The tondo depicts and Egyptian ruler slaying a captive enemy; behind the ruler stands a servant with a fan. The narrative in the outer zone has a counterpart on a bowl from Praeneste in Italy. The story concerns a king's hunting expedition outside his city and his rescue by a falcon-winged deity. Considerable discussion has not elucidated whether it is a Near Eastern tale or a Greek saga about a hero such as Herakles presented with Levantine iconography.
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Credit Line:The Cesnola Collection, Purchased by subscription, 1874–76
Object Number:74.51.4556
Myres, John L. 1914. Handbook of the Cesnola Collection of Antiquities from Cyprus. no. 4556, New York: The Metropolitan Museum of Art.
Childs, William A.P. 1978. The City-reliefs of Lycia. pp. 56–7, fig. 27, Princeton: Princeton University Press.
Sophocleous, Sophocles. 1985. ""Atlas des représentations chypro-archaiques des divinités." Master's Diss.." Master's Diss. no. 2a, pp. 136–37. Paul Aströms Förlag.
Hermary, Antoine. 1985. "Un nouveau chapiteau hathorique trouvé à Amathonte." Bulletin de Correspondance Hellénique, 109(2): p. 677.
Matthäus, Hartmut. 1985. Metallgefässe und Gefässuntersätze der Bronzezeit, der geometrischen und archaischen Periode auf Cypern: mit einem Anhang der bronzezeitlichen Schwertfunde auf Cypern, Prähistorische Bronzefunde, Abteilung II Bd. 8. cat. 430, pp. 165, 376, pl. 36, 430, München: Beck.
Hendrix, Elizabeth. 1999. "A Cypriot Silver Bowl Reconsidered: II. The Technique and Physical History of the Bowl." Metropolitan Museum Journal, 34: pp. 23, 27–9, figs. 11, 13.
Karageorghis, Vassos, Joan Mertens, and Marice E. Rose. 2000. Ancient Art from Cyprus: The Cesnola Collection in The Metropolitan Museum of Art. no. 305, pp. 186–7, New York: The Metropolitan Museum of Art.
Stylianou, Andreas and Patrick Schollmeyer. 2007. "Der Sarkophag aus Golgoi." Dynastensarkophage mit szenischen Reliefs aus Byblos und Zypern: Der Sarkophag aus Amathous als Beispiel kontaktinduzierten Wandels, 2. pp. 117 n. 920, 144 n. 1191, 148, Mainz am Rhein: Philipp von Zabern.
Aruz, Joan and Michael Seymour. 2016. Assyria to Iberia : Art and Culture in the Iron Age pp. 278–80, fig. 9, New York.
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The Museum's collection of Greek and Roman art comprises more than 30,000 works ranging in date from the Neolithic period to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312.
