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More than 10,000 results for Pietro Novelli, called Il Monrealese
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Sheet with Figure Studies (double sided), Pietro Novelli, called Il Monrealese  Italian, Pen and brown ink
Pietro Novelli, called Il Monrealese
17th century
A Venetian Family Portrait Group, Pietro Antonio Novelli  Italian, Pen and brown ink, wash, heightened with white, on paper covered with brown wash
Pietro Antonio Novelli
after 1750
Design for a Trade Card, Pietro Antonio Novelli  Italian, Pen and brown ink, gray wash
Pietro Antonio Novelli
mid-18th century
Allegorical Figure of a Woman, Pietro Antonio Novelli  Italian, Pen and light brown wash, heightened with white, on paper covered with light brown wash
Pietro Antonio Novelli
ca. 1745–55
A Seated Slave, Pietro Antonio Novelli  Italian, Pen and black ink, gray wash, over black chalk
Pietro Antonio Novelli
mid-18th–early 19th century
A Bearded Monk Showing a Portable Altar to a Praying Child, with an Old Woman Kneeling, Pietro Antonio Novelli  Italian, Pen and brown ink, wash
Pietro Antonio Novelli
mid-18th–early 19th century
Half-Length  Study for a Portrait of a Young Man, Pietro Antonio Novelli  Italian, Pen and brown ink, gray wash, with touches of pink and blue in the face
Pietro Antonio Novelli
mid-18th–early 19th century
Saint John the Evangelist (?), Pietro Antonio Novelli  Italian, Pen and dark brown ink
Pietro Antonio Novelli
Francesco Fontebasso
before 1755
The Crucifixion, Pietro Lorenzetti  Italian, Tempera and gold leaf on wood
Pietro Lorenzetti
1340s
Altar candlestick (pair with 1975.1.1383), Andrea di Alessandri, called Il Bresciano  Italian, Copper alloy with a thick black varnish patina.
Andrea di Alessandri, called Il Bresciano
ca. 1565
Altar candlestick, Andrea di Alessandri, called Il Bresciano  Italian, Copper alloy with a thick black varnish patina.
Andrea di Alessandri, called Il Bresciano
ca. 1565
Saint Paul the Hermit and Saint Anthony Abbot conversing in a landscape, after Pietro Antonio Novelli, Francesco Novelli  Italian, Etching
Francesco Novelli
Pietro Antonio Novelli
ca. 1784–1836
Chained Nude Prisoner, after Pietro Tacca, Pietro Antonio Novelli  Italian, Pen and black ink, brush with brown, gray, and black wash, highlighted with white gouache, over black chalk, on violet prepared paper faded to light pink
Pietro Antonio Novelli
Pietro Tacca
1729–1804
Striding Pan, Andrea Briosco, called Riccio  Italian, Bronze, Italian, Padua
Andrea Briosco, called Riccio
1530–1539
Rothschild lamp, Andrea Briosco, called Riccio  Italian, Bronze, on a later wood base, Italian, Padua
Andrea Briosco, called Riccio
ca. 1510–20
Christ the Redeemer, Antonio Novelli  Italian, Carrara marble, Italian, Florence
Antonio Novelli
ca. 1650
Diana Visiting the Sleeping Endymion, Pietro Antonio Novelli  Italian, Pen and brown ink, brush and gray wash, over black chalk; framing lines in pen and brown ink
Pietro Antonio Novelli
1729–1804
Satirical drawing:  Artist Painting an Old Lady's Portrait, Pietro Antonio Novelli  Italian, Pen and gray ink, brush and gray wash, and gray, brown, red, blue, yellow and green watercolor.  Framing lines in pen and brown ink
Pietro Antonio Novelli
1729–1804
Head of a Man, Pietro Antonio Novelli  Italian, Pen and black ink
Pietro Antonio Novelli
n.d.
Detached Flintlock alla Fiorentina, Sebastiano Cecchi, called Acquafresca  Italian, Steel, Italian, Bargi
Sebastiano Cecchi, called Acquafresca
Matteo Cecchi, called Acquafresca
dated 1679
The Temptation, Pietro Longhi (Pietro Falca)  Italian, Oil on canvas
Pietro Longhi (Pietro Falca)
1746
The Visit, Pietro Longhi (Pietro Falca)  Italian, Oil on canvas
Pietro Longhi (Pietro Falca)
1746
The Letter, Pietro Longhi (Pietro Falca)  Italian, Oil on canvas
Pietro Longhi (Pietro Falca)
1746
The Meeting, Pietro Longhi (Pietro Falca)  Italian, Oil on canvas
Pietro Longhi (Pietro Falca)
1746
Portrait medal of Cristoforo Madruzzo (obverse); Landscape with a Female Figure Pointing to the Sun (reverse), Pietro Paolo Galeotti ("Il Romano"), Bronze (Copper alloy with reddish<br/>brown cuprite patina).
Pietro Paolo Galeotti ("Il Romano")
model ca. 1555 (contemporary cast)
Trigger Guard of a Gun made for a Prince of the House of the Medici, Pietro Ancini  Italian, Steel, Italian, Reggio Emilia
Pietro Ancini
dated 1643
Model of a Basilisk (Cannon) for Emperor Charles V (1500–1558), Pietro d'Arena  Italian, Bronze, Italian
Pietro d'Arena
1523
Portrait Bust of John Fisher, Bishop of Rochester, Pietro Torrigiano  Italian, Polychrome terracotta, British
Pietro Torrigiano
1510–15
Spring in the guise of Flora (one of a pair), Pietro Bernini  Italian, Marble, Italian, Rome
Pietro Bernini
Gian Lorenzo Bernini
1616–17
Jewelry casket, Pietro Giusti, Carved walnut, ebony, lined with red velvet, Italian, Siena
Pietro Giusti
1857
Autumn in the Guise of Priapus (one of a pair), Pietro Bernini  Italian, Marble, Italian, Rome
Pietro Bernini
Gian Lorenzo Bernini
1616–17
Tenor Valve Trombone in B-flat, Pietro Borsari  Italian, brass, nickel-silver, Italian
Pietro Borsari
ca. 1870
Lute, Pietro Railich  German, active Italy, Spruce, snakewood, ebony, Italian
Pietro Railich
1669
Alexander the Great Rescued from the River Cydnus, Pietro Testa  Italian, Oil on canvas
Pietro Testa
ca. 1650
Saint Catherine of Alexandria, Pietro Lorenzetti  Italian, Tempera on wood, gold ground
Pietro Lorenzetti
ca. 1342
Commode, Pietro Piffetti  Italian, Marquetry of ebony, boxwood, walnut, and fruitwood; poplar (alberone) carcass; gilt-bronze mounts; iron locks, Italian, Turin
Multiple artists/makers
ca. 1760
Hanukkah lamp, Pietro Borrani  Italian, Silver, Italian, Turin
Pietro Borrani
ca. 1830
Margaret of Austria, Jean Hey (called Master of Moulins)  Netherlandish, Oil on oak panel
Jean Hey (called Master of Moulins)
ca. 1490
The Holy Family with Saints Anne and Catherine of Alexandria, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Oil on canvas
Jusepe de Ribera (called Lo Spagnoletto)
1648
Saint John on Patmos, Hans Baldung (called Hans Baldung Grien)  German, Oil, gold, and white metal on spruce
Hans Baldung (called Hans Baldung Grien)
ca. 1511