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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Master IH or HI

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Standing cup with cover, Master IH or HI, Glass, German, Anstadt — Standing cup with cover
Master IH or HI
ca. 1700

Marble female figure, Bastis Master, Marble, Cycladic — Marble female figure
Bastis Master
2600–2400 BCE

Saint Anthony the Abbot in the Wilderness, Osservanza Master Italian, Tempera and gold on wood — Saint Anthony the Abbot in the Wilderness
Osservanza Master
ca. 1435

Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt. — Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century

The Bodhisattva Avalokitesvara Expounding the Dharma to a Devotee: Folio from a Ashtasahasrika Prajnaparamita Sutra Manuscript, Mahavihara Master, Opaque watercolor on palm leaf, India, West Bengal or Bangladesh — The Bodhisattva Avalokitesvara Expounding the Dharma to a Devotee: Folio from a Ashtasahasrika Prajnaparamita Sutra Manuscript
Mahavihara Master
early 12th century

Basin, Master Potter A, Tin-glazed earthenware, Mexican — Basin
Master Potter A
ca. 1650

Seated couple, "Barnes Foundation Master", Wood, copper and iron alloy, applied organic materials, Dogon — Seated couple
"Barnes Foundation Master"
18th–early 19th century

Relief from a Pulpit with the Symbol of Saint Luke, Master Christophanus or Stephanus , and his Workshop Italian, Limestone with lead, Italian — Relief from a Pulpit with the Symbol of Saint Luke
Master Christophanus or Stephanus
ca. 1180

Mary of Burgundy, Master H.A. or A.H. Austrian, Oil on fir panel — Mary of Burgundy
Master H.A. or A.H.
1528

Faith, Master IDC or, Painted enamel, partly gilt, on copper — Faith
Master IDC
Jean Cour (or Court)
late 16th century or early 17th century

Hope, Master IDC or, Painted enamel, partly gilt, on copper. — Hope
Master IDC
Jean Cour (or Court)
late 16th to early 17th century

Daniel, Archbishop of Mainz, Master HKVB, Honestone (Jurassic limestone), Southern German or Middle Rhenish — Daniel, Archbishop of Mainz
Master HKVB
1568

The Sacrifice of Noah, Master K.I.P. French, Painted enamel on copper, partly gilt, French, Limoges — The Sacrifice of Noah
Multiple artists/makers
mid-16th century

Saints Bartholomew and Simon, Master of Saint Francis Italian, Tempera and gold on wood, Italian, Umbria — Saints Bartholomew and Simon
Master of Saint Francis
1266–75

The Visitation, Master Heinrich of Constance German, Walnut, paint, gilding, rock-crystal cabochons inset in gilt-silver mounts, German — The Visitation
Master Heinrich of Constance
ca. 1310–20

Holy Woman, Master of Rimini, Alabaster, North French or South Netherlandish — Holy Woman
Master of Rimini
ca. 1430

Maharana Sangram Singh Riding a Prize Stallion, Stipple Master Indian, Ink, opaque watercolor, gold, and Basra pearls on paper, India (Rajasthan, Mewar) — Maharana Sangram Singh Riding a Prize Stallion
Stipple Master
Jai Ram
ca. 1712

Landscape, Fei Hanyuan (Hi Kangen) Chinese, Hanging scroll; ink and color on paper, Japan — Landscape
Fei Hanyuan (Hi Kangen)
1756

Mirror clock, Master CR, Case: gilded brass and gilded copper; Dial: gilded brass; Movement: plated frame of iron, iron wheels, German, Nuremberg — Mirror clock
Multiple artists/makers
ca. 1565–70

Adoration of the Shepherds, Master K.I.P. French, Painted enamel on copper, partly gilt, French, Limoges — Adoration of the Shepherds
Master K.I.P.
Valerio Belli (Il Vicentino)
mid-16th century

Church Bell, Master Marcus Venetian, Bronze, North Italian — Church Bell
Master Marcus
ca. 1411

Smallsword with Scabbard, Master GG French, Gold, steel, wood, fish skin, French, Paris — Smallsword with Scabbard
Master GG
hallmarked 1773–74

