Brightly lit gallery with objects in vitrines at various elevations in the background. In the center are several seated statues on pedestals.
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African Art in The Michael C. Rockefeller Wing

About Us

Works from across the African subcontinent in The Met’s collection span a fired clay figure shaped in Mali's Inner Niger Delta in the thirteenth century to the fiber creation, LES HERBES FOLLES DU VIEUX LOGIS (2022), by contemporary Malagasy innovator Joël Andrianomearisoa. Major forms of visual expression surveyed relate to traditions of portraiture, dynastic succession, generational rites of passage, ancestor veneration, healing and divination, and theatrical performance. Their authors have contributed to major social and cultural developments, including the flourishing of urban centers such as ancient Jenne, evident in devotional sculpture sponsored by its citizenry; the arrival of Islam through trans-Saharan trade reflected in decorative arts ranging from tunics to architectural design; the early embrace of Christianity by Ethiopian monarchs and their sponsorship of liturgical works; the dawn of coastal trade with Europe and the exchange of exotic presentation pieces wrought from locally sourced ivory for imported luxury materials; a transformation in representation and the development of modernism in the West; and dynamically resilient historical traditions that endure into the present day.

In addition to printed gallery labels and web labels, there are several layers of digital content, including an audio guide with contributors from across Africa, Europe, and North America, an animated digital map, and a film series dedicated to cultural landmarks in Africa.

Our History

In 1969 Nelson Rockefeller announced the gift of his collection of some five hundred works from sub-Saharan Africa to The Met. These were mostly figurative sculpture from West and Central Africa. The Michael C. Rockefeller Wing, which was built to display the collection, opened to the public in 1982. Additional gifts have deepened the collection and expanded its parameters, reflecting the importance of recognizing the innovative nature of historical traditions in our own time and major idioms of visual expression ranging from textiles to Ethiopian Christian art and decorative arts from southern Africa.

Since its founding, presentation of the arts of Africa collection in the Michael C. Rockefeller Wing has been accompanied by an extensive program of African art exhibitions. Beginning with The Buli Master and Other Hands (1980), these have examined the significance of landmarks of its permanent collection. Sustained research projects assembling international loans, such as 2021’s Sahel: Art and Empires on the Shores of the Sahara, have regularly advanced and expanded understanding of major thematic and historical subjects.

The online collection features high-resolution, open-access images of works in the collection, along with cultural and chronological information. These object records—an ongoing research project—also provide data on the history of works from the time of their creation to their acquisition by the Museum.

For further reading on the history of the department, see Making The Met: 1870-2020 and The Nelson A. Rockefeller Vision: Arts of Africa, Oceania, and the Americas.

Our Galleries

In 2025, the new galleries for the arts of Africa reopened after a decade-long capital project. Learn more about the renovation here.

FEATURED

Films Exploring the Importance of Cultural Landmarks in Africa

Created by Ethiopian-American filmmaker Sosena Solomon, the films will be included in a program at The Met on April 25, when the filmmaker will be joined by a panel of experts in a discussion about the expanded contextualization of The Met’s African art galleries

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Karan-wemba (female figure mask), Mossi blacksmith, Ceiba(?) wood, metal, Mossi
Mossi blacksmith
19th–first half 20th century
Mangaaka Power Figure (Nkisi N’Kondi), Yombe-Kongo artist and nganga (ritual specialist), Wood, iron, resin, ceramic, plant fiber, textile, pigment, Kongo
Yombe-Kongo artist and nganga (ritual specialist)
Kongo artist and nganga, Yombe group
ca. 1880–1900
Aduno Koro (Ark of the World) vessel with ancestral figures, Dogon blacksmith, Wood, Dogon peoples
Dogon blacksmith
16th–19th century
Pendant mask of Ìyọ́bà Idià, Ìgbèsànmwà (ivory- and wood- carving guild) artists, Ivory, iron, brass, coal, traces of iron oxides, Edo
Ìgbèsànmwà (ivory- and wood- carving guild) artists
16th century
Bata (ram) mask for a beete performance, Kwele artist, Wood, pigment, kaolin, Kwele peoples
Kwele artist
19th–first half of 20th century
Mukudj (mask), Punu artist, Wood, pigment, kaolin, Punu
Punu artist
mid-19th–mid-20th century
Lupona (royal seat), Ngongo ya Chintu, formerly known as the "Buli Master" (ca. 1810-1870, Kateba region, Democratic Republic of the Congo)  Democratic Republic of Congo, Wood, metal studs
Ngongo ya Chintu, formerly known as the "Buli Master" (ca. 1810-1870, Kateba region, Democratic Republic of the Congo)
ca. 1840–1870
Eyema byeri (reliquary guardian figure), Okak-Fang artist, Wood, copper alloy, palm oil
Okak-Fang artist
19th century
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November 19, 2002–July 6, 2003