Returned to lender The Met accepts temporary loans of art both for short-term exhibitions and for long-term display in its galleries.

Portrait of Alessandro VII Chigi

Pier Francesco Mola Italian

Not on view

This painting is one of the most vibrant and insightful papal portraits of the seventeenth century; it is probably a large-scale sketch, or abbozzo, for a formal finished work that has not survived. An entry in the pope’s diary describes a sitting in the presence of both the painter and Gian Lorenzo Bernini, an artist of great importance to Alessandro VII who may have had an impact on the painting’s appearance. Left in the artist’s studio at his death, the portrait was bequeathed to his sister Maddalena. Despite its unfinished appearance, it was quickly sold to Paolo Falconieri, an important figure in Roman artistic circles who in turn gave it to a member of the pope’s family.

Portrait of  Alessandro VII Chigi, Pier Francesco Mola (Italian, Coldrerio 1612–1666 Rome), Oil on canvas

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.