Frammento di testa di regina

New Kingdom
ca. 1390–1336 B.C.
On view at The Met Fifth Avenue in Gallery 121
Da quando questo frammento dalla forte sensualità divenne noto grazie ad una mostra nel 1922, ci si è chiesti chi rappresentasse: la regina Tiye, moglie di Amenofi III; Nefertiti, regina e consorte principale di Akhenaton; oppure Kiya, sua seconda consorte. La domanda non ha ancora trovato risposta. Statue composite fiorirono durante il regno di Akhenaton, epoca a cui risale quest’opera. Le parti raffiguranti l’incarnato erano di solito in pietra gialla o rosata. Gli indumenti e gli accessori erano fatti con materiali diversi, scelti allo scopo di ottenere un impatto visivo sorprendente. Il diaspro rosso, giallo o verde, che si trova in natura nelle regioni montuose tra la valle del Nilo e il Mar Rosso, è una pietra dura come la selce, con la quale è strettamente imparentata. La brunitura manuale donava una patina opaca alle superfici scolpite nella varietà rossa e su questo volto di diaspro giallo l’incredibile lucentezza è interamente frutto di “olio di gomito”.

Artwork Details

Object Information
  • Titolo: Frammento di testa di regina
  • Periodo: Nuovo Regno, XVIII dinastia, regno di Akhenaton
  • Data: ca. 1352-1336 a.C.
  • Area geografica: Amarna (?)
  • Materiale e tecnica: Diaspro giallo
  • Dimensioni: 13 x 12,5 x 12,5 cm
  • Crediti: Acquistato, donazione di Edward S. Harkness, 1926
  • Numero d'inventario: 26.7.1396
  • Curatorial Department: Egyptian Art

Audio

Disponibile solo in: English
Cover Image for 809. Kids: Fragment of a Queen's Face, Part 1

809. Kids: Fragment of a Queen's Face, Part 1

0:00
0:00

Take a careful look at this piece. What you see is all that is left of this sculpture of a head of a queen. We’re not positive who she is, but we’re fairly sure she’s from the time of the pharaoh Akhenaten, who lived more than three thousand years ago. She might be one of his wives or daughters. She could even be his mother, Queen Tiye.

The sculpture is made of a hard, semi-precious stone called jasper. The Egyptians only had hand tools, so a very skillful artist must have carved and polished it. Originally, the head sat on top of a body made out of a different material, like wood or limestone.

Sometimes, it’s almost more interesting to have part of something rather than the whole, because you can imagine what the rest of it looks like. What’s amazing about this Queen is how magical and powerful she is, even though so much of the sculpture is missing. Look at the curve of her cheek, and her lips. When you get home, you might want to draw what the rest of her face would look like. If you’d like to hear information about why the Museum has fragments or objects that are not complete, press the green play button now.

    Listen to more about this artwork

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback