Dance crest with opposing faces
The headdresses, which bear the same name as the society that owns them, are worn during funerals and initiations. Some are startlingly naturalistic and may be portraits of known individuals; others are highly stylized. There are three overall types: helmet masks that cover the wearer's head entirely, masks that cover only the face, and headdresses that, like this one, are attached to basketry caps worn on top of the head.
To make a headdress, the artist carves the form from a single piece of wood and covers it with soft, untanned antelope skin that has been soaked in water for several days. He stretches, binds, and pegs the skin into place until it dries and stiffens. Eyes, scarifications, and hair are often carved separately and pegged into the finished piece. Before it is worn, the headdress is painted or colored, then adorned with porcupine quills, feathers, or feathered rods stuck into holes at the top.
Artwork Details
- Title: Dance crest with opposing faces
- Artist: Ejagham or Bale artist
- Date: 19th–mid-20th century
- Geography: Nigeria, Lower Cross River region
- Culture: Ejagham or Bale peoples
- Medium: Wood, animal hide, pigment, cane, Kobus kob horns, iron, bone or ivory
- Dimensions: H. 20 1/2 × W. 18 5/8 × D. 13 1/4 in. (52.1 × 47.3 × 33.7 cm)
- Classification: Wood-Sculpture
- Credit Line: The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979
- Object Number: 1979.206.299
- Curatorial Department: The Michael C. Rockefeller Wing
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988. Kids: Headdress: Janus, Part 1
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