The sweeping curves and articulated silhouette of this group make it one of Manship's finest compositions. A graceful seminude dancer is poised on her toes between two gazelles that seem to move in rhythmic counterpoint to the dancer's swirling drapery. The inspiration that Manship derived from Indian art is particularly apparent in this work.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Marking: Foundry mark (top of base, rear): ROMAN BRONZE WORKS N.Y. Cast number (underside of base): No. 8
Mr. and Mrs. Charles S. McVeigh, New York (until 1959; sale, Parke-Bernet Galleries, Inc., New York, April 4, 1959, no. 102, as "Bronze Group," sold to MMA)
New York. Berlin Photographic Company. "Exhibition of Sculpture by Paul Manship," February 15–March 8, 1916, no. 8.
The White House, Washington D.C. "The White House Festival of the Arts," June 14, 1965, brochure no. 17.
New York. National Arts Club. "Paul Manship Memorial Exhibition," May 10–24, 1966, unnumbered cat.
Vincent Astor Gallery, Library & Museum of the Performing Arts, the New York Public Library at Lincoln Center. "Dance in Sculpture," February 1–April 30, 1971, unnumbered cat. (section V).
Philadelphia Art Alliance. "Dance in Sculpture," November 4–29, 1971, no catalogue.
New York Cultural Center. "Grand Reserves: An Exhibition of 235 Objects from the Reserves of Fifteen New York Museum and Public Collections," October 24–December 8, 1974, no. 150.
New York. The Metropolitan Museum of Art. "A Bicentennial Treasury: American Masterpieces from the Metropolitan," January 29, 1976–January 2, 1977, unnumbered cat.
New York. The Metropolitan Museum of Art. "Selection Three: Twentieth-Century Art," October 22, 1985–January 26, 1986, no catalogue.
New York. The Metropolitan Museum of Art. "The Art of Paul Manship," June 11–September 1, 1991, not in catalogue.
Ithaca. Herbert F. Johnson Museum of Art, Cornell University. "The Art of Paul Manship," September 24–November 24, 1991, not in catalogue.
Albany. New York State Museum. "Cast Images: American Bronze Sculpture from The Metropolitan Museum of Art," October 20, 2007–February 24, 2008, unnum. brochure.
Martin Birnbaum. Exhibition of Sculpture by Paul Manship. Exh. cat., Berlin Photographic Company. New York, 1916, pp. 11, 13, no. 8.
A. E. Gallatin. "The Sculpture of Paul Manship." Metropolitan Museum of Art Bulletin 11 (October 1916), p. 220.
Albert TenEyck Gardner. American Sculpture: A Catalogue of the Collection of The Metropolitan Museum of Art. New York, 1965, pp. 152–53, ill.
Marshall B. Davidson. The American Heritage History of the Artists' America. New York, 1973, pp. 324–25, ill.
Joan M. Marter inAmerican Sculpture in The Metropolitan Museum of Art. Ed. Thayer Tolles. Vol. 2, A Catalogue of Works by Artists Born between 1865 and 1885. New York and New Haven, 2001, pp. 760–61, no. 382, ill. (color).
Thayer Tolles. "Daniel Chester French, Paul Manship, and the 'John Pierpont Morgan Memorial' for the." Metropolitan Museum Journal 41 (2006), p. 180.
Paul Manship (American, St. Paul, Minnesota 1885–1966 New York)
1916
Resources for Research
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's engagement with art from 1890 to today includes the acquisition and exhibition of works in a range of media, spanning movements in modernism to contemporary practices from across the globe.