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1-42 of 109 results for Musée des Beaux‑Arts d’Agen
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Department
The Shepherd's Song, Pierre Puvis de Chavannes French, Oil on canvas
The Shepherd's Song
Pierre Puvis de Chavannes
1891
The Adoration of the Magi, Bartolo di Fredi Italian, Tempera and gold on wood
The Adoration of the Magi
Bartolo di Fredi
ca. 1390
Galerie Giustiniani, ou, Catalogue figuré des tableaux de cette célèbre galerie, transportée d'Italie en France, accompagné d'observations critiques et historiques, et de soixante-douze planches gravée au trait, contenant environ cent cinquante sujets, Charles-Paul Landon
Galerie Giustiniani, ou, Catalogue figuré des tableaux de cette célèbre galerie, transportée d'Italie en France, accompagné d'observations critiques et historiques, et de soixante-douze planches gravée au trait, contenant environ cent cinquante sujets
Editor Charles-Paul Landon
Printer Chaignieau
Binder Simier
1812
Plaque with the Crucifixion, Master of the Orléans Triptych French, Painted enamel, copper, French
Plaque with the Crucifixion
Master of the Orléans Triptych
16th century
Sergeant of the Colonial Regiment, Albert Marquet French, Oil on canvas
Sergeant of the Colonial Regiment
Albert Marquet
1906–7
Saltcellar with scene of infant harvesters (one of a pair), Pierre Reymond French, Painted enamel on copper, partly gilt, French, Limoges
Saltcellar with scene of infant harvesters (one of a pair)
Enameler Attributed to Pierre Reymond
ca. 1540–45
Saltcellar (one of a pair), Pierre Reymond French, Painted enamel on copper, partly gilt, French, Limoges
Saltcellar (one of a pair)
Enameler Maker: Pierre Reymond Pierre Reymond
ca. 1540–45
The Magdalen, Anne Hall American, Watercolor on ivory, American
The Magdalen
Anne Hall
After Guido Reni
ca. 1830
Fragment from the Tomb of John the Fearless and Margaret of Bavaria, Duke and Duchess of Burgundy, Jean de la Huerta Spanish, Alabaster, French
Fragment from the Tomb of John the Fearless and Margaret of Bavaria, Duke and Duchess of Burgundy
Jean de la Huerta
Antoine Le Moiturier
ca. 1443–55
First Steps, Franz Ludwig Catel German, Oil on canvas
First Steps
Franz Ludwig Catel
ca. 1820–25
The Japanese Robe, Alfred Stevens Belgian, Oil on canvas
The Japanese Robe
Alfred Stevens
ca. 1872
Copy after Delacroix's "Bark of Dante", Edouard Manet French, Oil on canvas
Copy after Delacroix's "Bark of Dante"
Edouard Manet
ca. 1859
Portrait of Lucien Gilbert, André Derain French, Oil on canvas
Portrait of Lucien Gilbert
André Derain
ca. 1905
Venus and Cupid, Paul Hubner , Augsburg, Copper alloy with a light brown patina under a dark lacquer patina; pierced at the top., German, Augsburg
Venus and Cupid
possibly Paul Hubner
model ca. 1590–1600 (possibly cast 17th century)
Adam, Auguste Rodin French, Bronze, French, Paris
Adam
Auguste Rodin
modeled 1880 or 1881, cast 1910
Pietà, Jean-Baptiste Carpeaux French, Terracotta, French, Paris
Pietà
Jean-Baptiste Carpeaux
1864
Arab Warrior, Horace Vernet French, Oil on canvas
Arab Warrior
Horace Vernet
ca. 1817–22
Harnefer son of Paheb (Phibis) and Takerheb (Kalibis), Diorite
Harnefer son of Paheb (Phibis) and Takerheb (Kalibis)
280 B.C.
Marine: The Waterspout, Gustave Courbet French, Oil on canvas
Marine: The Waterspout
Gustave Courbet
1870
Inter artes et naturam (Between Art and Nature), Pierre Puvis de Chavannes French, Oil on canvas
Inter artes et naturam (Between Art and Nature)
Pierre Puvis de Chavannes
ca. 1890–95
Study for "Young and His Daughter", Pierre Antoine Augustin Vafflard French, Oil on paper, laid down on canvas
Study for "Young and His Daughter"
Pierre Antoine Augustin Vafflard
ca. 1804
Naked man wearing an elaborate helmet viewed from behind holding a banner, a lion seated on the ground, Marcantonio Raimondi Italian, Engraving
Naked man wearing an elaborate helmet viewed from behind holding a banner, a lion seated on the ground
Marcantonio Raimondi
? after Raphael (Raffaello Sanzio or Santi)
? after Giulio Romano
ca. 1500–1534
Annales du Musee et de l'Ecole Moderne des Beaux-Arts
1803
Annales du Musee et de l'Ecole Moderne des Beaux-Arts
1803
Annales du Musee et de l'Ecole Moderne des Beaux-Arts
1805
Annales du Musee et de l'Ecole Moderne des Beaux-Arts
1806
Annales du Musee et de l'Ecole Moderne des Beaux-Arts
1806
Annales du Musee et de l'Ecole Moderne des Beaux-Arts
1807
Annales du Musee et de l'Ecole Moderne des Beaux-Arts
1807
Annales du Musee et de l'Ecole Moderne des Beaux-Arts
1807
Annales du Musee et de l'Ecole Moderne des Beaux-Arts
1808
Annales du Musee et de l'Ecole Moderne des Beaux-Arts
1804
Annales du Musee et de l'Ecole Moderne des Beaux-Arts
1803
Annales du Musee et de l'Ecole Moderne des Beaux-Arts
1805
Annales du Musee et de l'Ecole Moderne des Beaux-Arts
1805
Copy after Botticelli, Julian Alden Weir American, Watercolor on paper, American
Copy after Botticelli
Julian Alden Weir
On loan to The Met
Palais de l’École des Beaux-Arts à Paris
Charles Marville
1851
Alexander the Great, Colin Nouailher French, Painted and partly gilded enamel on copper, French, Limoges
Alexander the Great
Enameler Colin Nouailher
Based on a woodcut by Jacob Cornelisz van Oostsanen
ca. 1541
Female figure from an obu (house of images), Igbo artist, Wood, pigment, Igbo
Female figure from an obu (house of images)
Igbo artist
Late 19th century
Tintoretto at His Daughter's Deathbed, Achille Martinet French, Engraving on chine collé
Tintoretto at His Daughter's Deathbed
Achille Martinet
After Léon Cogniet
Subject Jacopo Tintoretto (Jacopo Robusti)
after 1843
Woman from the French Colonies, Charles-Henri-Joseph Cordier French, Algerian onyx-marble, bronze, and enamel; white marble socle, French, Paris
Woman from the French Colonies
Charles-Henri-Joseph Cordier
Pedestal attributed to designs by Charles-François Rossigneux
1861
Annales du Musee et de l'Ecole Moderne des Beaux-Arts, vol. 3
Publisher Migneret
1803