Ábside

ca. 1175–1200
On view at The Met Cloisters in Gallery 02
On loan to The Met
This work of art is currently on loan to the museum.
Este es uno de dos paneles basados en la leyenda de San Nicolás. Vestido con ropajes color de rosa y tocado con una mitra, Nicolás se presenta ante el cónsul para pedir la libertad de unos caballeros falsamente acusados de traición. Un guardia del palacio presencia la escena. Es probable que este panel provenga de la capilla de San Nicolás en el deambulatorio de la catedral de Soissons, cuyo coro estaba en construcción en 1190–1100. La composición de esta escena, con los elementos narrativos enmarcados en una arcada, es uno de los ejemplos más antiguos del estilo asociado con Soissons. Las elegantes figuras clasicistas y los ondulantes ropajes son típicos del arte de la Francia septentrional en esa época.

Artwork Details

Object Information
  • Título: Ábside
  • Fecha: ca. 1200–1210
  • Geografía: Francia, Picardía, procedente de la catedral de Saint-Gervais-et-Saint-Protais en Soissons
  • Cultura: Francia
  • Material: Vidrio tintado, pintura vítrea
  • Dimensiones: 54,6 x 41,3 cm
  • Crédito: Colección de Los Claustros, donación de la Fundación Glencairn, 1980
  • Número de inventario: L.58.86
  • Curatorial Department: Medieval Art and The Cloisters

Audio

Solo disponible en: English
Cover Image for Fuentidueña Chapel

Fuentidueña Chapel

Gallery 2

0:00
0:00

NARRATOR: Walk the length of this expansive room, and you get a sense of the space and acoustics of a twelfth-century church in the Romanesque style. We're fortunate to have a real example of Romanesque construction: the apse at the far end of the room. An apse is a rounded projection usually at the east end of a church, where the altar stands. This apse was part of a church built at a place called Fuentidueña, on a high ridge in a mountainous part of Spain. Over fifty years ago, the government of Spain agreed to lend it to the Cloisters permanently, and it was carefully dismantled stone by stone and reconstructed here.

The Fuentidueña apse displays several distinctive features of Romanesque architecture. Its basic element is the rounded arch, which defines the structure overall and repeats in the three small windows. But the clean geometric forms are also embellished with delicate details. Look at the ornament around the window openings: the small columns with their sculpted capitals, and the textured molding. These sculptural effects embellish the stone blocks of the walls; notice how neatly cut they are, and how perfectly they fit together.

The fresco painting in the half-dome of the apse and the magnificent crucifix, made of painted wood, come from other sites in Spain. Though they are not original to this structure, they're also fine examples of Romanesque art.

    Listen to more about this artwork