Arp is best known for his multilayered, painted wood reliefs. By the time Arp created this work, he had already perfected his assemblage technique: he drew designs on cardboard templates and had a carpenter execute them in wood. The title of this relief identifies the curvilinear and irregular biomorphic shapes as a torso, a navel, and a flower with a mustache. Arp associated the mustache form with specific individuals, such as the German emperor Wilhelm II, and the navel form with the beginning of life.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
[Sidney Janis Gallery, New York; sold to Steinberg]; Muriel Kallis Steinberg, Chicago (by 1953–2006; her gift to MMA)
New York. Sidney Janis Gallery. "5th Anniversary Exhibition," September 29–October 31, 1953, no. 1.
Museum of Modern Art, New York. "Arp," October 8–November 30, 1958, no. 50.
University of Chicago, Bergman Gallery. "Avant-Garde Chicago: Exhibit of Contemporary Art from Chicago Collectors," opened November 11, 1968, unnumbered cat.
New York. The Metropolitan Museum of Art. "An American Choice: The Muriel Kallis Steinberg Newman Collection," May 21–September 27, 1981, unnumbered cat. (p. 31).
New York. The Metropolitan Museum of Art. "Abstract Expressionism and Other Modern Works: The Muriel Kallis Steinberg Newman Collection in The Metropolitan Museum of Art," September 17, 2007–February 3, 2008, extended to March 2, 2008, no. 8.
Washington, D.C. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution. "Marvelous Objects: Surrealist Sculpture from Paris to New York," October 29, 2015–February 15, 2016, unnumbered cat. (fig. 59).
Dallas. Nasher Sculpture Center. "The Nature of Arp," September 15, 2018–January 6, 2019, no. 30.
Albert E. Elsen. Modern European Sculpture, 1918-1945: Unknown Beings and Other Realities. Exh. cat., Albright-Knox Art Gallery, Buffalo. New York, 1979, pp. 106, 109, ill.
Alice Hess. "Great Private Collections: A Chicago Visionary." Saturday Review 7 (October 1980), pp. 72, 74, ill. pp. 3, 73.
Grace Glueck. "Met Is Given a $12 Million Art Collection." New York Times (December 10, 1980), p. B7.
"Chicagoan Gives Art to N.Y. Museum." Chicago Sun-Times (December 11, 1980), p. 8.
Hilton Kramer. "Modernist Show Moves Met Firmly into Art of 20th Century." New York Times (May 22, 1981), p. C21.
Bernd Rau, ed. Jean Arp, the Reliefs: Catalogue of Complete Works. New York, 1981, p. 102, no. 207, ill.
William S. Lieberman inAn American Choice: The Muriel Kallis Steinberg Newman Collection. Ed. William S. Lieberman. Exh. cat., The Metropolitan Museum of Art. New York, 1981, p. 30, ill. p. 31, calls it "Torso, Naval, Man with a Mustache".
Sabine Rewald in "Recent Acquisitions. A Selection: 2005–2006." Metropolitan Museum of Art Bulletin 64 (Fall 2006), p. 58, ill. (color).
Sabine Rewald inAbstract Expressionism and Other Modern Works: The Muriel Kallis Steinberg Newman Collection in The Metropolitan Museum of Art. Ed. Gary Tinterow, Lisa Mintz Messinger, and Nan Rosenthal. Exh. cat., The Metropolitan Museum of Art. New York, 2007, pp. 34–36, no. 8, ill. (color).
Valerie Fletcher. Marvelous Objects: Surrealist Sculpture from Paris to New York. Exh. cat., Hirshhorn Museum and Sculpture Garden, Smithsonian Institution. Washington, D.C., 2015, pp. 61, 183, fig. 59 (color).
Catherine Craft. The Nature of Arp. Exh. cat., Nasher Sculpture Center. Dallas, 2018, pp. 30, 207, no. 30, ill. p. 133 (color).
Jean Arp (French (born Germany), Strasbourg 1886–1966 Basel)
1927–28
Resources for Research
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's engagement with art from 1890 to today includes the acquisition and exhibition of works in a range of media, spanning movements in modernism to contemporary practices from across the globe.