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Showing 59 results for Jukōdō Yoshikuni 寿好堂よし国
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The Courtesan Emi of the Kyōki Brothel as Shizuka Gozen (Shizuka Kyōki Emi), from the series Costume Parade of the Shimanouchi District in Osaka (Naniwa Shimanouchi nerimono), Jukōdō Yoshikuni 寿好堂よし国  Japanese, Woodblock print (nishiki-e); ink and color on paper; vertical ōban, Japan
Jukōdō Yoshikuni 寿好堂よし国
probably 1836
“Enjoying the Evening Cool near Lord Nabeshima’s Warehouses” (Fūryū Nabeshima yūsuzumi), Jukakudō Masakuni 壽鶴堂政国  Japanese, Pentaptych of woodblock prints (nishiki-e); ink and color on paper; vertical ōban, Japan
Multiple artists/makers
ca. 1825
An Actor of the Ichimura Line Sitting on a Shogi (Wooden Bench) and Holding a Pipe, Ippyotei Yoshikuni  Japanese, Woodblock print; ink and color on paper, Japan
Ippyotei Yoshikuni
Kabuki Actor Nakamura Shikan Backstage (Nakamura Shikan rakuya no zu), Juyōdō Toshikuni 壽陽堂歳国  Japanese, Woodblock print; ink and color on paper, Japan
Juyōdō Toshikuni 壽陽堂歳国
1826
Utagawa Kunisada 歌川国貞
Shōtei Hokuju 昇亭北寿
1809 (Bunka 6), 11th month
Album of Sketches, Yūkakudō 幽覚堂  Japanese, Woodblock printed book (orihon, accordion-style); ink and color on paper, Japan
Yūkakudō 幽覚堂
late 18th century (?)
Chikudō Picture Album (Chikudō gafu nihen) 竹堂画譜 二編, Ki Chikudō 紀竹堂  Japanese, Set of two woodblock printed books; ink and color on paper, Japan
Ki Chikudō 紀竹堂
1815
The Night Parade of One Hundred Demons, Tachibana Gadō 橘雅堂  Japanese, Handscroll; ink and color on paper, Japan
Tachibana Gadō 橘雅堂
1892
View of Futami Beach at Ise, Shōtei Hokuju 昇亭北寿  Japanese, Woodblock print; ink and color on paper, Japan
Shōtei Hokuju 昇亭北寿
ca. 1810–1820
View of Ochanomizu in the Eastern Capital, Shōtei Hokuju 昇亭北寿  Japanese, Woodblock print; ink and color on paper, Japan
Shōtei Hokuju 昇亭北寿
ca. 1810–1820
View of Ryogoku Bridge in the Eastern Capital, Shōtei Hokuju 昇亭北寿  Japanese, Woodblock print; ink and color on paper, Japan
Shōtei Hokuju 昇亭北寿
ca. 1810–1820
View of Futami Beach at Ise, Shōtei Hokuju 昇亭北寿  Japanese, Woodblock print; ink and color on paper, Japan
Shōtei Hokuju 昇亭北寿
ca. 1810–1820
Shore Scene Showing European Influence, Shōtei Hokuju 昇亭北寿  Japanese, Woodblock print; ink and color on paper, Japan
Shōtei Hokuju 昇亭北寿
ca. 1810–1820
The Moving Brush in "Rough" Painting (Unpitsu soga) 運筆麁画, Tachibana Morikuni 橘守国  Japanese, Set of three woodblock printed books; ink on paper, Japan
Tachibana Morikuni 橘守国
1749
Illustrated Encyclopedia of China (Morokoshi kinmō zui) 唐土訓蒙図彙, Tachibana Morikuni 橘守国  Japanese, Set of two woodblock printed books; ink on paper, Japan
Tachibana Morikuni 橘守国
1719; preface dated 1718
