Das Varengeville-Zimmer

ca. 1736–52, with later additions
On view at The Met Fifth Avenue in Gallery 525
Herausstechende Schnitzereien, teilweise im Hochrelief, bilden das Hauptmerkmal der Boiserie oder Holzvertäfelung dieses Zimmers, das ursprünglich aus einer der Privatresidenzen des Pariser Hôtel de Varengeville aus dem 18. Jhd. stammt, das sich, wenn auch stark verändert, immer noch in Nummer 217, des Boulevards Saint-Germain befindet. Obwohl die bemalte und vergoldete Eichenvertäfelung reich mit C- und S-Schnörkeln, Blumensprösslingen und Rocaille-Motiven verziert ist, ist die Dekoration dennoch weitestgehend symmetrisch und spiegelt nicht den Rokokostil in voller Entfaltung wider. Die Trophäen spielen auf Konzepte und Qualitäten wie Musik, Gartenbau, militärische Ehre und hoheitlichen Ruhm an und die langhalsigen Vögel, die auf dem gewundenen Spiegelrahmen und auf den Wandpaneelen sitzen, reflektieren das zeitgenössische Interesse an der Exotik.

Artwork Details

Object Information
  • Titel: Das Varengeville-Zimmer
  • Datum: ca. 1736–52 (mit späteren Zusätzen)
  • Geografie: Paris
  • Dimensionen: 5,58 x 7,07 x 12,36 m
  • Anerkennung: Neuerwerb, Schenkung von Mr. und Mrs. Charles Wrightsman, 1963
  • Akzession Nr.: 63.228.1
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

Nur verfügbar in: English
Cover Image for 2275. Overview: Varengeville Room, Part 1

2275. Overview: Varengeville Room, Part 1

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NARRATOR: This palatial reception room epitomizes the start of the glorious era of French Rococo. This ornate style of great delicacy and refinement flourished in the mid-eighteenth century, while Louis XV was King. And some of the Museum’s most extraordinary objects from his reign are displayed here.

This opulent painted and gilded paneling once decorated the walls of the Hôtel de Varengeville, a grand townhouse in Paris. Its exuberant high-relief carving typifies early Rococo décor. The term derives from rocaille and coquillage, or decoration with irregularly shaped stones and shells. And here are such characteristic motifs as swirling S-scrolls, palmettes, and sprays of foliage. Curator Danïelle Kisluk-Grosheide.

DANIËLLE KISLUK-GROSHEIDE: Particularly noteworthy are the birds on either side of the top of the mirrors and at the top of the panels, with their necks sticking out quite three-dimensional, away from the background.

NARRATOR: Mirrors—a highly expensive commodity—punctuate the white-and-gold paneling. They serve to reflect limited light, as well as expand the sense of objects and space. Not everyone was smitten with Rococo interiors. To hear more, press play.

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