Апсида

ca. 1175–1200
On view at The Met Cloisters in Gallery 02
On loan to The Met
This work of art is currently on loan to the museum.
Эта панель — одна из двух, основанных на легенде о святом Николае. Николай в розовых одеждах и митре появляется перед местным консулом, прося об освобождении рыцарей, ложно обвиненных в предательстве. Дворцовая стража наблюдает за действом. Панель предположительно находиласьв галерейной капелле святого Николая в Суассонском соборе, клирос которого строился в 1190-х гг. Композиция с обрамлением аркадой каждого сюжета — одна из ранних подобных работ, ассоциируемых с графством Суассон. Элегантные классицистические фигуры и текучая драпировка характерны для северной Франции того времени.

Artwork Details

Object Information
  • Название: Апсида
  • Дата: около 1200–1210 гг.
  • География: Пикардия, из собора Сен-Жерве-Сен-Проте в Суассон
  • Культура: Франция
  • Материал: Медно-свинцовый сплав, стекло, витражная краска
  • Размер: 54,6 x 41,3 см
  • Благодарность: Коллекция музея Клойстерс, дар фонда Гленкерна, 1980
  • Номер объекта: L.58.86
  • Curatorial Department: Medieval Art and The Cloisters

Audio

Доступно только в: English
Cover Image for Fuentidueña Chapel

Fuentidueña Chapel

Gallery 2

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NARRATOR: Walk the length of this expansive room, and you get a sense of the space and acoustics of a twelfth-century church in the Romanesque style. We're fortunate to have a real example of Romanesque construction: the apse at the far end of the room. An apse is a rounded projection usually at the east end of a church, where the altar stands. This apse was part of a church built at a place called Fuentidueña, on a high ridge in a mountainous part of Spain. Over fifty years ago, the government of Spain agreed to lend it to the Cloisters permanently, and it was carefully dismantled stone by stone and reconstructed here.

The Fuentidueña apse displays several distinctive features of Romanesque architecture. Its basic element is the rounded arch, which defines the structure overall and repeats in the three small windows. But the clean geometric forms are also embellished with delicate details. Look at the ornament around the window openings: the small columns with their sculpted capitals, and the textured molding. These sculptural effects embellish the stone blocks of the walls; notice how neatly cut they are, and how perfectly they fit together.

The fresco painting in the half-dome of the apse and the magnificent crucifix, made of painted wood, come from other sites in Spain. Though they are not original to this structure, they're also fine examples of Romanesque art.

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