ヴァレンジュヴィル・ルーム

ca. 1736–52, with later additions
On view at The Met Fifth Avenue in Gallery 525
この部屋の見所である部分的に高浮彫りが施された鏡板(木製パネル)は、18世紀パリの個人宅だったヴァレンジュヴィル邸にあったものです。ヴァレンジュヴィル邸は、当時の面影はほとんど失われたものの、現在でもサンジェルマン通り217番地に所在しています。彩色され金箔が貼られたオーク材の羽目板は、C字形やS字形の曲線模様、花の小枝、ロカイユ模様などで装飾されていますが、モチーフがおおむね対称的であるため、完全なロココ様式とは言えません。トロフィーは音楽、造園、武勇、君主の栄光などを象徴しており、鏡と羽目板の曲線模様が施された鏡や壁板の枠にとまっている首の長い鳥は、当時の異国趣味を反映しています。

Artwork Details

Object Information
  • 題: ヴァレンジュヴィル・ルーム
  • 月日: 1736–52年頃 (後の追加分も含む)
  • 地理: パリ
  • 寸法: 5.58 x 7.07 x 12.36 m
  • 提供者: 購入、チャールズ・ライツマン夫妻より助成、1963年
  • 受け入れ番号: 63.228.1
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

以下でのみ利用可能: English
Cover Image for 2275. Overview: Varengeville Room, Part 1

2275. Overview: Varengeville Room, Part 1

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NARRATOR: This palatial reception room epitomizes the start of the glorious era of French Rococo. This ornate style of great delicacy and refinement flourished in the mid-eighteenth century, while Louis XV was King. And some of the Museum’s most extraordinary objects from his reign are displayed here.

This opulent painted and gilded paneling once decorated the walls of the Hôtel de Varengeville, a grand townhouse in Paris. Its exuberant high-relief carving typifies early Rococo décor. The term derives from rocaille and coquillage, or decoration with irregularly shaped stones and shells. And here are such characteristic motifs as swirling S-scrolls, palmettes, and sprays of foliage. Curator Danïelle Kisluk-Grosheide.

DANIËLLE KISLUK-GROSHEIDE: Particularly noteworthy are the birds on either side of the top of the mirrors and at the top of the panels, with their necks sticking out quite three-dimensional, away from the background.

NARRATOR: Mirrors—a highly expensive commodity—punctuate the white-and-gold paneling. They serve to reflect limited light, as well as expand the sense of objects and space. Not everyone was smitten with Rococo interiors. To hear more, press play.

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