English
DonateMembershipTickets

Watch

Watchmaker: Simon Hackett
ca. 1632–40
On view at The Met Fifth Avenue in Gallery 532
“How goes your watches ladies? What’s o’clock now? First Lady: By mine full nine. Second Lady: By mine a quarter past.” These three lines by the Jacobean playwright Thomas Middleton (d. 1627) sum up the unreliability of pre-balance-spring watches, which for the most part were more useful as jewelry than as timekeepers. The case of this example displays panels of the rare French émail en resille sur verre, a technique for embedding enameled gold designs in colored glass. Hackett was a goldsmith before becoming a member of the London Clockmakers’ Company in 1632, and he may have imported the case himself.

Artwork Details

Object Information
  • Title: Watch
  • Maker: Watchmaker: Simon Hackett (before 1620–1664, active 1630–60, master 1646)
  • Date: ca. 1632–40
  • Culture: British, London movement with French case
  • Medium: Case: enamel, glass, gold, and gilded brass; Movement: gilded brass and steel, partly blued
  • Dimensions: Diameter: 1 1/2 in. (3.8 cm)
  • Classification: Horology
  • Credit Line: Gift of J. Pierpont Morgan, 1917
  • Object Number: 17.190.1477
  • Curatorial Department: European Sculpture and Decorative Arts
More Artwork
"Royal George" Cello, William Forster  British, Spruce, maple, ebony, British
William Forster
1782
Pair-case quarter-repeating watch, John Champion  British, Outer case: glass and gold set with diamonds, pearls, emeralds, and rubies; Inner case: gold; Dial: white enamel with black painted Chinese characters and blued steel hands; Movement: gilded brass and partly blued steel, British, London, for Chinese market
Watchmaker: John Champion
ca. 1770–72
Ordonnance de Louis XIV Pour Les Armées Navales et Arcenaux de Marine, Estiennes Michallet , Paris French, Leather, tooled and gilt
Publisher Estiennes Michallet
1689
Alto Recorder, Joseph Bradbury  British, Wood, ivory, British
Joseph Bradbury
ca. 1700
Repeating watch, Francis Perigal  British, Case: partly enameled gold; Dial: white enamel with black numerals and silver hands set with diamonds; Movement: gilded brass and partly blued steel, British, London, for Turkish market
Movement by Francis Perigal
or Francis Perigal Jr.
probably ca. 1770

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.