Virgin and Child Enthroned with Scenes from the Life of the Virgin, Morata Master Spanish, Tempera and gold on wood — Virgin and Child Enthroned with Scenes from the Life of the Virgin
Morata Master

Madonna and Child Enthroned with Two Cherubim, Osservanza Master Italian, Tempera on wood, gold ground, Italian, Siena — Madonna and Child Enthroned with Two Cherubim
Osservanza Master
1435–40

Altarpiece (retablo) with Scenes from the Passion, Master Morata Spanish, Tempera, gilt, wood, Spanish — Altarpiece (retablo) with Scenes from the Passion
Master Morata
second half 15th century

Man of Sorrows, Lautenbach Master German, Pot-metal glass and vitreous paint, German — Man of Sorrows
Lautenbach Master
Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft)
ca. 1480

The Mater Dolorosa, Lautenbach Master German, Pot-metal glass and colorless glass, silver stain, and vitreous paint, South German — The Mater Dolorosa
Lautenbach Master
Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft)
ca. 1480

Triptych with Scenes from the Passion of Christ, Master Pertoldus (Berthold Schauer?), Silver, gilded silver, mother-of-pearl, bone, and cold enamel, Austrian — Triptych with Scenes from the Passion of Christ
Master Pertoldus
1494

Tracery Arcade from the Great South Window of Canterbury Cathedral, Master Mason Stephen Lote and/or, Caen stone, British — Tracery Arcade from the Great South Window of Canterbury Cathedral
Master Mason Stephen Lote
Master Mason Thomas Mapilton
ca. 1426–1435

Hours of Francis I, Master of François de Rohan French, Illuminated manuscript on parchment, bound in leather with gilt, French, Paris or Tours — Hours of Francis I
Master of François de Rohan
1539–40

Lidded saltcellar, Temne or Bullom artist(s), Ivory, Temne or Bullom — Lidded saltcellar
Temne or Bullom artist(s)
ca. 1490–1530

Margaret of Austria, Jean Hey (called Master of Moulins) Netherlandish, Oil on oak panel — Margaret of Austria
Jean Hey (called Master of Moulins)
ca. 1490

Leaves from an Ashtasahasrika Prajnaparamita Sutra, Mahavihara Master, Opaque watercolor, black carbon-based ink, and mineral- and vegetable-based pigments on palm leaf, India, Bengal or Bangladesh — Leaves from an Ashtasahasrika Prajnaparamita Sutra
Mahavihara Master
early 12th century

Bodhisattva Maitreya, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript, Mahavihara Master, Opaque watercolor on palm leaf, India (Bengal) or Bangladesh — Bodhisattva Maitreya, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
Mahavihara Master
early 12th century

Green Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript, Mahavihara Master, Opaque watercolor on palm leaf, India (Bengal) or Bangladesh — Green Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
Mahavihara Master
early 12th century

Bodhisattva Maitreya, Leaf from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript, Mahavihara Master, Opaque watercolor on palm leaf, India (Bengal) or Bangladesh — Bodhisattva Maitreya, Leaf from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
Mahavihara Master
early 12th century

White Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript, Mahavihara Master, Opaque watercolor on palm leaf, India (Bengal) or Bangladesh — White Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
Mahavihara Master
early 12th century

Green Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript, Mahavihara Master, Opaque watercolor on palm leaf, India (Bengal) or Bangladesh — Green Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
Mahavihara Master
early 12th century

Leaves from an Ashtasahasrika Prajnaparamita Sutra, Mahavihara Master, Opaque watercolor, black carbon-based ink, and mineral- and vegetable-based pigments on palm leaf, India, West Bengal or Bangladesh — Leaves from an Ashtasahasrika Prajnaparamita Sutra
Mahavihara Master
early 12th century

Green Tara Dispensing Boons to Ecstatic Devotees: Folio from a Manuscript of the Ashtasahasrika Prajnaparamita (Perfection of Wisdom)

, Mahavihara Master, Opaque watercolor on palm leaf, India, West Bengal or Bangladesh — Green Tara Dispensing Boons to Ecstatic Devotees: Folio from a Manuscript of the Ashtasahasrika Prajnaparamita (Perfection of Wisdom)
Mahavihara Master
early 12th century