Madonna col Bambino in trono

ca. 1175–1200
On view at The Met Fifth Avenue in Gallery 304
Più che un’immagine di madre e figlio, questa rappresentazione con la Madonna che regge rigidamente in grembo Gesù sembra voler sottolineare il ruolo di Cristo Bambino in quanto personificazione della divina Sapienza. Per rafforzare il messaggio, Gesù doveva reggere un libro. La scultura emana un’austera bellezza, che si nota nel disegno ritmico della veste della Madonna, nel velo delicato che le incornicia il volto e nelle tracce di colore rimaste, in particolare sul cuscino verde. Statue di questo tipo erano usate come oggetti di devozione e trasportate durante le processioni religiose. Questa scultura doveva forse contenere sacre reliquie: presenta infatti due cavità, una dietro alla spalla della Madonna, l’altra all’altezza del seno.

Artwork Details

Object Information
  • Titolo: Madonna col Bambino in trono
  • Data: ca. 1150-1200
  • Area geografica: Auvergne
  • Cultura: Francese
  • Materiale e tecnica: Noce, pittura, gesso, lino
  • Dimensioni: 79,5 x 31,7 x 29,2 cm
  • Crediti: Dono di J. Pierpont Morgan, 1916
  • Numero d'inventario: 16.32.194a, b
  • Curatorial Department: Medieval Art and The Cloisters

Audio

Disponibile solo in: English
Cover Image for 82. Virgin and Child in Majesty, Part 1

82. Virgin and Child in Majesty, Part 1

Gallery 304

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ED VESSEL: The brain is intimately attuned to the minute differences in shape and arrangement of the hands. For example, understanding the particular meaning conveyed by particular hand grasps.

NARRATOR: Due to the condition of this sculpture, some important hand gestures have been lost.

GRIFFITH MANN: You see the hands of the Virgin Mary reaching around to hold the Christ Child, but Christ's arms and hands are missing. His right hand, which is extended towards us, would have been making a gesture of blessing, with two fingers raised up. And then his left hand probably would have been holding a book representing the Word made Flesh in the figure of Christ.

MELANIE HOLCOMB: The hand is a powerful symbol for a Medieval viewer. Many, many images from the Middle Ages will sometimes only represent God by a hand, because the hand suggests that we can't understand the whole body, the whole outline of God.

NARRATOR: Learn about this sculpture’s context. Press play.

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