The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)

ca. 1870
On view at The Met Fifth Avenue in Gallery 821
The fashionable portraitist Jacques-Emile Blanche witnessed this painting being made at the Villa Fodor, the family home of Marguerite Carré, the sitter: "One day, she [Morisot] painted before my eyes a charming portrait of Mlle Marguerite in a light pink dress; indeed, the entire canvas was light. Here Berthe Morisot was fully herself, already eliminating from nature both shadows and half-tones." But the painting required several sessions, since Morisot "constantly changed her mind and painted over what she had done once the session was at an end . . . ." The Pink Dress is one of the artist's few surviving early works.

Artwork Details

Object Information
  • Title: The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
  • Artist: Berthe Morisot (French, Bourges 1841–1895 Paris)
  • Date: ca. 1870
  • Medium: Oil on canvas
  • Dimensions: 21 1/2 x 26 1/2 in. (54.6 x 67.3 cm)
  • Classification: Paintings
  • Credit Line: The Walter H. and Leonore Annenberg Collection, Bequest of Walter H. Annenberg, 2002
  • Object Number: 2003.20.8
  • Curatorial Department: European Paintings

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Cover Image for 6366. The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)

6366. The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)

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NARRATOR—Berthe Morisot was one of the principle female proponents of Impressionism. This painting, from around 1870, is one of her few surviving early works. Dissatisfied and frustrated by her initial efforts, Morisot destroyed most of her existing works around the time of her thirtieth birthday.

Here, she depicts a woman of the elegant upper-middle class, to which the artist herself belonged. The sitter is thought to be Marguerite Carré, one of the artist's friends who lived with her parents in the fashionable Paris suburb of Passy, not far from the Morisot family home. Here we see her dressed in a frilly pink dress, seated comfortably, if a bit stiffly, on a sofa in the parent's drawing room.It apparently took Morisot several months and a number of sittings to complete the work; signs of this struggle are evident in the occasional passages of awkward, halting brushwork and in the considerable adjustments she made to the composition as the work progressed.

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