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1-42 of 7,970 results for Giovanni Battista Pittoni
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Susanna and the Elders (recto); Architectural design and other scribbles (verso), Giovanni Battista Pittoni Italian, Red and black chalks
Susanna and the Elders (recto); Architectural design and other scribbles (verso)
Giovanni Battista Pittoni
ca. 1720
Standing and Seated Figures in a Landscape with an Obelisk, Giovanni Battista Pittoni the Elder Italian, Pen and brown ink
Standing and Seated Figures in a Landscape with an Obelisk
Giovanni Battista Pittoni the Elder
1520–83
Roman ruins with the horse tamers (Dioscuri) on the Quirinal Hill, plate 36 from "Discorsi Sopra L’Antichita di Roma", Giovanni Battista Pittoni the Elder Italian, Etching
Roman ruins with the horse tamers (Dioscuri) on the Quirinal Hill, plate 36 from "Discorsi Sopra L’Antichita di Roma"
Giovanni Battista Pittoni the Elder
1730–60
View of an Island with Antique Ruins (The Abduction of Europa), from: Imagini Favolose, Giovanni Battista Pittoni the Elder Italian, Etching, state before initials; verso drawing in pen and ink with wash
View of an Island with Antique Ruins (The Abduction of Europa), from: Imagini Favolose
Giovanni Battista Pittoni the Elder
1575–85
Jael hammering a tent peg into the temple of the sleeping Sisera, to the right a servant hides behind a curtain; from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Pittoni, Pietro Monaco Italian, Etching and engraving
Jael hammering a tent peg into the temple of the sleeping Sisera, to the right a servant hides behind a curtain; from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Pittoni
Pietro Monaco
Giovanni Battista Pittoni
ca. 1730–39
Samson and Delilah seated on a bed, Samson tearing apart the ropes binding his hands as soldiers look on from behind a curtain; from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Pittoni, Pietro Monaco Italian, Etching and engraving
Samson and Delilah seated on a bed, Samson tearing apart the ropes binding his hands as soldiers look on from behind a curtain; from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Pittoni
Pietro Monaco
Giovanni Battista Pittoni
ca. 1730–39
Ornamental frieze with foliate scrolls
Giovanni Battista Pittoni the Elder
16th century
Saint Mary Magdalene in nature, holding a crucifix in her right hand and clutching her chest with her left; from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Pittoni
Pietro Monaco
Giovanni Battista Pittoni
ca. 1730–39
The Virgin and Child seated on an elevated throne, below stand Saint Nicholas of Myra and Saint Nicholas of Tolentino; from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Pittoni
Pietro Monaco
Giovanni Battista Pittoni
ca. 1730–39
Birth of the Virgin; a woman at center holding the infant in a cloth, at left Saint Anne lying in bed, at right Saint Joachim looking up toward God who watches over the scene; from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Pittoni
Pietro Monaco
Giovanni Battista Pittoni
ca. 1730–39
The death of Saint Joseph, who lies in bed surrounded by the Virgin, Christ, and angels; above, an angel carries lilies; from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Pittoni
Pietro Monaco
Giovanni Battista Pittoni
ca. 1730–39
Saint John of Nepomuk carried into the heavens by two angels; from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Pittoni
Pietro Monaco
Giovanni Battista Pittoni
ca. 1730–39
Portrait of Giovanni Battista Pittoni in a decorative border, from "Compendio delle vite de' pittori veneziani istorici più rinomati del presente secolo con suoi ritratti tratti dal naturale delineati ed incisi"
Alessandro Longhi
Giovanni Battista Pittoni
1762
Ferdinando de' Medici, Grand Prince of Tuscany, Giovanni Battista Foggini Italian, Marble, gray marble, Italian, Florence
Ferdinando de' Medici, Grand Prince of Tuscany
Giovanni Battista Foggini
ca. 1680–82
Allegory of the Planets and Continents, Giovanni Battista Tiepolo Italian, Oil on canvas
Allegory of the Planets and Continents
Giovanni Battista Tiepolo
1752
Samuel anointing Saul who kneels before him
Multiple artists/makers
ca. 1748–82
Narrative of the Operations and Recent Discoveries Within the Pyramids, Temples, Tombs and Excavations in Egypt and Nubia; and of a Journey to the Coast of the Red Sea, in Search of the Ancient Berenice; and Another to the Oasis of Jupiter Ammon, Giovanni Battista Belzoni Italian, Printed book, London: J. Murray, 1820
Narrative of the Operations and Recent Discoveries Within the Pyramids, Temples, Tombs and Excavations in Egypt and Nubia; and of a Journey to the Coast of the Red Sea, in Search of the Ancient Berenice; and Another to the Oasis of Jupiter Ammon
Giovanni Battista Belzoni
1820
Bacchus and Ariadne, Giovanni Battista Tiepolo Italian, Pen and brown ink, brown wash, over black chalk.
