This elaborate set of wine vessels provides an idea of the splendor of Shang and early Zhou ritual ceremonies. The set is said to have come from a tomb uncovered in 1901; shortly thereafter, it entered the collection of Duan Fang, a senior Manchu official and one of the preeminent antiquarians of the late Qing period.
The pieces vary in style and execution. Although eleven of the vessels are inscribed, only one grouping shares identical inscriptions: the two wine containers, or you (nos. 2, 3) and the tall wine container, or zun (no. 4). A second grouping has largely comparable inscriptions: the spouted water vessel, or he (no. 5) and one cup, or zhi (no. 11).
A partial reconstruction of the set’s arrangement in the tomb may be established from corrosion outlines on the three principal vessels—the two wine containers, or you, and the central tall wine container, or zun—that were etched onto the surface of the altar table. The diagram shows a hypothetical arrangement of the remaining vessels around the major pieces. Even if this is accepted as the original grouping, the disparate inscriptions and vessel styles remain unexplained. Created around the time of the Zhou conquest of the Shang, and clearly by different foundries, the pieces of the set may represent the accumulated wealth of a family shrine. 青銅禁 1. Ritual Altar Table (Jin) (24.72.1) 青銅帶座卣 2. Ritual Wine Container (You) (24.72.2a-c) 青銅卣 3. Ritual Wine Container (You) (24.72.3a, b) 青銅尊 4. Ritual Wine Container (Zun) (24.72.4) 青銅盉 5. Spouted Ritual Water Vessel (He) (24.72.5a, b) 青銅觶 6. Ritual Wine Cup (Zhi) (24.72.6) 青銅斚 7. Ritual Wine Container (Jia) (24.72.7) 青銅斗 8. Ritual Ladle (Dou) (24.72.8) 青銅爵 9. Ritual Wine Vessel (Jue) (24.72.9) 青銅觚 10. Ritual Wine Beaker (Gu) (24.72.10) 青銅觶 11. Ritual Wine Cup (Zhi) (24.72.11) 青銅觶 12. Ritual Wine Cup (Zhi) (24.72.12) 青銅角 13. Ritual Wine Vessel (Jiao) (24.72.13) 青銅觶 14. Ritual Wine Cup (Zhi) (24.72.14)
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
This artwork is meant to be viewed from right to left. Scroll left to view more.
View facing north including display case with Ritual Altar Table with Ritual Objects (24.72.1-.14)
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
西周 青銅卣
Title:Ritual Wine Container (Yu) with Lid
Period:Western Zhou dynasty (1046–771 BCE)
Date:late 11th century BCE
Culture:China
Medium:Bronze
Dimensions:H. (to handle) 18 1/2 in. (47 cm); W. 11 1/2 in. (29.2 cm)
Classification:Metalwork
Credit Line:Munsey Fund, 1931
Object Number:24.72.3a, b
Inscription: Same character inside cover and under foot.
Reportedly found in 1901 at Doujitai, Baoji, Shaanxi Province, China.
Duan Fang Chinese(until d. 1911); by descent in the Duan Fang family (until 1924, sold to MMA, through John C. Ferguson 福開森)
New York. The Metropolitan Museum of Art. "Arts of Ancient China," 2005.
Shanghai Museum. "Newly Excavated Bronze Wares from Baoji, Shaanxi and Fan Jin," November 20, 2014–March 1, 2015.
Art Institute of Chicago. "Mirroring China’s Past: Emperors and Their Bronzes," February 25, 2018–May 13, 2018.
Duanfang 端方. Taozhai jij in lu 陶齋吉金錄 (Taozhai catalogue of Chinese bronzes) Vol. 8 vols, Jinling, 1908.
Kokka 『国華』 277 (June 1913) Vol. XXIII, Kokkasha, pl. 7.
Bosch Reitz, S. C. "The Tuan Fang Sacrificial Table." The Metropolitan Museum of Art Bulletin 19, no. 6 (June 1924). pp. 141–44.
Ferguson, John C. A Bronze Table with Accompanying Vessels. Peking: [ publisher not identified ], 1924, pp. 7–9.
Sirén, Osvald. A History of Early Chinese Art. London: Ernest Benn, Ltd., 1929–30, pp. 24, 34, 39, pls. 34, 37.
Umehara Sueji 梅原末治. "Ancient Chinese Arts as Seen in American Museums." Bukkyo Bijutsu No. 16 (1930). fig. 40.
Umehara Sueji 梅原末治. Henkin no ko kogakuteki kosatsu 柉禁の考古學的考察 (Architectural study on the Bianjin) Toho Bunka Gakuin Kyoto Kenkyujo kenkyu hokoku ; dai 2-satsu. Kyoto: Toho Bunka Gakuin Kyoto Kenkyujo, Shōwa 8 [1933], pls. VI, VII.
