Daphnis Running toward Chloe
In 1798 Gérard contributed six illustrations to the 1800 reprint of Longus’s Les Amours pastorales de Daphnis et de Chloé (1559). This composition, which was not ultimately engraved in the publication, is a première pensée for the climax of the novel when the two lovers finally reunite. On the sheet, Daphnis emerges from the lower left corner and reaches for Chloe. Bold black chalk outlines delineate the figures from the chaotic background. Gérard’s animated blending of wash and white gouache gives the impression of a billowing dress that both covers and reveals Chloe’s lissome figure. This emphasis on the figure, much akin to that of antique sculpted drapery, reflects Gérard’s earlier education in the studio of Jacques Louis David (French, 1748–1825).
Artwork Details
- Title: Daphnis Running toward Chloe
- Artist: baron François Gérard (French, Rome 1770–1837 Paris)
- Date: ca. 1798
- Medium: Black chalk, brush with brown and gray wash, heightened with white gouache, on light tan wove paper
- Dimensions: Sheet: 10 13/16 x 8 15/16 in. (27.5 x 22.7 cm)
- Classification: Drawings
- Credit Line: Purchase, Guy Wildenstein Gift, 2012
- Object Number: 2012.234
- Curatorial Department: Drawings and Prints
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.