The mythical griffin, a creature with the head and wings of an eagle and the body of a lion, often appeared in Christian contexts. The representation of two confronted griffins is derived from ancient Near Eastern art, and the composition of this relief was probably based on imported textile designs. Another panel in Sorrento depicts griffins in a similar style, suggesting both came from the Old Cathedral there. They probably were part of the choir screen, the partition separating the altar area from the rest of the church.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
This artwork is meant to be viewed from right to left. Scroll left to view more.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Relief Panel with Two Griffins Drinking from a Cup
Date:late 9th–early 10th century
Geography:Made in Campania, Southern Italy
Culture:South Italian
Medium:Marble, polychromy
Dimensions:Overall: 29 3/8 x 51 3/4 x 2 1/4 in. (74.6 x 131.4 x 5.7 cm)
Classification:Sculpture-Architectural
Credit Line:Rogers Fund, 1930
Object Number:30.30
Possibly from the Old Cathedral, Sorrento.; [ C. & E. Canessa, Naples (sold 1929)]; [ Brummer Gallery, Paris and New York (1929–sold 1930)]
Volbach, W. F. "Sculpture Medioevali della Campania." Atti della Pontificia Accademia romana di archeologia Rendiconti, Rendiconti, 3, no. 3 (1923). pp. 83–84, 87.
Rorimer, James J. "An Italo-Byzantine Marble Relief." The Metropolitan Museum of Art Bulletin, o.s., 25, no. 4 (April 1930). pp. 98–100.
Tozzi, Maria Teresa. "Di Alcune Sculture Medievali della Campania." Bollettino d'Arte 25 (1931-1932). pp. 278–279, fig. 7.
Tozzi, Maria Teresa. Sculture medievali dell'antico duomo di Sorrento. Rome: Roma Grafia, 1931. p. 8.
Volbach, W. F. "Oriental Influences in the Animal Sculpture of Campania." The Art Bulletin 24, no. 2 (June 1942). p. 176, fig. 8.
Valentiner, William Reinhold. "An Early Portrait by Rubens." The Art Quarterly 16 (1953). pp. 189–191, fig. 7.
Rorimer, James J., and William Holmes Forsyth. "The Medieval Galleries." The Metropolitan Museum of Art Bulletin, n.s., 12, no. 6 (February 1954). p. 128.
Iusco, Anna Grelle. Frammenti medioevali nella Cattedrale di Sorrento. Saggi e studi di storia dell'arte dell'Universitá di Napoli. Naples: Libreria Scientifica Editrice, 1962. p. 34.
The Metropolitan Museum of Art. Guide to the Collections: Medieval Art. New York: The Metropolitan Museum of Art, 1962. fig. 38.
Arte Tipografica. "Scultura Campana nel secolo XI: I reilievi del Duomo di Aversa." Napoli nobilissima: rivista di arti figurative, archeologia e urbanistica 4 (1965). p. 171, fig. 6.
Bertaux, Emile. L'art dans l'Italie méridionale : de la fin de L'Empire romain à la conquête de Charles d'Anjou, edited by Adriano Prandi. Paris: E. de Boccard, 1968. pp. 256–157.
Glass, Dorothy. "Romanesque Sculpture in American Collections: V. Washington and Baltimore." Gesta 9, no. 1 (1970). p. 47.
Forsyth, William Holmes. "Acquisitions from the Brummer Gallery." In The Grand Gallery at the Metropolitan Museum of Art : Sixth International Exhibition presented by C.I.N.O.A., La Conféderation Internationale des Négociants en Oeuvres d'Art, the International Confederation of Dealers in Works of Art. New York: The Metropolitan Museum of Art, 1974. p. 2.
Herbert, Robert L. "Two Reliefs from Nola." Yale University Art Gallery Bulletin 34, no. 3 (Winter 1974). pp. 8–9.
Aceto, Francesco. "Un Pluteo napoletano inedito degli anni 898-903." Napoli nobilissima : rivista di arti figurative, archeologia e urbanistica 17 (1978). pp. 70–71.
Rotili, Mario. L'arte a Napoli dal VI al XIII Secolo. Studi e testi di storia e critica dell'arte, Vol. 4. Naples: Società editrice napoletana, 1978. p. 50, 72, fig. 63.
Hibbard, Howard. The Metropolitan Museum of Art. New York: Harper & Row, 1980. p. 145, fig. 268.
Cavallo, Guglielmo. I Bizantini in Italia. Milan: Libri Scheiwiller, 1982. no. 84, pp. 218, 257.
D'Onofrio, Mario, and Valentino Pace. Italia romanica: La Campania. Italia Romanica Grandi Opere e Grandi Formati, Vol. 4. Milan: Jaca Book, 1997. p. 356.
Wixom, William D. "Medieval Sculpture at the Metropolitan: 800 to 1400." The Metropolitan Museum of Art Bulletin, n.s., 62, no. 4 (2005). p. 8.
Castelnuovo-Tedesco, Lisbeth, and Jack Soultanian. Italian Medieval Sculpture in The Metropolitan Museum of Art and The Cloisters. New York: The Metropolitan Museum of Art, 2010. no. 1, pp. 4–7.
Shalem, Avinoam. Die mittelalterlichen Olifante: Volume 1, Text. Die Elfenbeinskulpturen. Berlin: Deutscher Verlag für Kunstwissenschaft, 2014. p. 134 n. 107.
Zanichelli, Giuseppa Z. "Medievo e Mercato Antiqueriale in Campania fra de la Guerre." In Medioevo tra due mondi. San Nicolò a San Gemini e le alienazioni monumentali nella prima metà del Novecento, edited by Francesco Gangemi, Tanja Michalsky, and Bruno Toscano. Rome: Campisano Editore, 2022. fig.1, pp. 105–107.
8th–9th century, 15th century additions (?), authenticity questioned
Resources for Research
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world, encompassing the art of the Mediterranean and Europe from the fall of Rome to the beginning of the Renaissance.