Mumienportrait von Eutyches

Roman Period
A.D. 100–150
On view at The Met Fifth Avenue in Gallery 111
Nach jahrhundertelanger Fremdherrschaft und der weitflächigen Ansiedlung von Ausländern im Land verfügte Ägypten im zweiten Jahrhundert n. Chr. über eine wahrhaft multikulturelle Gesellschaft. Dieses Bild eines wohlgenährten Jungen mit vertrauensseligen, traurigen Augen, trägt die Inschrift: EUTYCHES DER FREIGELASSENE VON KASANIOS; SOHN VON HERAKLEIDES, EVANDROS (ODER HERAKLEIDES, SOHN VON EVANDROS) ICH SIGNIERTE. Der Junge verstarb offensichtlich früh, nachdem er von Kasanios aus der Sklaverei befreit worden war. Eine der beiden weiteren genannten Personen könnte das Portrait in Auftrag gegeben oder für es bezahlt haben. Es wurde in der griechischen Maltradition angefertigt und in die Leinenbandagen der nach ägyptischer Art einbalsamierten Mumie gesteckt, um sein Gesicht zu bedecken, wie dies in Ägypten Masken seit Jahrtausenden taten.

Artwork Details

Object Information
  • Titel: Mumienportrait von Eutyches
  • Zeitraum: Römische Epoche
  • Datum: 100–150 n. Chr.
  • Medium: Enkaustik auf Holz, Farbe
  • Dimensionen: 38 x 19 cm
  • Anerkennung: Schenkung von Edward S. Harkness, 1918
  • Akzession Nr.: 18.9.2
  • Curatorial Department: Egyptian Art

Audio

Nur verfügbar in: English
Cover Image for 3536. Portrait of the Boy Eutyches

3536. Portrait of the Boy Eutyches

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NARRATOR: The portrait of this smooth-faced young boy is particularly fine. It was made to be included in the wrappings covering his mummified body. Across the neck of his white tunic we see a painted inscription. The Greek letters seem to follow the folds of cloth. They tell us his name: Eutyches, and that he was a freed slave. Roger Bagnall is professor of Greek and ancient history at Columbia University.

ROGER BAGNALL: Only a small percentage of the mummy portraits have names on them; and Eutyches is an unusual portrait in that it not only has a name but an inscription that tells us something about who he was. What kind of a name is Eutyches? It’s Greek, actually, it means “Lucky.” And so you might say that Eutyches was a Greek, right? Well, it’s not actually that simple. For one thing he was an ex-slave and probably his parents didn’t give him his name, his owner did. For another, Eutyches is a name often used in Egypt to refer to the god of good luck, Shai, an Egyptian god but referred to in Greek translation.

NARRATION: By the time this portrait was painted— in the second century AD— the Greek and Egyptian cultures had been commingling for generations.

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