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Tommaso di Folco Portinari (1428–1501) et Maria Portinari (Maria Maddalena Baroncelli, née en 1456)

Hans Memling Netherlandish
ca. 1470
On view at The Met Fifth Avenue in Gallery 602
Hans Memling domina la peinture brugeoise de 1465 jusqu’à sa mort, en 1494. Tommaso et Maria Portinari appartenaient à la vaste communauté des commerçants italiens installés à Bruges, où Tommaso dirigea une succursale de la banque des Médicis de 1465 à 1478. Chefs-d’œuvre de la Renaissance nordique, ces portraits furent probablement commandés pour le mariage du couple en 1470. Maria avait alors à peu près quatorze ans et Tommaso, environ quarante-deux. Les tableaux étaient à l’origine les volets d’un triptyque portatif ; ils encadraient un tableau de dévotion représentant une Vierge à l’Enfant.

Artwork Details

Object Information
  • Titre: Tommaso di Folco Portinari (1428–1501) et Maria Portinari (Maria Maddalena Baroncelli, née en 1456)
  • Artiste: Hans Memling, Néerlandais, actif 1465–1494
  • Date: Probablement 1470
  • Technique: Huile sur bois
  • Dimensions: Tommaso, hors tout : 44,1 x 33,7 cm ; surface peinte : 42,2 x 31,8 cm ; Maria, hors tout : 44,1 x 34 cm ; surface peinte : 42,2 x 32,1 cm
  • Crédits: Legs de Benjamin Altman, 1913
  • Accession Number: 14.40.626–27
  • Curatorial Department: European Paintings

More Artwork

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The Annunciation, Hans Memling Netherlandish, Oil on wood
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Hans Memling
ca. 1465–70
Salvator Mundi, Hans Memling Netherlandish, Oil on wood
Salvator Mundi
Hans Memling
1480–85
The Annunciation, Hans Memling Netherlandish, Oil on panel, transferred to canvas
The Annunciation
Hans Memling
1480–89
Portrait of a Young Man, Hans Memling Netherlandish, Oil on oak panel
Portrait of a Young Man
Hans Memling
ca. 1472–75
Virgin and Child, Hans Memling Netherlandish, Oil on oak panel, Netherlandish
Virgin and Child
Hans Memling
Early sixteenth century

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