Famous Places in Owari (Meiku shōkei shohen ) 名区小景 初編之下, Katsukawa Shunkō 勝川春好  Japanese, Set of four woodblock printed books; ink and color on paper, Japan
Katsukawa Shunkō 勝川春好
1847
The Actor Ichikawa Ichizō III as Nozarashi Gosuke, likened to Shi Jin the Nine Dragoned (Kyūmonryū Shishin ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden), Utagawa Kunisada 歌川国貞  Japanese, Right sheet of a triptych of woodblock prints (nishiki-e); ink and color on paper, Japan
Utagawa Kunisada 歌川国貞
1854, 7th month)
The Actor Nakamura Fukusuke I as Asahina Tōbei, likened to Lu Zhishen the Tattooed Priest (Kaoshō Rochishin ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden), Utagawa Kunisada 歌川国貞  Japanese, Center sheet of a triptych of woodblock prints (nishiki-e); ink and color on paper, Japan
Utagawa Kunisada 歌川国貞
1854, 7th month)
The Actor Kawarazaki Gonjūrō I as Ude no Kisaburō, likened to Wu Song the Ascetic (Gyōja Bushō ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden), Utagawa Kunisada 歌川国貞  Japanese, Left sheet of a triptych of woodblock prints (nishiki-e); ink and color on paper, Japan
Utagawa Kunisada 歌川国貞
1854, 7th month)
Nakamura Utaemon IV as Danshichi Kurobei, Utagawa Kunimasu 歌川国升  Japanese, Woodblock print (nishiki-e); ink and color on paper; vertical chūban, Japan
Utagawa Kunimasu 歌川国升
1850
Love of Yatsufuji (Koi no Yatsufuji) 恋のやつふぢ, Utagawa Kunisada 歌川国貞  Japanese, Woodblock printed book; ink and color on paper, Japan
Utagawa Kunisada 歌川国貞
1837, (Tenpō 8)
The Thirty-Six Immortals of Poetry as Kabuki Actors (Yakusha sanjūrokkasen) 役者三十六歌仙, Utagawa Kunisada 歌川国貞  Japanese, Woodblock printed book; ink and color on paper, Japan
Utagawa Kunisada 歌川国貞
Totoya Hokkei 魚屋北渓
1835, first month (Tempō 6)
A Bedside Guide to the Colors of Love in Spring (Shunshoku neya no shiori) 春色閨の栞, Utagawa Kunisada 歌川国貞  Japanese, Set of three woodblock printed books; ink and color on paper, Japan
Utagawa Kunisada 歌川国貞
ca. 1850
Poems on Portraits of the Famous and the Infamous (Kyōka kijin gazō-shū) 狂歌奇人画像集, Utagawa Kunisada 歌川国貞  Japanese, Polychrome Woodblock printed book; gold lacquer on red lacquer ground, Japan
Multiple artists/makers
19th century
Kabuki Actors Asao Yūjirō as Sano Genzaemon and Ichikawa Ebijūrō I as Miura Arajirō, in the play Keisei Sano no Funabashi, Shunkōsai Hokushū 春好斎北洲  Japanese, Diptych of woodblock prints; ink and color on paper, Japan
Shunkōsai Hokushū 春好斎北洲
1822
Kabuki Actor Ichikawa Ebijūrō I as Tōken (China Dog) Jūbei, in the play Benimurasaki ai de someage (Red and Purple, Rich Dyes of Osaka), Shunkōsai Hokushū 春好斎北洲  Japanese, Woodblock print; ink and color on paper, Japan
Shunkōsai Hokushū 春好斎北洲
1822
Bandō Mitsugorō III as Daihanji Kiyozumi and Arashi Koroku IV as Koganosuke, Shunkōsai Hokushū 春好斎北洲  Japanese, Right sheet of a diptych of woodblock prints (nishiki-e); ink and color on paper; vertical ōban, Japan