Umehara Sueji, and Sadahiko Shimada. Shina kodo seika (Selected relics of ancient Chinese bronzes from collections in Europe and America) Part 1. Osaka: Yamanaka & Co., 1935, pls. 1, 3.
Umehara Sueji 梅原末治. Kodo ki keitai no ko kogakuteki kenkyu (On the shapes of bronze vessels of Ancient China: an archaeological study) 古銅器形態の考古學的研究. dai 15-satsu. Kyoto: Toho Bunka Kenkyujo, 1940, pl. 39.
Bachhofer, Ludwig. "The Evolution of Shang and Early Zhou Bronzes." Art Bulletin 26, no. 2 (June 1944). p. 110, fig. 6.
Ecke, Gustav. Chinese Domestic Furniture. Beijing: H. Vetch, 1944, pp. 3–4, fig. 3.
Karlgren, Bernhard. "Some Early Chinese Bronze Masters." Bulletin of the Museum of Far Eastern Antiquities 16 (1944). p. 24.
Ch'en Meng-chia. "Style of Chinese Bronzes." Archives of the Chinese Art Society in America 1 (1945). pp. 31, 37, 44, pl. 3:15, fig. 15.
Mizuno Seiichi. "Studies of the Anyang Bronze Culture: A Tentative Chronology of the Yin Bronzes." Toho Gakuho No. 23 (Journal of Oriental Studies), 1953. pp. 79–134, pl. 2:1.
Ho, Wai-kam. "Shang and Zhou Bronzes." The Bulletin of The Cleveland Museum of Art 51, no. 7 (September 1964). pp. 176–177.
La Plante, J. D. Asian Art. Art Horizons. Dubuque, Iowa: W.C. Brown Co., 1968, p. 21, fig. 19.
Chi Li. "The Tuan Fang Altar Set Reexamined." Metropolitan Museum Journal, 3, 1970. pp. 51–72, figs. 1, 12.
Masterpieces of Fifty Centuries. Exh. cat. New York: E.P. Dutton & Co., 1970, p. 97, cat. no. 37.
Fong, Wen C., and Hearn, Maxwell K. "The Arts of Ancient China." The Metropolitan Museum of Art Bulletin, n.s, 32, no. 2 (1974) 1974, n. p., figs.16–19.
Howard, Kathleen, ed. The Metropolitan Museum of Art Guide. New York: The Metropolitan Museum of Art, 1983, p. 256, fig. 36.
Barnhart, Richard M. (Introduction). The Metropolitan Museum of Art: Asia. New York: The Metropolitan Museum of Art, 1987, pp. 52–53, pl. 26.
Robert W. Bagley. "Ancient Chinese Bronzes in the Charlotte C. and John C. Weber Galleries, the Metropolitan Museum of Art." Orientations, 19, no. 5, May 1988. pp. 46, 48, fig. 6.
James C. Y. Watt. "The Arts of Ancient China." The Metropolitan Museum of Art Bulletin, n.s., 48, no. 1, Summer 1990. pp. 18–19, cat. no. 17.
Philippe de Montebello. "The Met and the New Millennium: A Chronicle of the Past and a Blueprint for the Future." The Metropolitan Museum of Art Bulletin, n.s., 52, no. 1, Summer 1994. p. 43.
Burn, Barbara, ed. Masterpieces of The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1993, pp. 172–73.
Howard, Kathleen, ed. The Metropolitan Museum of Art Guide. 2nd ed., New York: The Metropolitan Museum of Art, 1994, p. 108, fig. 36.
Quette, Beatrice, ed. Cloisonné: Chinese Enamels from the Yuan, Ming, and Qing Dynasties. Exh. cat. New York: Bard Graduate Center, 2011, p. 86, fig. 5.9.
Shaanxi sheng kaogu yanjiusuo 陕西省考古研究所, Baoji Shi wenwu luyou ju 宝鸡市文物旅游局, and Shanghai bowuguan 上海博物館. Zhou ye lu ming: Baoji Shigushan Xi Zhou guizu mu chutu qingtong qi 周野鹿鸣 : 宝鸡石鼓山西周贵族墓出土青铜器 (Noble life of the Zhou: Bronzes Unearthed from the Cemetery of the Western Zhou Aristocrats at Shigushan of Baoji). Exh. cat. Shanghai: Shanghai shuhua chubanshe, 2014, pp. 254–255, cat. no. 113.
Sun, Zhixin Jason. "Ancient Chinese Bronzes in the Collection of the Metropolitan Museum of Art." Orientations 46, no. 2 (March 2015). pp. 148–56, fig. 4.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world.