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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Spanish, Talavera de la Reina

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Jug, Tin-glazed earthenware, Spanish, Talavera de la Reina — Jug
Spanish, Talavera de la Reina
17th century

Jar, Tin-glazed earthenware, Spanish, Talavera de la Reina — Jar
Spanish, Talavera de la Reina
ca. 1625–50

Bowl, Tin-glazed earthenware, Spanish, Talavera de la Reina — Bowl
Spanish, Talavera de la Reina
ca. 1625–50

Charger with foliate design, Tin-glazed earthenware, possibly Spanish, Talavera or Puente del Arzobispo — Charger with foliate design
possibly Spanish, Talavera or Puente del Arzobispo
ca. 1750–1800

Charger with portrait, Tin-glazed earthenware, probably Spanish, Talavera or Puente del Arzobispo — Charger with portrait
probably Spanish, Talavera or Puente del Arzobispo
possibly late 17th century

Saint James the Greater, Gil de Siloe Spanish, Alabaster with paint and gilding, Spanish — Saint James the Greater
Gil de Siloe
1489–93

Gun with Flintlock a la moda, Gabriel de Algora Spanish, Steel, gold, wood, Spanish, Madrid — Gun with Flintlock a la moda
Gabriel de Algora
dated 1744

The Holy Family with Saints Anne and Joachim, Diego de Pesquera Spanish, Wood, painted and gilt, Spanish, Granada — The Holy Family with Saints Anne and Joachim
Diego de Pesquera
1567–68

The Afternoon Meal (La Merienda), Luis Meléndez Spanish, Oil on canvas — The Afternoon Meal (La Merienda)
Luis Meléndez
ca. 1772

Barrel-shaped Flower Pot

Unknown

ca. 1750

Unknown

ca. 1700

Contes et nouvelles en vers par Jean de la Fontaine, Jean de La Fontaine French — Contes et nouvelles en vers par Jean de la Fontaine
Multiple artists/makers
1795

La Crainte des Traits de l'Amour, Jean-Louis Lemoyne, Marble, French, Paris — La Crainte des Traits de l'Amour
Jean-Louis Lemoyne
1739–40

Turnus Provoked into War by Aeneas, José Manuel de la Cerda Mexican, Wood, painted lacquer, gold, Mexican — Turnus Provoked into War by Aeneas
José Manuel de la Cerda
ca. 1764

Patio from the Castle of Vélez Blanco, Marble of Macael (Sierra de Filabres), Spanish, Almería — Patio from the Castle of Vélez Blanco
Spanish, Almería
1506–15

The Penitent Magdalen, Georges de La Tour French, Oil on canvas — The Penitent Magdalen
Georges de La Tour
ca. 1640

The Spanish Singer, Edouard Manet French, Oil on canvas — The Spanish Singer
Edouard Manet
1860

Guitar, Joseph de Frías Spanish, Spruce, rosewood, cedar, ebony, mother-of-pearl, Spanish — Guitar
Joseph de Frías
ca. 1780

Don Andrés de Andrade y la Cal, Bartolomé Estebán Murillo Spanish, Oil on canvas — Don Andrés de Andrade y la Cal
Bartolomé Estebán Murillo
ca. 1665–72

The Fortune-Teller, Georges de La Tour French, Oil on canvas — The Fortune-Teller
Georges de La Tour
probably 1630s

Céramiques de la Lys, S.A. : Marcke-lez-Coutrai, Marcke-bij-Kortrijk, Céramiques de la Lys, S.A Belgium — Céramiques de la Lys, S.A. : Marcke-lez-Coutrai, Marcke-bij-Kortrijk
Céramiques de la Lys, S.A
ca. 1930

Saint James the Lesser, Gil de Siloe Spanish, Alabaster, Spanish — Saint James the Lesser
Gil de Siloe
ca. 1500

Scissors, Gabriel de la Vega, Steel, Spanish, Albacete — Scissors
Gabriel de la Vega
1733

Pair of Pistols with Flintlocks a la moda, Gabriel de Algora Spanish, Steel, wood (walnut), gold, silver, horn, Spanish, Madrid — Pair of Pistols with Flintlocks a la moda
Gabriel de Algora
ca. 1735–40

Panel with San Millán, Master Engelram and his son Redolfo Spanish, Elephant ivory, with glass inlay, Spanish — Panel with San Millán
Master Engelram and his son Redolfo
1060–80

Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848), Elisabeth Louise Vigée Le Brun French, Oil on canvas — Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848)
Elisabeth Louise Vigée Le Brun
1789

Saint John the Baptist, Juan Martínez Montañés Spanish, Polychromed wood with gilding, Spanish, Seville — Saint John the Baptist
Juan Martínez Montañés
ca. 1620–30

Juan de Pareja (ca. 1608–1670), Velázquez (Diego Rodríguez de Silva y Velázquez) Spanish, Oil on canvas — Juan de Pareja (ca. 1608–1670)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1650

Guitar, Manuel Ramírez Spanish, Spruce, rosewood, cedar, ebony, ivory or bone, Spanish — Guitar
Manuel Ramírez
Santos Hernández
1912

Annales de la vertu, ou, Cours d'histoire a l'usage des jeunes personnes, Mme. la comtesse de Genlis — Annales de la vertu, ou, Cours d'histoire a l'usage des jeunes personnes
Multiple artists/makers
1781

Memoires de Montecuculi, generalissime des troupes de l'empereur : divisés en trois livres : I. De l'art militaire en général, II. De la guerre contre le turc, III. Relation de la campagne de 1664, Prince Raimondo Montecuccoli Italian — Memoires de Montecuculi, generalissime des troupes de l'empereur : divisés en trois livres : I. De l'art militaire en général, II. De la guerre contre le turc, III. Relation de la campagne de 1664
Prince Raimondo Montecuccoli
1760

Spanish Translation of Saint Augustine's "City of God", Cano de Aranda Spanish, Tempera and gold on parchment, tooled leather binding, Spanish — Spanish Translation of Saint Augustine's "City of God"
Cano de Aranda
1446–82

Spanish Translation of Saint Augustine's "City of God", Cano de Aranda Spanish, Tempera and gold on parchment, tooled leather binding, Spanish — Spanish Translation of Saint Augustine's "City of God"
Cano de Aranda
1446–82

Spanish Translation of Saint Augustine's "City of God", Cano de Aranda Spanish, Tempera and gold on parchment, tooled leather binding, Spanish — Spanish Translation of Saint Augustine's "City of God"
Cano de Aranda
1446–82

Notre-Dame de la Garde (La Bonne Mère), Marseille, Paul Signac French, Oil on canvas — Notre-Dame de la Garde (La Bonne Mère), Marseille
Paul Signac
1905–6

Processional Cross, Silver, partially gilt on wood core, carved gems, jewels, Spanish — Processional Cross
Spanish
ca. 1150–75

Plaque with the Journey to Emmaus and Noli Me Tangere, Elephant ivory with traces of gilding, Spanish — Plaque with the Journey to Emmaus and Noli Me Tangere
Spanish
ca. 1115–20

Crucifix, White oak with paint, gold leaf, and tin leaf (corpus); softwood with paint and tin leaf (cross), Spanish — Crucifix
Spanish
ca. 1150–1200

Lion, Fresco, mounted on canvas, Spanish — Lion
Spanish
after 1200

Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathless, Tempera, gold, and ink on parchment, Spanish — Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathless
Spanish
ca. 1180