This isn't just an engraving of Adam and Eve from 1504. It's a global ad campaign

"Prints interest me because they circulate in society."

"Prints interest me because they circulate in society."

Curator Freyda Spira on Albrecht Dürer's print "Adam and Eve."

Explore this object:
https://www.metmuseum.org/art/collection/search/336222

Throughout 2013, The Metropolitan Museum of Art invited curators from across the Museum to each talk about one artwork that changed the way they see the world.

Photography by Katherine Dahab

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Contributors

Freyda Spira
Associate Curator, Department of Drawings and Prints

Futuristic sculpture of a fragmented, abstract human form in stone against a neoclassical arch. The tone is dynamic and modern amidst classical architecture.
How do Lee Bul’s sculptures hold space for critical remembrance to show how the past shapes our present?
Anne Anlin Cheng
May 16
Close-up of a Queen of Clubs playing card with a cut-out section. Behind it, a faded, ghostly face is visible, creating a surreal, mysterious mood.
The artist’s work challenges the social and political context of mass incarceration.
Lisa Sutcliffe
April 28
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Adam and Eve, Albrecht Dürer  German, Engraving
Albrecht Dürer
1504