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The Mater Dolorosa

Christ's mourning mother (Mater dolorosa) stands within a lush network of leafy branches known as Astwerk, a translation of architectural canopies and tracery into a vegetal vocabulary. Among the most innovative artists of the late fifteenth century, Peter Hemmel and the group of stainedglass painters he worked with known as the Strasbourg Workshop Cooperative executed glazing programs throughout southern Germany and into Austria. The panels is in superb condition.

See also acc. no. 1998.215.1

Artwork Details

Object Information
  • Title: The Mater Dolorosa
  • Artist: Lautenbach Master (German, active late 15th century)
  • Artist: Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft) (active Southern and Central Germany, ca. 1470–1500)
  • Date: ca. 1480
  • Geography: Made in Swabia, Germany
  • Culture: South German
  • Medium: Pot-metal glass and colorless glass, silver stain, and vitreous paint
  • Dimensions: 19 5/8 x 16 3/8 in. (49.8 x 41.6 cm)
  • Classification: Glass-Stained
  • Credit Line: The Cloisters Collection, 1998
  • Object Number: 1998.215.2
  • Curatorial Department: Medieval Art and The Cloisters
More Artwork
Man of Sorrows, Lautenbach Master  German, Pot-metal glass and vitreous paint, German
Lautenbach Master
Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft)
ca. 1480
Saint George and the Dragon, Limewood with paint and gilding, South German
South German
ca. 1460–70
Saint Maximin, Bishop of Trèves, with a bear (one of a pair), Stained glass; pot metal, white glass, vitreous paint, silver stain, German
German
ca. 1510–30
Annunciation Triptych (Merode Altarpiece), Robert Campin  Netherlandish, Oil on oak, Netherlandish
Workshop of Robert Campin
ca. 1427–32
Adoration of the Magi, Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft), Pot metal and colorless glass, vitreous paint, and silver stain, German
Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft)
1507

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