Tommaso di Folco Portinari (1428–1501) et Maria Portinari (Maria Maddalena Baroncelli, née en 1456)

Probablement 1470

On view at The Met Fifth Avenue in Gallery 602

Hans Memling domina la peinture brugeoise de 1465 jusqu’à sa mort, en 1494. Tommaso et Maria Portinari appartenaient à la vaste communauté des commerçants italiens installés à Bruges, où Tommaso dirigea une succursale de la banque des Médicis de 1465 à 1478. Chefs-d’œuvre de la Renaissance nordique, ces portraits furent probablement commandés pour le mariage du couple en 1470. Maria avait alors à peu près quatorze ans et Tommaso, environ quarante-deux. Les tableaux étaient à l’origine les volets d’un triptyque portatif ; ils encadraient un tableau de dévotion représentant une Vierge à l’Enfant.

Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), Hans Memling (Netherlandish, Seligenstadt, active by 1465–died 1494 Bruges), Oil on wood — Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

This artwork is meant to be viewed from right to left. Scroll left to view more.

14.40.626

14.40.627

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 1. Hypothetical reconstruction of the portraits of Tommaso and Maria Portinari (The Met, 14.40.626–27) with Hans Memling, "Virgin and Child," ca. 1470, oil on oak, 39.4 x 29.9 cm; painted surface: 37.9 x 28 cm (National Gallery, London). Reconstruction design by Timothy Newbery with Evan Read

Fig. 2. Luca della Robbia, "Virgin and Child," ca. 1455 (The Met, 14.40.685)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 3. Unknown Painter, "Isabella of Bourbon and Charles the Bold," mid-sixteenth century, oil on wood, 22 x 28.8 cm (Museum voor Schone Kunsten, Ghent)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 4. Netherlandish Painter, "Margaret of York," ca. 1468, oil on oak, 20.5 x 12 cm, (Musée du Louvre, Paris)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 5. Hugo van der Goes, detail of Maria Portinari from the "Portinari Triptych," right wing, ca. 1477–78, oil on oak, 253 x 141 cm (Galleria degli Uffizi, Florence)

Fig. 6. Infrared reflectogram of 14.40.626

Fig. 7. Infrared reflectogram of 14.40.627

Fig. 8. X-radiograph of 14.40.626

Fig. 9. X-radiograph of 14.40.627

Fig. 10. Lead distribution map acquired by XRF imaging

Fig. 11. Copper distribution map acquired by XRF imaging; image has been enhanced to make the copper in the hennin more readily visible

Fig. 12. Mercury distribution map acquired by XRF imaging

Fig. 13. Calcium distribution map acquired by XRF imaging

Fig. 14. Photomicrograph of black band (7.5 x magnification)

Fig. 15. Mercury distribution map acquired by XRF imaging

Fig. 16. Copper distribution map acquired by XRF imaging

Fig. 17. Lead distribution map acquired by XRF imaging

Fig. 18. Photomicrograph of blue highlight in drapery (4.75x magnification)

Artwork Details

Titre: Tommaso di Folco Portinari (1428–1501) et Maria Portinari (Maria Maddalena Baroncelli, née en 1456)

Artiste: Hans Memling, Néerlandais, actif 1465–1494

Date: Probablement 1470

Technique: Huile sur bois

Dimensions: Tommaso, hors tout : 44,1 x 33,7 cm ; surface peinte : 42,2 x 31,8 cm ; Maria, hors tout : 44,1 x 34 cm ; surface peinte : 42,2 x 32,1 cm

Crédits: Legs de Benjamin Altman, 1913

Accession Number: 14.40.626–27

Learn more about this artwork

(Re)Discover Early Met Collection Catalogues at Watson Library

Associate Museum Librarian for Instruction, French and Italian Bibliographer, and Online Resources Deborah Vincelli discusses some notable early Met collection catalogues in Thomas J. Watson Library.

Three people converse around a table in front of a projecfion screen at the Met store.

The Artist Project: Christopher Noey in Conversation with Walton Ford and Nina Katchadourian

Author Christopher Noey converses with artists Walton Ford and Nina Katchadourian about The Artist Project, a new book based on the online series.

Nina Katchadourian on Early Netherlandish portraiture

The Artist Project: Nina Katchadourian

Artist Nina Katchadourian reflects on Early Netherlandish portraiture in this episode of The Artist Project.

Resources for Research

The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.

The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

Tommaso di Folco Portinari (1428–1501) et Maria Portinari (Maria Maddalena Baroncelli, née en 1456)

Open Access

API

Artwork Details

Resources for Research

Feedback

European Paintings at The Met

Crop your artwork:

Scan your QR code:

Tommaso di Folco Portinari (1428–1501) et Maria Portinari (Maria Maddalena Baroncelli, née en 1456)

Open Access

API

Artwork Details

Learn more about this artwork

(Re)Discover Early Met Collection Catalogues at Watson Library

The Artist Project: Christopher Noey in Conversation with Walton Ford and Nina Katchadourian

The Artist Project: Nina Katchadourian

Resources for Research

Feedback

European Paintings at The Met