Shunkōsai Hokushū 春好斎北洲
1821
Kabuki Actor Nakamura Utaemon III as the Sword Master Kyōgoku Takumi, from the series Issei ichidai atari Kyōgen (Hits of a Lifetime of Kyōgen), Shunkōsai Hokushū 春好斎北洲  Japanese, Woodblock print; ink, metallic pigment, and color on paper, Japan
Shunkōsai Hokushū 春好斎北洲
1825
The Actor Arashi Koroku IV in the Final Farewell Performance of His Career (Shōgai onagori kyōgen) as the Female Bandit Hotei Oichi, Shunkōsai Hokushū 春好斎北洲  Japanese, Woodblock print (nishiki-e); ink and color on paper; vertical ōban, Japan
Shunkōsai Hokushū 春好斎北洲
1826
The Actor Asao Gakujūrō I (previously Yūjirō I) as Mashiba Hisatsugu, Shunkōsai Hokushū 春好斎北洲  Japanese, Woodblock print (nishiki-e); ink and color on paper; vertical ōban, Japan
Shunkōsai Hokushū 春好斎北洲
1822
The Actor Nakamura Utaemon III as Inanoya Hanbē, Shunkōsai Hokushū 春好斎北洲  Japanese, Woodblock print (nishiki-e); ink and color on paper; vertical ōban, Japan
Shunkōsai Hokushū 春好斎北洲
1820
The Kabuki Actor Nakamura Utaemon III (Shikan) as Ishikawa Goemon, Shunkōsai Hokushū 春好斎北洲  Japanese, Woodblock print (nishiki-e); ink and color on paper; vertical ōban, Japan
Shunkōsai Hokushū 春好斎北洲
1822
Poem by Fujiwara no Okikaze with Underpainting of Clematis
, Shōkadō Shōjō 松花堂昭乗  Japanese, Hanging scroll; ink, gold, and silver on colored paper, Japan
Shōkadō Shōjō 松花堂昭乗
Tawaraya Sōtatsu 俵屋宗達
early 17th century
Arashi Rikan II as Miyamoto Musashi, Gigadō Ashiyuki 戯画堂芦幸  Japanese, Woodblock print (nishiki-e); vertical ōban, Japan
Gigadō Ashiyuki 戯画堂芦幸
1832
Knife Handle (<i>Kozuka</i>), 山光堂如水 (Sankōdō Josui)  Japanese, Copper-gold alloy (<i>shakudō</i>), gold, Japanese
山光堂如水 (Sankōdō Josui)
ca. 1615–1868
On a Rustic Bridge, Carrying a Zither, Urakami (Uragami) Gyokudō 浦上玉堂  Japanese, Hanging scroll; ink on paper, Japan
Urakami (Uragami) Gyokudō 浦上玉堂
1814
The Actors Arashi Kitsusaburō II as the Hairdresser Kamiyui Tasuke, and Arashi Koroku IV as Gonza the Lancer (Yari no Gonza), Gigadō Ashiyuki 戯画堂芦幸  Japanese, Woodblock print (nishiki-e); ink and color on paper; vertical ōban, Japan
Gigadō Ashiyuki 戯画堂芦幸
1824
Green Mountains as the Rain Ceases
, Urakami (Uragami) Gyokudō 浦上玉堂  Japanese, Hanging scroll; ink on paper, Japan
Urakami (Uragami) Gyokudō 浦上玉堂
early 19th century
Chōmeiji Temple (Chōmeiji), from the series Miracles of Kannon
, Utagawa Hiroshige II  二代目歌川広重 (upper) Japanese, Woodblock print (nishiki-e); ink and color on paper, Japan
Utagawa Hiroshige II 二代目歌川広重
Utagawa Kunisada (Toyokuni III) 歌川国貞(三代歌川豊国)
1859
Eight Views of Xiao and Xiang Rivers, Maruyama Ōkyo 円山応挙  Japanese, Eight sheets pasted to an eight-panel folding screen; ink on paper; gold on paper, Japan
Maruyama Ōkyo 円山応挙
Shōkadō Shōjō 松花堂昭乗
late 18th century