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Showing 37 results for Tanomura Chokunyū

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Chokunyū juen zuroku, Tanomura Chokunyū Japanese — Chokunyū juen zuroku
Tanomura Chokunyū
1881

Album of Marvelous Landscapes (Kikanchō), Tanomura Chokunyū Japanese, Accordion album; ink and color on paper, Japan — Album of Marvelous Landscapes (Kikanchō)
Tanomura Chokunyū
Tomioka Tessai
19th century

Spring Sunrise at Mount Penglai, Tanomura Chokunyū Japanese, Hanging scroll; ink and color on silk, Japan — Spring Sunrise at Mount Penglai
Tanomura Chokunyū
1881

Pines and Cranes of Longevity, Tanomura Chokunyū Japanese, Hanging scroll; ink and color on silk, Japan — Pines and Cranes of Longevity
Tanomura Chokunyū
1903

Set of Five Sencha Teacups with Auspicious Plants, Seifu Yohei III Japanese, Porcelain with underglaze iron oxide, Japan — Set of Five Sencha Teacups with Auspicious Plants
Seifu Yohei III
Tanomura Chokunyū
1903

Letter, Tanomura Chokunyū 田能村直入 Japanese, Hanging scroll; ink on paper, Japan — Letter
Tanomura Chokunyū 田能村直入
mid- to late 19th century

White Clouds and Crimson Trees, Tanomura Chokunyū 田能村直入 Japanese, Hanging scroll; ink and color on silk, Japan — White Clouds and Crimson Trees
Tanomura Chokunyū 田能村直入
1888

Rainstorm over a River Village, Tanomura Chikuden Japanese, Hanging scroll; ink and color on paper, Japan — Rainstorm over a River Village
Tanomura Chikuden
late 18th–early 19th century

Returning to the Mountains, Accompanied by Cranes, Tanomura Chikuden Japanese, Hanging scroll; ink and color on satin, Japan — Returning to the Mountains, Accompanied by Cranes
Tanomura Chikuden
dated 1822

Orchid and Bamboo in a Vase, Tanomura Chikuden Japanese, Hanging scroll; ink on paper, Japan — Orchid and Bamboo in a Vase
Tanomura Chikuden
1823

Monkey Offering a Qin to Scholar, Tanomura Chikuden Japanese, Hanging scroll; ink and color on silk, Japan — Monkey Offering a Qin to Scholar
Tanomura Chikuden
1833

Collaborative Painting of Sixteen Arhats, Suzuki Hyakunen 鈴木百年 Japanese, Hanging scroll; ink and color on satin, Japan — Collaborative Painting of Sixteen Arhats
Multiple artists/makers
late 1870s–early 1880s

Pair of Cranes in Bamboo Grove, Tanomura Chikuden 田能村竹田 Japanese, Hanging scroll; ink and color on silk, Japan — Pair of Cranes in Bamboo Grove
Tanomura Chikuden 田能村竹田
ca. early 1830s

Unexpected Meeting on the Yodo River, Rai San’yō 頼山陽 Japanese, Hanging scroll; ink on paper, Japan — Unexpected Meeting on the Yodo River
Rai San’yō 頼山陽
Tanomura Chikuden 田能村竹田
1823

Elegant Gathering in the Western Garden, Tanomura Chikuden Japanese, Hanging scroll; ink and color on paper, Japan — Elegant Gathering in the Western Garden
Tanomura Chikuden
1826

Tea Caddy, named Tall (Seitaka), Nonomura Ninsei Japanese, Stoneware with iron glaze (Kyoto ware), Japan — Tea Caddy, named Tall (Seitaka)
Nonomura Ninsei
second half of the 17th century

Teabowl, Nonomura Ninsei Japanese, Clay covered with a warm Seto glaze and a border of white enamel (Awata ware), Japan — Teabowl
Nonomura Ninsei
18th century

Covered Incense Box, Nonomura Ninsei Japanese, Paste covered with a transparent crackled glaze and decorated with colored enamels and gold (Kyoto ware, Satsuma type), Japan — Covered Incense Box
Nonomura Ninsei
1670

Tea jar, Nonomura Ninsei Japanese, Clay; black glaze with two bands of crackled white glaze; (Awata ware), Japan — Tea jar
Nonomura Ninsei
ca. 1660

Ninsei-style Incense Burner with Flowers of the Four Seasons

, Nonomura Ninsei Japanese, Stoneware with polychrome overglaze enamels and gold; openwork gilt-bronze cover (Kyoto ware), Japan — Ninsei-style Incense Burner with Flowers of the Four Seasons
Nonomura Ninsei
17th century

