Battista Tiepolo
late 1750s
The Apotheosis of the Spanish Monarchy, Giovanni Battista Tiepolo Italian, Oil on canvas
The Apotheosis of the Spanish Monarchy
Giovanni Battista Tiepolo
1760s
The Apotheosis of the Spanish Monarchy, Giovanni Battista Tiepolo Italian, Oil on canvas
The Apotheosis of the Spanish Monarchy
Giovanni Battista Tiepolo
1760s
Allegorical Figure Representing Arithmetic, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Allegorical Figure Representing Arithmetic
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760
The Battle of Vercellae, Giovanni Battista Tiepolo Italian, Oil on canvas
The Battle of Vercellae
Giovanni Battista Tiepolo
1725–29
The Capture of Carthage, Giovanni Battista Tiepolo Italian, Oil on canvas
The Capture of Carthage
Giovanni Battista Tiepolo
1725–29
A Female Allegorical Figure, Giovanni Battista Tiepolo Italian, Oil on canvas, gold ground
A Female Allegorical Figure
Giovanni Battista Tiepolo
ca. 1740–50
Allegorical Figure Representing Geometry, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Allegorical Figure Representing Geometry
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760
The Glorification of the Barbaro Family, Giovanni Battista Tiepolo Italian, Oil on canvas
The Glorification of the Barbaro Family
Giovanni Battista Tiepolo
ca. 1750
Allegorical Figure Representing Grammar, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Allegorical Figure Representing Grammar
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760
The Investiture of Bishop Harold as Duke of Franconia, Giovanni Battista Tiepolo Italian, Oil on canvas
The Investiture of Bishop Harold as Duke of Franconia
Giovanni Battista Tiepolo
ca. 1751–52
Allegorical Figure Representing Metaphysics, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Allegorical Figure Representing Metaphysics
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760
Neptune and the Winds, Giovanni Battista Tiepolo Italian, Oil on canvas
Neptune and the Winds
Giovanni Battista Tiepolo
1760s
The Flight into Egypt, Giovanni Battista Tiepolo Italian, Oil on canvas
The Flight into Egypt
Giovanni Battista Tiepolo
ca. 1767–70
Lucrezia Agliardi Vertova (1490?–1558), Giovanni Battista Moroni Italian, Oil on canvas
Lucrezia Agliardi Vertova (1490?–1558)
Giovanni Battista Moroni
1557
The Triumph of Marius, Giovanni Battista Tiepolo Italian, Oil on canvas
The Triumph of Marius
Giovanni Battista Tiepolo
1729
The Chariot of Aurora, Giovanni Battista Tiepolo Italian, Oil on canvas
The Chariot of Aurora
Giovanni Battista Tiepolo
1760s
A Female Allegorical Figure, Giovanni Battista Tiepolo Italian, Oil on canvas, gold ground
A Female Allegorical Figure
Giovanni Battista Tiepolo
1740–50
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Multiple artists/makers
designed ca. 1540, woven ca. 1570
Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels
Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse
Multiple artists/makers
designed ca. 1540, woven ca. 1570
Pluto, Giovanni Battista di Jacopo Italian, Bronze, probably French
Pluto
Giovanni Battista di Jacopo
mid-17th century
Pluto and Cerberus, Giovanni Battista di Jacopo Italian, Bronze, French
Pluto and Cerberus
Giovanni Battista di Jacopo
early 17th century
The Adoration of the Shepherds, L'Ortolano (Giovanni Battista Benvenuti) Italian, Oil on canvas, transferred from wood
The Adoration of the Shepherds
L'Ortolano (Giovanni Battista Benvenuti)
late 1520s
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50