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36 results for baroque frame
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High Baroque frame, Pine, Italian, Venice
High Baroque frame
Italian, Venice
ca. 1700
L'Eventail (The Fan), Jacques Callot French, Etching and engraving; second state of two
L'Eventail (The Fan)
Jacques Callot
1619
Musette Baroque, boxwood, ivory, brass, leather, silk, French
Musette Baroque
French
Tiles (part of a frame), Jean-Baptiste Guillibaud Factory, Faience (tin-glazed earthenware), French, Rouen
Tiles (part of a frame)
Style of Jean-Baptiste Guillibaud
ca. 1730–40
Cruet frame and two cruets with covers, Faience (tin-glazed earthenware), French, Sceaux
Cruet frame and two cruets with covers
French, Sceaux
ca. 1755
Lidded beaker, Georg Lorenz Warnberger German, Gilded silver, painted enamel on copper, agate, German, Augsburg
Lidded beaker
Georg Lorenz Warnberger
Decorator Enamels attributed to Johanna Warnberger
adapted from paintings by Antoine Coypel
ca. 1715
Pair of urns with covers with hunting scenes, Pierre-Jules Mêne French, Bronze, French
Pair of urns with covers with hunting scenes
Pierre-Jules Mêne
mid-19th century
Diptych, Master BP, Silver frame (oklad), partially gilded, Ukranian
Diptych
Master BP
1736
The Virgin and Child Triumphing over Evil, Francesco Giardoni, Silver, gilt bronze, and wood, Italian, Rome
The Virgin and Child Triumphing over Evil
Probably by Francesco Giardoni
ca. 1731–40
Design for Mirror Frame, Giovanni Battista Natali III Italian, Pen and brown ink, brush with gray and brown wash, over traces of graphite or black chalk
Design for Mirror Frame
Giovanni Battista Natali III
ca. 1720–40
Two Alternate Designs for a Doorway, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown, gray, yellow, and red wash, over leadpoint or graphite
Two Alternate Designs for a Doorway
Anonymous, Italian, Piedmontese, 18th century
ca. 1730–60
Console Table (one of a pair), Gilt wood, Languedoc marble, French
Console Table (one of a pair)
French
ca. 1725
Console Table (one of a pair), Gilt wood, Languedoc marble, French
Console Table (one of a pair)
French
ca. 1725
Boxed Valentine's Day Card, Anonymous, British, 19th century British
Boxed Valentine's Day Card
Anonymous, British, 19th century
1840–99
Design for a Wall-mounted Epitaph, Anonymous, Italian, 18th century Italian, Pen and brown ink, brush with gray, yellow, and pink wash
Design for a Wall-mounted Epitaph
Anonymous, Italian, 18th century
ca. 1700–1730
Study for Nude Male Figures Supporting a Frame and Plan of the Ceiling Decoration of Palazzo Altieri, Rome, Carlo Maratti Italian, Pen and brown ink, some brush and brown wash, over black chalk
Study for Nude Male Figures Supporting a Frame and Plan of the Ceiling Decoration of Palazzo Altieri, Rome
Carlo Maratti
1625–1713
Table decoration in the form of a peacock, Silver, partly gilded, Hungarian, Munkács
Table decoration in the form of a peacock
Hungarian, Munkács
1787
Design for a Wall and Ceiling with Frames and Decorations in Stucco, Anonymous, Italian, 18th century Italian, Black chalk, pen and brown ink, brown wash
Design for a Wall and Ceiling with Frames and Decorations in Stucco
Anonymous, Italian, 18th century
ca. 1690–1710
Mantel clock with alarm, Franz Xavier Gegenreiner German, Case: tortoiseshell backed with brass leaf, pearwood veneered with rosewood; and partly gilded silver; Movement: gilded brass and steel, German, Augsburg
Mantel clock with alarm
Clockmaker: Franz Xavier Gegenreiner
Case maker: Johann Andreas Thelot
case ca. 1710, movement ca. 1760–70
Renaissance-style statuette group of Victory of Virtue over Vice, Bronze, possibly Italian
Renaissance-style statuette group of Victory of Virtue over Vice
possibly Italian
19th or early 20th century
Designs for Lacework with Scrolling Motifs with Acanthus Leaves, Shells, Cornucopias and Bundles of Fruits and Leaves
Anonymous, French, 17th century
Collector Henri-Prosper-Alfred Destailleur
17th Century
Elevation for a Wall Decoration Scheme for a Church Interior with Scenes dedicated to the Legend of the Holy Cross, Anonymous, Central European, 18th century Central European, Pen and brown ink, partially over graphite
Elevation for a Wall Decoration Scheme for a Church Interior with Scenes dedicated to the Legend of the Holy Cross
Anonymous, Central European, 18th century
ca. 1710–30
Tabernacle door with the risen Christ, Pietro Paolo Nardi, Bronze, fire-gilt; iron (lock mechanism), Italian, Florence or Rome
Tabernacle door with the risen Christ
Founder Cast by Pietro Paolo Nardi
mid-17th century
Landscape with Wine Harvest, Pietro da Cortona (Pietro Berrettini) Italian, Brush and gray wash, touches of pen and brown ink, over traces of black chalk, with an illusionistic frame drawn in yellow and brown wash
Landscape with Wine Harvest
Pietro da Cortona (Pietro Berrettini)
ca. 1630
Astronomy, Giambologna Netherlandish, Bronze, Italian, Florence
Astronomy
After a model by Giambologna
17th century
Crouching Venus, Giambologna Netherlandish, Bronze, Italian, Florence
Crouching Venus
After a model by Giambologna
17th century
Banquet of the gods, Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) Italian, Bronze, Italian, possibly Venice
Banquet of the gods
Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)
16th century or later
Anointment of the dead Christ, Fra Domenico Portigiani, Bronze, Italian, Florence
Anointment of the dead Christ
Probably cast by Fra Domenico Portigiani
After a model by Giambologna
17th century?
Longcase clock with calendar and alarm, Ahasuerus II Fromanteel British, Case: walnut and rosewood veneer on oak, and partly gilded limewood; Dial: gilded and silvered brass; Movement: brass and steel, Dutch, Amsterdam
Longcase clock with calendar and alarm
Movement by Ahasuerus II Fromanteel
ca. 1690–94
‘Gaillard’ Musette, P. Gaillard French, Ivory, skin, cloth, French
‘Gaillard’ Musette
Possibly by P. Gaillard
Longcase clock with calendar, Joseph Knibb British, Case: walnut and oak veneered with walnut; dial: gilded and silvered brass; movement: brass, steel, British, London
Longcase clock with calendar
Clockmaker: Joseph Knibb
ca. 1680–85
The Martyrdom of Saint Cecilia (Cartoon for a Fresco), Domenichino (Domenico Zampieri) Italian, Charcoal highlighted with white chalk
The Martyrdom of Saint Cecilia (Cartoon for a Fresco)
Domenichino (Domenico Zampieri)
1612–14
Seated male figure, Bronze, Central Italian
Seated male figure
Central Italian
mid-16th century
Cherub and shell, Sculptor close to Donatello Italian, Bronze, Italian, Florence
Cherub and shell
Sculptor close to Donatello
possibly 1470s
Rothschild lamp, Andrea Briosco, called Riccio Italian, Bronze, on a later wood base, Italian, Padua
Rothschild lamp
Andrea Briosco, called Riccio
ca. 1510–20
Seated Hercules in the act of shooting at the stymphalian birds, Vittore Gambello Italian, Bronze, Italian, Venice
Seated Hercules in the act of shooting at the stymphalian birds
Vittore Gambello
ca. 1515–20