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1-42 of 15,747 results for The Bank of Pittsburgh
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Pittsburgh in ye Olden Time: A Souvenir of the Sesqui-Centennial: 1758–1908
The Bank of Pittsburgh
1908
Hercules and Achelous, Master of the Martyrdom of St. Sebastian Austrian, Ivory, probably Austrian
Hercules and Achelous
Master of the Martyrdom of St. Sebastian
probably mid-17th century
The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian
The Crucifixion
Master of the Codex of Saint George
ca. 1330–35
Terracotta volute-krater (bowl for mixing wine and water), Painter of the Woolly Satyrs (namepiece), Terracotta, Greek, Attic
Terracotta volute-krater (bowl for mixing wine and water)
Painter of the Woolly Satyrs
ca. 450 BCE
Head of Saint John the Baptist (one of a pair), Master of the Life of Saint John the Baptist French, Colored, stained, and enemaled glass, French, possibly Rouen
Head of Saint John the Baptist (one of a pair)
Master of the Life of Saint John the Baptist
Arnold of Nijmegen
ca. 1500–1510
Head of Christ (one of a pair), Master of the Life of Saint John the Baptist French, Colored, stained, and enameled glass, French, possibly Rouen
Head of Christ (one of a pair)
Master of the Life of Saint John the Baptist
Arnold of Nijmegen
ca. 1500–1510
October from a set of The Months of Lucas, Master of the Months of Lucas Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris
October from a set of The Months of Lucas
Multiple artists/makers
designed ca. 1535, woven 1732–37
April from a set of The Months of Lucas, Master of the Months of Lucas Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris
April from a set of The Months of Lucas
Multiple artists/makers
designed ca. 1535, woven 1732–37
The Nativity and Circumcision of Christ, Workshop of the Master of the High Foreheads, Painted enamel on copper, partly gilded, French, Limoges
The Nativity and Circumcision of Christ
Workshop of the Master of the High Foreheads
probably early 16th century
The Adoration of the Shepherds, Workshop of the Master of the High Foreheads (Atelier aux Grands Fronts), Painted enamel on copper, partly gilt, French, Limoges
The Adoration of the Shepherds
Workshop of the Master of the High Foreheads
probably early 16th century
Close Helmet for Foot Combat, the Master of the Castle Mark Italian, Steel, gold, leather, Italian, Milan
Close Helmet for Foot Combat
the Master of the Castle Mark
ca. 1600–1610
Tazza, Glasshouse of the Duke of Buckingham British, Glass, British, London
Tazza
Glasshouse of the Duke of Buckingham
ca. 1665–70
Joseph Interpreting the Dreams of His Fellow Prisoners, Master of the Story of Joseph Netherlandish, Oil on wood
Joseph Interpreting the Dreams of His Fellow Prisoners
Master of the Story of Joseph
The Martyrdom of Saint Lawrence; (reverse) Giving Drink to the Thirsty, Master of the Acts of Mercy Austrian, Oil on fir, (obverse) gold ground
The Martyrdom of Saint Lawrence; (reverse) Giving Drink to the Thirsty
Master of the Acts of Mercy
Saint Sebastian, Master of the Furies Austrian, Ivory; kingwood socle, Austrian, possibly Salzburg
Saint Sebastian
Master of the Furies
17th century
Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII)
Master of the Aeneid
probably ca. 1530–35
Aeneas Departs from Carthage (Aeneid, Book IV), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Departs from Carthage (Aeneid, Book IV)
Master of the Aeneid
ca. 1530–35
The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II)
Master of the Aeneid
ca. 1530–35
Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35
Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35
Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35
Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35
The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35
The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II)
Master of the Aeneid
ca. 1530–35
Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II)
Master of the Aeneid
probably ca. 1530–35
Pandarus and Bitias Fight the Rutuli Before the Trojan Camp (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges
Pandarus and Bitias Fight the Rutuli Before the Trojan Camp (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35
Turnus, Overwhelmed by the Trojans, Crosses the River to Return to His Companions (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Turnus, Overwhelmed by the Trojans, Crosses the River to Return to His Companions (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35
Juno, Seated on a Golden Throne, Asks Alecto to Confuse the Trojans (Aeneid, Book VI), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Juno, Seated on a Golden Throne, Asks Alecto to Confuse the Trojans (Aeneid, Book VI)
Master of the Aeneid
ca. 1530–35
Aeneas and His Companions Sacrifice to the Gods before the Tomb of his Father, Anchises, in Sicily (Aeneid, Book V), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges
Aeneas and His Companions Sacrifice to the Gods before the Tomb of his Father, Anchises, in Sicily (Aeneid, Book V)
Master of the Aeneid
ca. 1530–35
The Combat between Dares and Entellus (Aeneid, Book V), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges
The Combat between Dares and Entellus (Aeneid, Book V)
Master of the Aeneid
ca. 1530–35
Madonna and Child Enthroned, Master of the Magdalen Italian, Tempera on wood, gold ground
Madonna and Child Enthroned
Master of the Magdalen
Lefem commemorative figure, "Master of the Tanyi", Wood, organic matter, Bamileke peoples
Lefem commemorative figure
"Master of the Tanyi"
19th–early 20th century
Devananda's Fourteen Auspicious Dreams Foretelling the Birth of Mahavira: Folio from a Kalpasutra Manuscript, Master of the Jaunpur Kalpasutra Indian, Opaque watercolor on paper, India, (Gujarat, Jaunpur)
Devananda's Fourteen Auspicious Dreams Foretelling the Birth of Mahavira: Folio from a Kalpasutra Manuscript
Master of the Jaunpur Kalpasutra
ca. 1465
The Sense of Sight, Master of the Annunciation to the Shepherds Italian, Oil on canvas
The Sense of Sight
Master of the Annunciation to the Shepherds
Hercules and Achelous (in the form of a bull), Master of the Martyrdom of St. Sebastian Austrian, Ivory, Austrian
Hercules and Achelous (in the form of a bull)
Master of the Martyrdom of St. Sebastian
ca. 1670
The Annunciation, Master of the Triptych of Louis XII, Painted enamel on copper, partly gilt, French, Limoges
The Annunciation
Master of the Triptych of Louis XII
probably early 16th century
Young Man Holding a Book, Master of the View of Saint Gudula Netherlandish, Oil on wood
Young Man Holding a Book
Master of the View of Saint Gudula
ca. 1480
The Lamentation, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian
The Lamentation
Master of the Codex of Saint George
ca. 1330–35
Three plaques from a triptych with the Adoration of the Shepherds, Flanked by the Angel Gabriel and the Virgin Annunciate, Master of the Triptych of Louis XII, Painted enamel, copper, French
Three plaques from a triptych with the Adoration of the Shepherds, Flanked by the Angel Gabriel and the Virgin Annunciate
Master of the Triptych of Louis XII
early 16th century
Plaque with the Virgin and Child, Master of the Triptych of Louis XII, Painted enamel, copper, French
Plaque with the Virgin and Child
Master of the Triptych of Louis XII
late 15th–early 16th century
Triptych Panel with Pietá, Master of the Triptych of Louis XII, Painted enamel, copper, French
Triptych Panel with Pietá
Master of the Triptych of Louis XII
15th–16th century
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty, Master of the Second Roman de la Rose of the Duke of Berry, working late fourteenth-early fifteenth century, Ink, colors, and gold on vellum, French (Paris)
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty
Master of the Second Roman de la Rose of the Duke of Berry,
ca. 1400