No Vacation Days (FedEx Worker’s Foot with Nike Sneaker)

the artist (2014–15; sold in 2015 through 47 Canal, New York to Black and Sires); Andrew Black and Adam Sires, Los Angeles (2015–24; their gift to MMA)

Therese Möllenhoff in Josh Kline: Antibodies. Ed. Therese Möllenhoff. Exh. cat., Astrup Fearnley Museet. Oslo, 2020, pp. 8–11, 247, generally discusses this work as part of "Blue Collars" series [see Additional Information].

Lumi Tan in Josh Kline: Antibodies. Ed. Therese Möllenhoff. Exh. cat., Astrup Fearnley Museet. Oslo, 2020, p. 23, generally discusses "Blue Collars" series.

Domenick Ammirati in Josh Kline: Antibodies. Ed. Therese Möllenhoff. Exh. cat., Astrup Fearnley Museet. Oslo, 2020, p. 30, ill. pp. 164–65 (not this edition), generally discusses "Blue Collars" series.

Christopher Y. Lew in Christopher Y. Lew. Josh Kline: Project for a New American Century. Exh. cat., Whitney Museum of American Art. New York, 2023, p. 172, generally discusses "Blue Collars" series.

Ed Halter in Christopher Y. Lew. Josh Kline: Project for a New American Century. Exh. cat., Whitney Museum of American Art. New York, 2023, pp. 181–82, 184, generally discusses "Blue Collars" series.

Nora N. Khan in Christopher Y. Lew. Josh Kline: Project for a New American Century. Exh. cat., Whitney Museum of American Art. New York, 2023, p. 193, generally discusses "Blue Collars" series.

Josh Kline and Laura Poitras in Christopher Y. Lew. Josh Kline: Project for a New American Century. Exh. cat., Whitney Museum of American Art. New York, 2023, p. 200, generally discusses "Blue Collars" series.

In Ref. Möllenhoff 2020, the following people are credited alongside the work’s tombstone information:

Street Casting: Elizabeth Dierker;
3D-Scan: Elizabeth Dierker;
3D-Modeling: Ryan Kittleson;
3D-printing: NYU LaGuardia Studio, Taylor Absher, Dhemerae Ford, Shelly J. Smith, Andrew Buckland, Taylor Shields;
Mold-making and casting (peanuts/isopor chips): Jeremy Klemundt;
Display design: Elizabeth Dierker;
Vinyl Printing: Duggal;
Special thanks: Rodrigo Trombini-Pires, Yuko Torihara