Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for the Kota Master

Sort by:

Elephant Fight, the Kota Master Indian, Opaque watercolor, ink and gold on paper, India, Rajasthan, Kota — Elephant Fight
the Kota Master
ca. 1655–60

Maharao Madho Singh Hunting Wild Boar, the Kota Master Indian, Opaque watercolor, gold and tin on gold paper, India, Rajasthan, Kota — Maharao Madho Singh Hunting Wild Boar
the Kota Master
ca. 1720

Radha and Krishna Walk in a Flowering Grove
(recto); Krishna Fluting (verso), the Kota Master Indian, Ink, opaque watercolor, and gold on paper, India (Rajasthan, Kota) — Radha and Krishna Walk in a Flowering Grove (recto); Krishna Fluting (verso)
the Kota Master
ca. 1720 (recto); ca. 1750–75 (verso)

Reliquary, Kota artist, Wood, cane, pigment, raffia palm, leaves, copper alloy, resin, primate skull, spire shell, Kota peoples — Reliquary
Kota artist
19th–first half of 20th century

Mbulu ngulu (image of the dead), Obamba(?)–Kota artist, Wood, copper alloy, iron, Kota peoples — Mbulu ngulu (image of the dead)
Obamba(?)–Kota artist
Late 19th–early 20th century

Boho na bwete (face of the ancestor), Mahongwe-Kota artist, Wood, copper alloy sheet, copper alloy sheet-wire filaments, copper-alloy wire, iron and copper-alloy nails, Kota peoples, Mahongwe group — Boho na bwete (face of the ancestor)
Mahongwe-Kota artist
1879–early 20th century

Reliquary figure, Mbete-Kota artist, Wood, pigment, metal, cowrie shells, Kota peoples, Mbete group — Reliquary figure
Mbete-Kota artist
19th century

Marble female figure, Bastis Master, Marble, Cycladic — Marble female figure
Bastis Master
2600–2400 BCE

Saint Anthony the Abbot in the Wilderness, Osservanza Master Italian, Tempera and gold on wood — Saint Anthony the Abbot in the Wilderness
Osservanza Master
ca. 1435

Hercules and Achelous, Master of the Martyrdom of St. Sebastian Austrian, Ivory, probably Austrian — Hercules and Achelous
Master of the Martyrdom of St. Sebastian
probably mid-17th century

The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian — The Crucifixion
Master of the Codex of Saint George
ca. 1330–35

Basin, Master Potter A, Tin-glazed earthenware, Mexican — Basin
Master Potter A
ca. 1650

Seated couple, "Barnes Foundation Master", Wood, copper and iron alloy, applied organic materials, Dogon — Seated couple
"Barnes Foundation Master"
18th–early 19th century

Lefem commemorative figure, Master of the Tanyi, Wood, organic matter, Bamileke peoples — Lefem commemorative figure
Master of the Tanyi
19th–early 20th century

Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35

Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II)
Master of the Aeneid
ca. 1530–35

Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II)
Master of the Aeneid
probably ca. 1530–35

Pandarus and Bitias Fight the Rutuli Before the Trojan Camp (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges — Pandarus and Bitias Fight the Rutuli Before the Trojan Camp (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35

Turnus, Overwhelmed by the Trojans, Crosses the River to Return to His Companions (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Turnus, Overwhelmed by the Trojans, Crosses the River to Return to His Companions (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35

Saint Sebastian, Master of the Furies Austrian, Ivory; kingwood socle, Austrian, possibly Salzburg — Saint Sebastian
Master of the Furies
17th century

The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II)
Master of the Aeneid
ca. 1530–35

Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

Aeneas Departs from Carthage (Aeneid, Book IV), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Departs from Carthage (Aeneid, Book IV)
Master of the Aeneid
ca. 1530–35

The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII)
Master of the Aeneid
probably ca. 1530–35

Madonna and Child Enthroned, Master of the Magdalen Italian, Tempera on wood, gold ground — Madonna and Child Enthroned
Master of the Magdalen

Juno, Seated on a Golden Throne, Asks Alecto to Confuse the Trojans (Aeneid, Book VI), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Juno, Seated on a Golden Throne, Asks Alecto to Confuse the Trojans (Aeneid, Book VI)
Master of the Aeneid
ca. 1530–35

Aeneas and His Companions Sacrifice to the Gods before the Tomb of his Father, Anchises, in Sicily (Aeneid, Book V), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges — Aeneas and His Companions Sacrifice to the Gods before the Tomb of his Father, Anchises, in Sicily (Aeneid, Book V)
Master of the Aeneid
ca. 1530–35

The Combat between Dares and Entellus (Aeneid, Book V), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges — The Combat between Dares and Entellus (Aeneid, Book V)
Master of the Aeneid
ca. 1530–35

Close Helmet for Foot Combat, the Master of the Castle Mark Italian, Steel, gold, leather, Italian, Milan — Close Helmet for Foot Combat
the Master of the Castle Mark
ca. 1600–1610

Devananda's Fourteen Auspicious Dreams Foretelling the Birth of Mahavira: Folio from a Kalpasutra Manuscript, Master of the Jaunpur Kalpasutra Indian, Opaque watercolor on paper, India, (Gujarat, Jaunpur) — Devananda's Fourteen Auspicious Dreams Foretelling the Birth of Mahavira: Folio from a Kalpasutra Manuscript
Master of the Jaunpur Kalpasutra
ca. 1465

Sculptural Element from a Reliquary Ensemble, Obamba-Kota artist, Wood, brass sheets, brass and copper sheet-wire filaments, bone, brass nails, iron nails, Kota peoples, Obamba group — Sculptural Element from a Reliquary Ensemble
Obamba-Kota artist
late 19th–early 20th century

The Sense of Sight, Master of the Annunciation to the Shepherds Italian, Oil on canvas — The Sense of Sight
Master of the Annunciation to the Shepherds

Elijah in the Fiery Chariot, Master of the Barbarigo Reliefs, Bronze, partially oil-gilt, Italian, Venice — Elijah in the Fiery Chariot
Master of the Barbarigo Reliefs
ca. 1520

Triptych with the Nativity and the Annunciation, Master of the Orléans Triptych French, Painted enamel on copper, partly gilt, French, Limoges — Triptych with the Nativity and the Annunciation
Master of the Orléans Triptych
late 19th–early 20th century

Saltcellar with Portuguese Figures, Master of the Heraldic Ship Nigerian, Ivory, Edo (Bini-Portuguese) — Saltcellar with Portuguese Figures
Master of the Heraldic Ship
ca. 1525–1600

Musamo (headrest), Master of the Cascade Coiffure Zaire, Wood, glass beads, plant fiber — Musamo (headrest)
Master of the Cascade Coiffure
ca. 1850–1900

The Crucifixion, Master of the Berswordt Altar German, Oil, egg(?), and gold on plywood, transferred from wood — The Crucifixion
Master of the Berswordt Altar
ca. 1400