A medieval effort to visualize commentary

"It's as much about the power of images as anything I know."

"It's as much about the power of images as anything I know."

Curator Melanie Holcomb explains the power of "Curtain of the Tabernacle," one of six illustrated leaves from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra.

Explore this object:
https://www.metmuseum.org/art/collection/search/479483

Throughout 2013, The Metropolitan Museum of Art invited curators from across the Museum to each talk about one artwork that changed the way they see the world.

Photography by Katherine Dahab

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Contributors

Melanie Holcomb
Curator, Department of Medieval Art and The Cloisters

A collage of blurred images depicts people in various settings, with groups standing near structures and rocky landscapes. The mood is contemplative and somber.
I wept thinking of the many treks around prison rec yards I’d made with men whose crimes would never be forgiven, for whom freedom sometimes felt as unlikely as sainthood.
Reginald Dwayne Betts
June 24
Two women in opulent dress and jewelry sit facing each other on a patterned carpet
Shimmering jewels in Pahari School paintings.
Olivia Dill and Marina Ruiz Molina
May 27
Futuristic sculpture of a fragmented, abstract human form in stone against a neoclassical arch. The tone is dynamic and modern amidst classical architecture.
How do Lee Bul’s sculptures hold space for critical remembrance to show how the past shapes our present?
Anne Anlin Cheng
May 16
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