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1-42 of 7,688 results for Giovanni Bouchard
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The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
Interior view of St. Peter's Basilica in the Vatican, from "Vedute di Roma" (Roman Views), Giovanni Battista Piranesi Italian, Etching; first state of four (Hind)
Interior view of St. Peter's Basilica in the Vatican, from "Vedute di Roma" (Roman Views)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
View of St. Peter's Basilica and Piazza in the Vatican, from "Vedute di Roma" (Roman Views), Giovanni Battista Piranesi Italian, Etching; first state of seven (Hind)
View of St. Peter's Basilica and Piazza in the Vatican, from "Vedute di Roma" (Roman Views)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
The Triumphal Arch, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint, burnishing; first state of five (Robison)
The Triumphal Arch, from "Grotteschi" (Grotesques)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
The Drawbridge, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, scratching; first state of six (Robison)
The Drawbridge, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
Plate 19: Part of the ancient Appian Way about three miles outside Porta S. Sebastiano, from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte de quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy), Giovanni Battista Piranesi Italian, Etching
Plate 19: Part of the ancient Appian Way about three miles outside Porta S. Sebastiano, from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte de quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
Parte di ampio magnifico Porto all'uso degli antichi Romani, ove si scuopre l'interno della gran Piazza pel Comercio... (Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square...), from "Opere Varie di Archiettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint; second state of seven (Robison)
Parte di ampio magnifico Porto all'uso degli antichi Romani, ove si scuopre l'interno della gran Piazza pel Comercio... (Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square...), from "Opere Varie di Archiettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Skeletons, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi Italian, Etching with engraving, drypoint, and burnishing; second state of five (Robison)
The Skeletons, from "Grotteschi" (Grotesques)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
The Pier with a Lamp, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of seven (Robison)
The Pier with a Lamp, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Arch with a Shell Ornament, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, scratching, sulphur tint or open bite, drypoint; first state of seven (Robison)
The Arch with a Shell Ornament, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Well, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, scratching, burnishing, lavis; first state of six (Robison)
The Well, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
Prisoners on a Projecting Platform, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
Prisoners on a Projecting Platform, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Monumental Tablet, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint, scratching; second state of four (Robison)
The Monumental Tablet, from "Grotteschi" (Grotesques)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
Plan of a spacious and magnificent College designed after the ancient gymnasia of the Greeks and the baths of the Romans..., from "Opere Varie di Architettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint; second state of seven (Robison)
Plan of a spacious and magnificent College designed after the ancient gymnasia of the Greeks and the baths of the Romans..., from "Opere Varie di Architettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect)
Giovanni Battista Piranesi
Giovanni Bouchard
1750
The Tomb of Nero, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint, scratching; second state of six (Robison)
The Tomb of Nero, from "Grotteschi" (Grotesques)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
The Giant Wheel, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving; second state of eight (Robison)
The Giant Wheel, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Staircase with Trophies, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving; first state of six (Robison)
The Staircase with Trophies, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Grand Piazza, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of six (Robison)
The Grand Piazza, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Smoking Fire, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of seven (Robison)
The Smoking Fire, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Sawhorse, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, scratching
The Sawhorse, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
Title Page, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite; first state of nine (Robison)
Title Page, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Gothic Arch, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of six Robison)
The Gothic Arch, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Pier with Chains, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of six (Robison)
The Pier with Chains, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
Portrait of G.B. Piranesi in imitation of an antique bust, from "Opere varie di Architettura, prospetive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities, designed and etched by Giambattista Piranesi, Venetian Architect), Francesco Polanzani Italian, Engraving
Portrait of G.B. Piranesi in imitation of an antique bust, from "Opere varie di Architettura, prospetive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities, designed and etched by Giambattista Piranesi, Venetian Architect)
Multiple artists/makers
1750
Madonna and Child, Giovanni Bellini Italian, Oil on wood
Madonna and Child
Giovanni Bellini
late 1480s
The Feast of Herod and the Beheading of the Baptist, Giovanni Baronzio Italian, Tempera on wood, gold ground, and silver
The Feast of Herod and the Beheading of the Baptist
Giovanni Baronzio
ca. 1330–35
Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, Giovanni Pisano Italian, Marble, Italian
Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist
Giovanni Pisano
ca. 1301, with later additions
Young Girl and Gazelle, Henri L. Bouchard French, Bronze, French, Paris
Young Girl and Gazelle
Henri L. Bouchard
Bisceglia Frères, Paris
1910
Ferdinando de' Medici, Grand Prince of Tuscany, Giovanni Battista Foggini Italian, Marble, gray marble, Italian, Florence
Ferdinando de' Medici, Grand Prince of Tuscany
Giovanni Battista Foggini
ca. 1680–82
Allegory of the Planets and Continents, Giovanni Battista Tiepolo Italian, Oil on canvas
Allegory of the Planets and Continents
Giovanni Battista Tiepolo
1752
Madonna and Child, Benvenuto di Giovanni Italian, Tempera on wood, gold ground
Madonna and Child
Benvenuto di Giovanni
ca. 1470
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, Giovanni di ser Giovanni Guidi (called Scheggia) Italian, Tempera, silver, and gold on wood
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
Giovanni di ser Giovanni Guidi (called Scheggia)
ca. 1449
The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood
The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60
Coronation of the Virgin, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera on wood, gold ground
Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455
The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood
The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445
Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s
Samson Captured by the Philistines, Guercino (Giovanni Francesco Barbieri) Italian, Oil on canvas
Samson Captured by the Philistines
Guercino (Giovanni Francesco Barbieri)
1619
Viola d'Amore, Giovanni Grancino Italian, Spruce, maple, ebony, bone, iron, Italian
Viola d'Amore
Giovanni Grancino
1701
Contes et nouvelles de Bocace florentin : traduction libre, accommodée au gout de ce temps, & enrichie de figures en taille-douce gravées par Mr. Romain de Hooge, Giovanni Boccaccio Italian
Contes et nouvelles de Bocace florentin : traduction libre, accommodée au gout de ce temps, & enrichie de figures en taille-douce gravées par Mr. Romain de Hooge
Multiple artists/makers
1697
The Nativity, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera and gold on wood
The Nativity
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–10
Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc., workshop of Giovanni Maria Vasaro, Maiolica (tin-glazed earthenware), Italian, Castel Durante
Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc.
workshop of Giovanni Maria Vasaro
1508
Personification of the River Nile, Giovanni Volpato Italian, Hard-paste biscuit porcelain, Italian, Rome
Personification of the River Nile
Giovanni Volpato
ca. 1785–95