Abside

ca. 1175–1200
On view at The Met Cloisters in Gallery 02
On loan to The Met
This work of art is currently on loan to the museum.
Ce panneau est l’un des deux qui composent la légende de saint Nicolas. Vêtu de rose et coiffé d’une mitre, Nicolas comparaît devant le consul, sous le regard attentif d’un garde du palais, pour demander la libération de chevaliers accusés à tort de trahison. Le panneau vient probablement de l’une des chapelles d’une travée ambulatoire de la cathédrale Saint-Nicolas à Soissons, dont le chœur était en construction dans les années 1190. La composition, constituée de panneaux historiés encadrés d’arcades, est l’une des premières manifestations d’un genre très étroitement associé à Soissons. Les élégantes silhouettes classicisantes aux vêtements fluides sont typiques du nord de la France à cette époque.

Artwork Details

Object Information
  • Titre: Abside
  • Date: v. 1200–1210
  • Aire géographique: Picardie, cathédrale Saint-Gervais-et- Saint-Protais, Soissons
  • Culture: Français
  • Technique: Verre coloré dans la masse et peinture vitrifiée
  • Dimensions: 54,6 x 41,3 cm
  • Crédits: The Cloisters Collection, don de The Glencairn Foundation, 1980
  • Accession Number: L.58.86
  • Curatorial Department: Medieval Art and The Cloisters

Audio

Uniquement disponible en: English
Cover Image for Fuentidueña Chapel

Fuentidueña Chapel

Gallery 2

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NARRATOR: Walk the length of this expansive room, and you get a sense of the space and acoustics of a twelfth-century church in the Romanesque style. We're fortunate to have a real example of Romanesque construction: the apse at the far end of the room. An apse is a rounded projection usually at the east end of a church, where the altar stands. This apse was part of a church built at a place called Fuentidueña, on a high ridge in a mountainous part of Spain. Over fifty years ago, the government of Spain agreed to lend it to the Cloisters permanently, and it was carefully dismantled stone by stone and reconstructed here.

The Fuentidueña apse displays several distinctive features of Romanesque architecture. Its basic element is the rounded arch, which defines the structure overall and repeats in the three small windows. But the clean geometric forms are also embellished with delicate details. Look at the ornament around the window openings: the small columns with their sculpted capitals, and the textured molding. These sculptural effects embellish the stone blocks of the walls; notice how neatly cut they are, and how perfectly they fit together.

The fresco painting in the half-dome of the apse and the magnificent crucifix, made of painted wood, come from other sites in Spain. Though they are not original to this structure, they're also fine examples of Romanesque art.

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