Bacchus and Ariadne
Giovanni Battista Tiepolo
ca. 1740
Twelve-light chandelier, Giovanni Battista Metellino Italian, Gilt steel (gilding not original) and rock crystal, Italian, Milan
Twelve-light chandelier
Giovanni Battista Metellino
first quarter 18th century
Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany, Giovanni Battista Foggini Italian, Marble with base of gray marble, Italian, Florence
Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany
Giovanni Battista Foggini
ca. 1680–82
The Triumph of Marius, Giovanni Battista Tiepolo Italian, Oil on canvas
The Triumph of Marius
Giovanni Battista Tiepolo
1729
The Apotheosis of the Spanish Monarchy, Giovanni Battista Tiepolo Italian, Oil on canvas
The Apotheosis of the Spanish Monarchy
Giovanni Battista Tiepolo
1760s
The Apotheosis of the Spanish Monarchy, Giovanni Battista Tiepolo Italian, Oil on canvas
The Apotheosis of the Spanish Monarchy
Giovanni Battista Tiepolo
1760s
Allegorical Figure Representing Arithmetic, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Allegorical Figure Representing Arithmetic
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760
The Capture of Carthage, Giovanni Battista Tiepolo Italian, Oil on canvas
The Capture of Carthage
Giovanni Battista Tiepolo
1725–29
A Female Allegorical Figure, Giovanni Battista Tiepolo Italian, Oil on canvas, gold ground
A Female Allegorical Figure
Giovanni Battista Tiepolo
ca. 1740–50
The Investiture of Bishop Harold as Duke of Franconia, Giovanni Battista Tiepolo Italian, Oil on canvas
The Investiture of Bishop Harold as Duke of Franconia
Giovanni Battista Tiepolo
ca. 1751–52
Allegorical Figure Representing Metaphysics, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Allegorical Figure Representing Metaphysics
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760
Neptune and the Winds, Giovanni Battista Tiepolo Italian, Oil on canvas
Neptune and the Winds
Giovanni Battista Tiepolo
1760s
The Chariot of Aurora, Giovanni Battista Tiepolo Italian, Oil on canvas
The Chariot of Aurora
Giovanni Battista Tiepolo
1760s
A Female Allegorical Figure, Giovanni Battista Tiepolo Italian, Oil on canvas, gold ground
A Female Allegorical Figure
Giovanni Battista Tiepolo
1740–50
The Flight into Egypt, Giovanni Battista Tiepolo Italian, Oil on canvas
The Flight into Egypt
Giovanni Battista Tiepolo
ca. 1767–70
The Meeting of Antony and Cleopatra, Giovanni Battista Tiepolo Italian, Oil on canvas
The Meeting of Antony and Cleopatra
Giovanni Battista Tiepolo
ca. 1745–47
The Adoration of the Magi, Giovanni Battista Tiepolo Italian, Oil on canvas
The Adoration of the Magi
Giovanni Battista Tiepolo
late 1750s
The Battle of Vercellae, Giovanni Battista Tiepolo Italian, Oil on canvas
The Battle of Vercellae
Giovanni Battista Tiepolo
1725–29
Allegorical Figure Representing Geometry, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Allegorical Figure Representing Geometry
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760
The Glorification of the Barbaro Family, Giovanni Battista Tiepolo Italian, Oil on canvas
The Glorification of the Barbaro Family
Giovanni Battista Tiepolo
ca. 1750
Allegorical Figure Representing Grammar, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Allegorical Figure Representing Grammar
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760
Saint Thecla Praying for the Plague-Stricken, Giovanni Battista Tiepolo Italian, Oil on canvas
Saint Thecla Praying for the Plague-Stricken
Giovanni Battista Tiepolo
1758–59
Lucrezia Agliardi Vertova (1490?–1558), Giovanni Battista Moroni Italian, Oil on canvas
Lucrezia Agliardi Vertova (1490?–1558)
Giovanni Battista Moroni
1557
Bartolomeo Bonghi (died 1584), Giovanni Battista Moroni Italian, Oil on canvas
Bartolomeo Bonghi (died 1584)
Giovanni Battista Moroni
shortly after 1553
The Calling of Saint Matthew, Giovanni Battista Caracciolo Italian, Oil on canvas
The Calling of Saint Matthew
Giovanni Battista Caracciolo
ca. 1625–30