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Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
Possibly French
1499–1514
Tabernacle frame, del Tasso workshop, Walnut. Carved, luminolegno., Italian
possibly del Tasso
ca. 1530
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation., Reinhold Vasters (frame) German, Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass.
Reinhold Vasters
Italian
second half 16th century (panels); ca. 1865–90 (frame)
The Adoration of the Shepherds, Bartolo di Fredi  Italian, Tempera on poplar, gold ground, Italian
Bartolo di Fredi
1374
Virginal, Wood, parchment, ivory, paint, Italian
Italian
1540
Rebecchino, Boxwood, rosewood, ebony, Italian
Italian
ca. 1420
Guitar, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, brass, Italian
Italian
ca. 1800
Archlute, David Tecchler  Austrian, active Italy, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, Italian
David Tecchler
ca. 1725
Bassoon, Giosue Esposito  Naples, Maple, nickel-silver, Italian
Giosue Esposito
1881
Guitar, Matteo Sellas  German, active Italy, Spruce, bone, parchment, snakewood, ivory, Italian
Attributed to Matteo Sellas
ca. 1630–50
Guitar, Giacomo (Jacob) Ertel  German, Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl, parchment, Italian
Attributed to Giacomo (Jacob) Ertel
late 17th century
The Crucifixion, Master of the Codex of Saint George  Italian, Tempera on wood, gold ground, Italian
Master of the Codex of Saint George
ca. 1330–35
Sea Dragon, Wood, brass, gilding, Italian
Italian
17th century
"Peplos", Fortuny  Italian, silk, glass, Italian
Design House Fortuny
Designer Adèle Henriette Elisabeth Nigrin Fortuny
Designer Mariano Fortuny y Madrazo
ca. 1930
Jumpsuit, Giorgio Armani  Italian, silk, Italian
Designer Giorgio Armani
fall/winter 2002–3
Caftan, Fortuny  Italian, silk, Italian
Design House Fortuny
Designer Mariano Fortuny y Madrazo
ca. 1930
Round gown, silk, linen, Italian
Italian
ca. 1795
Sandals, Salvatore Ferragamo  Italian, leather, cork, Italian
Design House Salvatore Ferragamo
Designer Salvatore Ferragamo
1938
Evening dress, Gianni Versace  Italian, silk, glass, Italian
Design House Gianni Versace
Designer Gianni Versace
spring/summer 1991
Armor, Steel, copper alloy, textile, leather, Italian
Italian
ca. 1400–1450 and later
Viola d'Amore, Giovanni Grancino  Italian, Spruce, maple, ebony, bone, iron, Italian
Giovanni Grancino
1701
Harpsichord, Wood, paint, various materials, Italian
Italian
late 17th century
Mace, Steel, gold, Italian
Italian
ca. 1575 to 1600
Vase, Glass, Italian
Italian
19th century
Ewer, Glass, Italian
Italian
19th century
Assumption of the Virgin, Verre églomisé, silver parcel gilt, Italian
Italian
16th century
Frieze fragment, Marble, Italian
Italian
early 16th century
Frieze fragment, Marble, Italian
Italian
early 16th century
Cassone (one of a pair), Walnut, Italian
Italian
second half 16th century
Pair of wall lights, Gilt bronze, painted iron, soft- and hard-paste porcelain, Italian
Italian
ca. 1750–60
Trotting horse, Giambologna  Netherlandish, Bronze, with remains of red-brown lacquer, Italian
After a model by Giambologna
18th–19th century?
Seated satyr with a shell, Andrea Briosco, called Riccio  Italian, Bronze, Italian
Workshop of Andrea Briosco, called Riccio
after 1600
Apollo and Marsyas, Bronze; mounted in a gilt-bronze or brass frame, Italian
Italian
15th century
The Finding of Moses, Jacopo [Giacomo] Barozzi da Vignola  Italian, Wood, Italian
Designer Jacopo [Giacomo] Barozzi da Vignola
Intarsia by Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli)
16th century
Armchair, Walnut, gilded; velvet, Italian
Italian
mid-18th century
Rapier, Steel, silver, wood, Italian
Italian
ca. 1540