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Battle of the Carriages (Kuruma arasoi-zu byōbu)

17th century

Not on view

The “Battle of the Carriages” occurs in Chapter 9, when Lady Rokujō attempts to glimpse her former lover Genji amid a grand procession for the new Kamo Priestess. Genji appears in all his finery on the right screen, in procession on horseback with a page in attendance. The left screen shows the altercation, which occurs when the attendants of Genji’s wife, Aoi, displace Rokujō’s carriage, blocking her view and breaking her vehicle’s pedestal. Rokujō’s deep humiliation leads her vengeful spirit to attack Aoi just after she has given birth to Genji’s son Yūgiri. These screens closely follow the composition of a famous pair commissioned by Emperor Ōgimachi in 1560, which represent the earliest example of a single Genji episode depicted at such a monumental scale.

Battle of the Carriages (Kuruma arasoi-zu byōbu), Pair of six-panel folding screens; ink, color, and gold on paper, Japan — Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Battle of the Carriages (Kuruma arasoi-zu byōbu), Pair of six-panel folding screens; ink, color, and gold on paper, Japan

Battle of the Carriages (Kuruma arasoi-zu byōbu), Pair of six-panel folding screens; ink, color, and gold on paper, Japan

This artwork is meant to be viewed from right to left. Scroll left to view more.

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

車争図屏風

Title: Battle of the Carriages (Kuruma arasoi-zu byōbu)

Period: Edo period (1615–1868)

Date: 17th century

Culture: Japan

Medium: Pair of six-panel folding screens; ink, color, and gold on paper

Dimensions: Image (each): 62 1/4 in. × 11 ft. 6 13/16 in. (158.1 × 352.6 cm)

Classification: Screens

Credit Line: Lent by Kyoto City Library of Historical Documents

Accession Number: SL.7.2019.11.1a, b

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Asian Art at The Met

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world.