Bowl, Nonomura Ninsei Japanese, Clay covered with a transparent crackled glaze and decorated with polychrome enamel (Kyoto ware, Banko style), Japan — Bowl
Nonomura Ninsei
19th century

Jar, Nonomura Ninsei Japanese, Clay covered with a transparent crackled glaze; decorated colored enamels and gold (Kyoto ware, Takamatsu type), Japan — Jar
Nonomura Ninsei
1730

Forty-nine scenes from the Tales of Ise, Satomura Genchin Japanese, Pair of six-panel folding screens, with ninety-eight paintings and poem cards (shikishi) applied to gold leaf on paper; paintings: ink and red ink on paper, text: ink on paper, Japan — Forty-nine scenes from the Tales of Ise
Satomura Genchin
mid-17th century

Water Jar, Nonomura Ninsei Japanese, Pottery covered with glaze; handles at sides (Kyoto ware), Japan — Water Jar
Nonomura Ninsei
17th century

Incense Box with Design of the Seven Flowers of Autumn, Nonomura Ninsei Japanese, Glazed stoneware, colored enamels and gold, Japan — Incense Box with Design of the Seven Flowers of Autumn
Nonomura Ninsei
ca. 1648–1649

Water Jar (Mizusashi) with Large Handles, Nonomura Ninsei Japanese, Stoneware with natural ash glaze on the exterior, and a green-white glaze on the interior (Kyoto ware), Japan — Water Jar (Mizusashi) with Large Handles
Nonomura Ninsei
second half 17th century

Inrō with Tanabata Story of the Weaver and the Herdboy

, Nomura Kyūkoku Japanese, Three cases; lacquered wood with gold hiramaki-e and ivory inlay on mother-of-pearl ground; Netsuke: carved ivory; flowers and grasses with silver butterflies; Ojime: silver and gold quail in autumn grasses, Japan — Inrō with Tanabata Story of the Weaver and the Herdboy
Nomura Kyūkoku
active first half of the19th century

Inrō with Grapevine

, Nomura Choheisai Japanese, One case; lacquered wood with gold hiramaki-e, gold foil application with green stained ivory, mother-of-pearl, amber, and horn inlays on black lacquer ground<br/>Netsuke: ivory; kagamibuta with inlaid design of gourd and vine<br/>Ojime: ivory bead with inlaid design of branch with fruits, Japan — Inrō with Grapevine
Nomura Choheisai
second half of the 18th century

Actor Tsu-uchi Monsaburo in a Woman's Role in the Play "Three Instances of Good Fortune (Sanpuku Tsui)", Tamura Sadanobu Japanese, Woodblock print (urushi-e), Japan — Actor Tsu-uchi Monsaburo in a Woman's Role in the Play "Three Instances of Good Fortune (Sanpuku Tsui)"
Tamura Sadanobu
ca. 1730

Nonomura Ninsei

1700

Koji Tamura

20th century

Case (Inrō) with Design of Grasshopper on Stalk of Flowering Lily, Nomura Chōkei (dates unknown) Japanese, Case: Powdered gold (maki-e) on black lacquer with mother-of-pearl, pewter, and ceramic inlays; floral decoration on risers in incised gold; Fastener (ojime): carved red lacquer with design of Chinese sage and pine; Toggle (netsuke): stained ivory carved in the shape of a farm woman and child (signed: Homin), Japan — Case (Inrō) with Design of Grasshopper on Stalk of Flowering Lily
Nomura Chōkei (dates unknown)
18th–19th century

Blade and Mounting for a Dagger (<i>Tantō</i>), Gassan Sadakazu Japanese, Steel, wood (rosewod), copper-gold alloy (<i>shakudō</i>), copper-silver alloy (<i>shibuichi</i>), gold, silver, Japanese — Blade and Mounting for a Dagger (Tantō)
Multiple artists/makers
blade, dated 1870; mounting, 19th century

Peaches, Tamamura Hokuto 玉村方久斗 Japanese, Hanging scroll; ink and color on paper, Japan — Peaches
Tamamura Hokuto 玉村方久斗

[Album of 226 albumen silver prints of Japan], Kusakabe Kimbei Japanese, Albumen silver prints — [Album of 226 albumen silver prints of Japan]
Multiple artists/makers
1860s–90s

Multiple artists/makers

1992

Loopy Doopy, White on Black, Sol LeWitt American, Oil-based woodcut on Japanese paper — Loopy Doopy, White on Black
Multiple artists/makers
1999